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Elysium Echoes Tazwart Amecwaṛ: Asbeddi n Ẓẓayla Tatrart Yettwazerrbeɣ sɣur Yiru Wang

Elysium Echoes Tazwart Amecwaṛ: Asbeddi n Ẓẓayla Tatrart Yettwazerrbeɣ sɣur Yiru Wang d anerbaz yettwaqadren meqqren n 2025 Tarbaḥt A' Design Award n Lbrunz deg Taggayt n Tnaflit n Afeṣṣel n Teẓuri Tafessast d Usbeddi n Teẓuri.


LbrunzTaẓuri Tafessast· 2025

Elysium Echoes Tazwart Amecwaṛ: Asbeddi n Ẓẓayla Tatrart Yettwazerrbeɣ

sɣur Yiru Wang

Amsaɣ: SaturnVII Studio

Anerbaz n Tarbaḥt A' Design Award n Lbrunz deg Taggayt n Taẓuri Tafessast

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Anerbaz n Urraz Yettwasenqden

Senqed Addad n Urraz i #170527

Initen

Afeṣṣel

Ɣef Elysium Echoes Tazwart Amecwaṛ: Asbeddi n Ẓẓayla Tatrart Yettwazerrbeɣ

Aḍris n Tektabt: Elysium Echoes d asbeddi n ẓẓayla yettezzin i d-yesnulfun tuqqna ger usnifel n twennaḍt d tzeddigt n umdan. Amahil-agi ittwaxdem seg resin, uẓrur akked acrylic, s yiḥricen yettwaskanen s tira tlata-tafṛitin akked umutur ittezzin, yesɛa lḥeǧǧam n 45 s 45 s 50 santimitr. Tlata n yiḥricen skanen tugniwin n umdan, tin ussaggen d tin ttwassnen d "abna n umdan". Tuzzya tarikelt tessehway yerra-d tigemma-agi akken ad d-tessken isnifal n tettitmulit. Asbeddi-agi yessawal ɣer usmekti ɣef tetiknulujit, tesirtit akked lweqt-nni i d-iteddun n umdan.

Asmekti

Ɣef Tarbaḥt A' Design Award n Lbrunz

Elysium Echoes Tazwart Amecwaṛ: Asbeddi n Ẓẓayla Tatrart Yettwazerrbeɣ d amerbaḥ n Tarbaḥt A' Design Award n Lbrunz, tagmat ɛlayen i yisnulfa yelhan, yeṭṭafaren tinawt, tamusni d tezmert. Imerbaḥen n Lbrunz d isnulfa yelhan, ttbanen d timusniwin n tmusni n yimahilen-nsen. Elysium Echoes Tazwart Amecwaṛ: Asbeddi n Ẓẓayla Tatrart Yettwazerrbeɣ ad yili d asnulfu yettwaɛezzen, yelhan, amaynut. Elysium Echoes Tazwart Amecwaṛ: Asbeddi n Ẓẓayla Tatrart Yettwazerrbeɣ yettemlil ɣef yimawlan, yettwaɛezzen s tmahilt-is.

Deffir n ufeṣṣel

Tagrurt n tɣamsa

Ismawen n terbaɛt, iferdisen itiknikanen akked telɣut i d-yefka umeṣṣufeɣ.

Taɣara Tasuft
Elysium Echoes explores the complex relationship between environmental change and human survival in a post-humanist era. It examines how humanity's evolving bond with the environment is influenced by the balance between technological progress and ecological sustainability.
Tigejdiwin & Akemmus
45*45*50cm
Tibzimin
3D Printing, Art Installation, Interdisciplinary Art, FutureEcology, ContemporaryTechArt
Tasnakta n Ufares
Rotating Motor, 3D Printing, Resin, Metal, Acrylic
Asewḥel n Usnulfu
Elysium Echoes deconstructs the complex bond between humans and nature, prompting reflection on technological progress and its impact on life and evolution. As humanity's influence grows, a crucial question arises: should we reshape nature in the name of technology? Though the "post-human era" remains uncertain, it echoes a warning—our pursuit to replace the Creator may not unfold as envisioned.
Anadi
This research uses a speculative, practice-led approach to explore how technological progress reshapes humanity’s relationship with nature in the Anthropocene. Grounded in post-humanist theory, it critiques ethical ambiguities of ecological intervention and envisions alternative evolutionary paths. Through immersive installation art, kinetic prototyping, and participatory observation, a rotating structure (human/transitional/post-human) simulates evolutionary disruption. Data from 87 interviews, audience analytics, and impact simulations reveal a tension between techno-optimism and ecological humility, with 73% reconsidering humanity’s stewardship. The work advocates for ethical, interdisciplinary governance and positions design as a mediator between science and societal values.
Aseḥbiber
In the post-human era, I explore how shifting environments and productivity levels shape human gene selection. Technological progress aids adaptation, yet sudden ecological upheaval risks collapsing our systems, regressing productivity and forcing genetic adaptation to dominate survival. Here, mutation emerges as life’s most reliable tool.
Tanzagt n Usenfar
London Design Week 14–21 September 2024
Dutch Design Week 19–27 October 2024
Tanila n Umahil
This dynamic installation explores biodiversity and evolution in the transition from humans to post-humans. Comprising three parts—human, transitional forms, and post-human—it rotates continuously, disrupting and recombining stages to simulate evolutionary shifts and new species. The work challenges biological boundaries and provokes thought on evolution, technology, and humanity’s future.
Igmamen n Terbaɛt
YIRU WANG

Yettwaxellṣen

Snirem Seld Designers.org

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Asnulfu Yelhan Yesra Asekṛes Ameqqran

Arraz A' n Usnulfu d arraz agraɣlan, yettusneqden sɣur uɣref, i usnulfu yelhan. Ttekki deg Urraz A' n Usnulfu akken ad tesɛuḍ tagnit n usekṛes imeritukratik, ad tawiḍ aẓayer, ameqqer d usissen i umahil-ik. Sumer amahil-ik i Urraz A' n Usnulfu akken ad tnafseḍ s Ulamek A' n Usnulfu.

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