Omar Khayyam Tagrumma n tfelwiyin sɣur Vahid Mirzaei d anerbaz yettwaqadren meqqren n 2025 Tarbaḥt A' Design Award n Lfeṭṭa deg Taggayt n Tnaflit n Afeṣṣel n Unuɣ, Tugna d Teywalt Tamulant.
LfeṭṭaUnuɣ· 2025
Omar Khayyam Tagrumma n tfelwiyin
sɣur Vahid Mirzaei
Amsaɣ: Vahid Mirzaei Design
Anerbaz n Tarbaḥt A' Design Award n Lfeṭṭa deg Taggayt n Unuɣ
Anerbaz n Urraz Yettwasenqden
Senqed Addad n Urraz i #169346Afeṣṣel
Ɣef Omar Khayyam Tagrumma n tfelwiyin
Omar Khayyam d tagrumma n tfelwiyin timdinanin i d-yesken tamedyazt n umedyaz afarsi Omar Khayyam. Tifelwiyin-agi sfuglent amulli wis 975 n tlalit n umedyaz. Yal tafelwit tesdukkel tirawt tafarsit d tsuqilt taglizit yettwarsen deg tama tufella tazelmaḍt. Afeṣṣel n isekkilen yebna ɣef tirawt tucbiḥt tafarsit taklasikit, yettwaseggem akken ad yishil ɣer tɣuri deg imukan izuyaz iɛemmren. Yal tafelwit tesɛa 150 ɣef 107 n isantimitren, tesseqdac initen CMYK s 300 dpi. Tagrumma-agi tettwasken deg tɣessarin n umitru d imukan-nniḍen izuyaz deg Tehran.
Asmekti
Ɣef Tarbaḥt A' Design Award n Lfeṭṭa
Omar Khayyam Tagrumma n tfelwiyin d amerbaḥ n Tarbaḥt A' Design Award n Lfeṭṭa, tagmat ɛlayen i yisnulfa yelhan, yeḥlan s waṭas. Imerbaḥen n Lfeṭṭa d isnulfa yelhan akk, yesɛan tmusni d tazmert. Omar Khayyam Tagrumma n tfelwiyin ad yili d asnulfu amaynut, yelhan, ad yeǧǧ ddunit tennuɣ.
Deffir n ufeṣṣel
Tagrurt n tɣamsa
Ismawen n terbaɛt, iferdisen itiknikanen akked telɣut i d-yefka umeṣṣufeɣ.
- Taɣara Tasuft
- To commemorate the 975th birth anniversary of Omar Khayyam, this project presents urban posters featuring his timeless poetry. The designs integrate Persian typography with English translations in the upper left, bringing his philosophical reflections to public spaces such as metro stations, buses, and city streets, making his wisdom accessible to all and fostering a cultural dialogue between past and present.
- Tigejdiwin & Akemmus
- 150 cm X 107 cm
CMYK color
300 dpi - Tibzimin
- Khayyam, Poster, Calligraphy, Typography, color, life, minimal
- Tasnakta n Ufares
- The posters utilize digital typography, combining Persian calligraphy with modern graphic design principles. The process involved custom type design, composition refinement, and digital rendering to ensure clarity and aesthetic harmony. The typography is crafted to evoke the elegance of classical Persian script while maintaining legibility for contemporary audiences in public spaces.
- Asewḥel n Usnulfu
- Balancing traditional Persian calligraphy with modern digital typography was a key challenge. Ensuring readability in busy urban settings, maintaining cultural authenticity, and integrating bilingual content harmoniously required meticulous composition. Additionally, adapting the artwork for various public spaces while keeping a cohesive visual identity posed a creative and technical challenge.
- Anadi
- Omar Khayyam was a Persian poet, mathematician, and philosopher whose quatrains explore existential themes, fate, and the passage of time. His poetry has influenced visual arts, literature, and philosophy worldwide. In design and typography, his verses inspire expressive forms, merging aesthetic beauty with intellectual depth. This project extends his legacy into public art, engaging new audiences with his profound reflections.
- Aseḥbiber
- The project was inspired by Khayyam’s timeless wisdom and its relevance to modern life. His poetry explores fate, existence, and the fleeting nature of time, themes that resonate deeply today. The idea of bringing classical Persian literature into contemporary public spaces came from a desire to bridge history, art, and everyday life, creating moments of reflection amid the urban rush.
- Tanzagt n Usenfar
- The project started in February 2023 in Tehran and finished in June 2023 in Tehran, and was exhibited in Metro stations and urban spaces in May 2023.
- Tanila n Umahil
- The interaction happens as passersby encounter the posters in urban spaces, catching their eye with intricate Persian typography. The key frames include the first glance, where the poetry’s visual elegance intrigues, followed by reading the English translation, offering accessibility. The final frame is reflection, where viewers connect with Khayyam’s words, making his poetry a part of their thoughts and urban experience.
- Imsuren n Tugniwin
- Designed by Vahid Mirzaei
Yettwaxellṣen
Snirem Seld Designers.org
Af-d iferdisen, imeẓla d tegnatin sɣur yimɛawnen-nneɣ n usissen.
Ugar i tifin
Ifeṣṣelen yemcudden
Snirem ugar n ifeṣṣelen yewwin ammud seg twennaḍt-nni kan, ttwaferzent s lmeɛna.
