Shanghai Wzt Aristo Pavilion Aseɣwem n Daxel n Temsekniwt Tadelsant sɣur Shanghai Wei Design Co. Ltd

Shanghai Wzt Aristo Pavilion Aseɣwem n Daxel n Temsekniwt Tadelsant sɣur Shanghai Wei Design Co. Ltd d anerbaz yettwaqadren meqqren n 2024 Tarbaḥt A' Design Award n Lfeṭṭa deg Taggayt n Tnaflit n Afeṣṣel n Ugensu, Taddart n Uzenz d Uskan.

LfeṭṭaAgensu· 2024

Shanghai Wzt Aristo Pavilion Aseɣwem n Daxel n Temsekniwt Tadelsant

sɣur Shanghai Wei Design Co. Ltd

Amsaɣ: Shanghai Wei Design Co..Ltd

Anerbaz n Tarbaḥt A' Design Award n Lfeṭṭa deg Taggayt n Agensu

20,263

Anerbaz n Urraz Yettwasenqden

Senqed Addad n Urraz i #161196

Wali deg A' Design Award Tabḍert n tɣamsa Tanecḍa n wammud

Initen

Afeṣṣel

Ɣef Shanghai Wzt Aristo Pavilion Aseɣwem n Daxel n Temsekniwt Tadelsant

Shanghai Wzt Aristo Pavilion d aseɣwem n daxel n temsekniwt tadelsant yeṭṭfen 600 n lmitrat imkuẓen deg temnaḍt n Xuhui, di Shanghai. Aseɣwem-agi yessefraray idles aqbur ašinwa, yerna yekka-d seg tesga n Huizhou n tmurt n Jiangnan di Tšinwit. Tijgiwin d tgejda, i yellan zik d ayen kan i irefden lebni, uɣalent-d ttwaseqdacent yerna ttwaskanent-d d iferdisen igejdanen n daxel. Idasilen n tgejda ttwaqecṛen s tarrayin n uqcaṛ n weẓru n Huizhou, skanayen-d abarquq, l'orchidée, aɣanim d ukrizantim d ṛebɛa n tsemhuyin. Ṭṭabla taɣezfant taminimalist s telwiḥin n uakrilik yettwalin tesdukkel iferdisen atraren d wid iqburen.

Asmekti

Ɣef Tarbaḥt A' Design Award n Lfeṭṭa

Shanghai Wzt Aristo Pavilion Aseɣwem n Daxel n Temsekniwt Tadelsant d amerbaḥ n Tarbaḥt A' Design Award n Lfeṭṭa, tagmat ɛlayen i yisnulfa yelhan, yeḥlan s waṭas. Imerbaḥen n Lfeṭṭa d isnulfa yelhan akk, yesɛan tmusni d tazmert. Shanghai Wzt Aristo Pavilion Aseɣwem n Daxel n Temsekniwt Tadelsant ad yili d asnulfu amaynut, yelhan, ad yeǧǧ ddunit tennuɣ.

Deffir n ufeṣṣel

Tagrurt n tɣamsa

Ismawen n terbaɛt, iferdisen itiknikanen akked telɣut i d-yefka umeṣṣufeɣ.

Taɣara Tasuft: The interior design of Aristo Mansion, committed to promoting the exchange of traditional Chinese culture, distinguishes itself from the conventional neo-Chinese design style. The project exhibits beams and columns, which are integral load-bearing structures in traditional Chinese architecture, as part of the interior design. This not only embodies the structural aesthetics of Chinese architecture but also ensures the utility of the space. Additionally, it accents the harmonious integration of the functionality of the structure with its ornamental aspects.
Tigejdiwin & Akemmus: The area is 600m²
Tibzimin: Culture, Tradition, Modernity, Space, Design, Chinese Studies
Tasnakta n Ufares: To restore the original beam and column structure interiorly, the project reuses components. The column bases are intricately carved using Huizhou stone carving techniques, symbolizing the alternating of four seasons represented by Plum, Orchid, Bamboo, and Chrysanthemum. The desktop crafted from transparent acrylic panels delivers a visually appealing experience where modern and traditional spaces reflect and complement each other.
Asewḥel n Usnulfu: Making an accurate trade-off between modernity and tradition, and achieving a harmonious coexistence without conflict, poses a great challenge in the field of design. The minimalist long table and its accompanying cushions seamlessly integrate modern elements. The minimalist design language not only reconciles with modern aesthetics, but also upholds the continuity of blending to the traditional environment without surprise.
Anadi: Making an accurate trade-off between modernity and tradition, and achieving a harmonious coexistence without conflict, poses a great challenge in the field of design. The minimalist long table and its accompanying cushions seamlessly integrate modern elements. The minimalist design language not only reconciles with modern aesthetics, but also upholds the continuity of blending to the traditional environment without surprise.
Aseḥbiber: The project is inspired from the essence of ancient architecture in the Jiangnan region of China, particularly the architectural style of Huizhou. This style has drastically influenced the conceptualization of the project. The design team extensively studied the core components of Huizhou architecture, such as column bases and wax gourd beams, along with other iconic structural elements. This enables them to link traditional with modern design contexts.
Tanzagt n Usenfar: At the entrance of the architectural space, the hanging wall structure, a sort of suspended partition, only unveils a rocky landscape and atomized water beneath the suspended interface. Actually a pine tree is concealed behind this hanging wall which holds great significance in Chinese culture as a symbol of perseverance, nobility and non-corruption. Through the clever installation of this pine tree, it metaphorically embodies the traditional Chinese virtue of a "gentleman" characterized by modesty and reservation.
Tanila n Umahil: The project kicked off on March 2021 in Xuhui District, Shanghai, and is scheduled to be finalized and put into operation by September 2021.
Igmamen n Terbaɛt: Wei Liang, Feng Weiqiang, Yang Hongdan, Huang Weishan, Huang Qinbang