Rebel Type Tajmilt sɣur Jared Iannacone d anerbaz yettwaqadren meqqren n 2025 Tarbaḥt A' Design Award n Uzzal deg Taggayt n Tnaflit n Afeṣṣel n Umagrad d Umidya Yettwaɣran.

UzzalAmagrad· 2025

Rebel Type Tajmilt

sɣur Jared Iannacone

Anerbaz n Tarbaḥt A' Design Award n Uzzal deg Taggayt n Amagrad

40,227

Anerbaz n Urraz Yettwasenqden

Senqed Addad n Urraz i #167389

Wali deg A' Design Award Tabḍert n tɣamsa Tanecḍa n wammud

Initen

Afeṣṣel

Ɣef Rebel Type Tajmilt

Rebel Type d tajmilt n wayyur i d-yettawin ɣef tira n tsekla (typographie) akked tesɣunt-ines deg ubeddel adelsan. Asuneɣ-ines yettwasenfel s tẓuri n punk akked tẓuri n uɛerraḍ. Isebtar ineggura, tifranin n tira ur nețwali ara, akked wallal n tmuɣli tarikawt sseknen anamek ur nemsasa ara akked yiwenzen imezwura n tira. Ipages i d-yețțalin akked wid i d-yețțarran ttɛeraḍen imɣaren ad snirmen kra n tuɣalin s ufus. Isebtar n daxel ttwasiggzen ɣef warrat s teɣlaft, s tugna n uselway, ma d agilal iseqdac tafat n usentel. Tajmilt-agi tesken tira n tsekla am tazmert n tẓuri d tadelsant i imɣaren ismenyifen tamusni.

Asmekti

Ɣef Tarbaḥt A' Design Award n Uzzal

Rebel Type Tajmilt d amerbaḥ n Tarbaḥt A' Design Award n Uzzal, tagmat i yisnulfa yelhan i yemmalen ayen i d-ttrajun yimdanen seg yisnulfa yelhan. Imerbaḥen n Uzzal ttbanen d tmusni, tmahilt d tazmert n yimahilen-nsen. Rebel Type Tajmilt ad yili d asnulfu yettwaɛezzen, yelhan, amaynut. Isnulfa-a ttwaɛezzen imi ɛawnen deg tudert, rran ddunit ugar n lxir.

Deffir n ufeṣṣel

Tagrurt n tɣamsa

Ismawen n terbaɛt, iferdisen itiknikanen akked telɣut i d-yefka umeṣṣufeɣ.

Taɣara Tasuft: Rebel Type is a monthly magazine exploring the rebellious and transformative power of typography. It challenges traditional norms with bold layouts, unconventional typographic choices, and a raw aesthetic inspired by the punk movement. With interviews, cultural insights, and a focus on the DIY ethos, the magazine connects typography to broader social and artistic revolutions. Each issue offers a fresh and innovative take on visual storytelling for creatives seeking disruption and inspiration.
Tigejdiwin & Akemmus: Size: 20.5 cm x 27.5 cm with a thickness of approximately 5 mm, including various pop-ups and fold-out elements.
Interior Paper: 200 gsm with a textured, recycled-like finish for a tactile and organic feel.
Cover Paper: 300 gsm with a metallic finish, emphasizing the dynamism and energy of electronic music featured in the special edition
Tibzimin: Typography magazine, punk design, rebellious typography, experimental layouts, graffiti art, DIY aesthetic, modern design, subculture typography, visual storytelling, Music.
Tasnakta n Ufares: The magazine was printed on special paper with texture, raw finish, featuring subtle specks resembling recycled paper. This choice added a tactile, organic feel to the design, enhancing its experimental aesthetic. For the cover, a metallic material was used to reflect the theme of electronic music, emphasizing the energy, movement, and dynamism of this special edition.
Asewḥel n Usnulfu: One of the biggest challenges was integrating the rebellious and chaotic essence of punk into a clean and organized design. The main struggle was balancing experimental elements with readability, especially when working with white space. After much iteration, I achieved a fusion of bold, rebellious aesthetics with a polished and functional visual structure.
Anadi: The research explored the intersection of typography, art, and activism. Objectives included investigating how typography has historically been used in protests and subcultures, such as punk zines and graffiti, and translating that rebellious energy into a modern magazine format. Methods included studying archival materials, interviewing creatives, and experimenting with visual styles. The outcome is a magazine that challenges norms while showcasing typography as an artistic and cultural force.
Aseḥbiber: Rebel Type draws from the bold energy of movements like punk, where typography became a tool of protest and expression. Inspired by the stages of design, evolution breaking rules, chaos, and reinvention, it reflects the rebellious spirit of typography as a medium of visual and cultural change. This project aims to celebrate and redefine the role of type in challenging conventions and fostering creativity.
Tanzagt n Usenfar: The project was developed between August and October 2024 in Lima, Peru
Tanila n Umahil: "Rebel Type" is designed to engage readers with its tactile and visual elements. As they flip through the pages, they experience bold layouts, unexpected typographic choices, and interactive features like pop-ups and fold-outs. The magazine encourages discovery, offering readers both a physical and mental experience. Its raw, rebellious aesthetic challenges conventional design, inviting creatives to rethink typography and visual storytelling in a fresh and inspiring way.