Op.2-3 Tafwact n rrbeḥ sɣur Seungbum Ma d anerbaz yettwaqadren meqqren n 2026 Tarbaḥt A' Design Award n Lfeṭṭa deg Taggayt n Tnaflit n Afeṣṣel n Irrizen, Ismektiyen d Imennaden.

LfeṭṭaAsmekti· 2026

Op.2-3 Tafwact n rrbeḥ

sɣur Seungbum Ma

Amsaɣ: Design House

Anerbaz n Tarbaḥt A' Design Award n Lfeṭṭa deg Taggayt n Asmekti

32,981

Anerbaz n Urraz Yettwasenqden

Senqed Addad n Urraz i #173325

Rzu ɣer usmel Wali deg A' Design Award Tabḍert n tɣamsa Tanecḍa n wammud

Initen

Afeṣṣel

Ɣef Op.2-3 Tafwact n rrbeḥ

Tafwact-agi, i yettwaxedmen i temzizzelt n usebyen n usqim n tudert n Seoul 2024, tuddem tebḍa-d seg iferdisen ifessasen n tsuddemt am tgejda, tgejda tigaǧǧranin, akked yeqqacan, i yettwafessren s wallalen atraran akked tarrayin n usnulfu. Tettwaxdem s uakrilik, tettbeggin-d tamunderrit n usemlili aqbur aKurI ma tețnadi tafat, tili, akked ubeddel n uɣawas. Talɣa tetbeddil s tuɣmest akked tafat, ticki tetfeǧǧiǧ, tettbin-d, neɣ tessufuɣ-d tili yesɛan ini, tessemlal tazedgant tanmeggagt d lɛumq n yiwallen s unadi n usdukkel iherrcen.

Asmekti

Ɣef Tarbaḥt A' Design Award n Lfeṭṭa

Op.2-3 Tafwact n rrbeḥ d amerbaḥ n Tarbaḥt A' Design Award n Lfeṭṭa, tagmat ɛlayen i yisnulfa yelhan, yeḥlan s waṭas. Imerbaḥen n Lfeṭṭa d isnulfa yelhan akk, yesɛan tmusni d tazmert. Op.2-3 Tafwact n rrbeḥ ad yili d asnulfu amaynut, yelhan, ad yeǧǧ ddunit tennuɣ.

Deffir n ufeṣṣel

Tagrurt n tɣamsa

Ismawen n terbaɛt, iferdisen itiknikanen akked telɣut i d-yefka umeṣṣufeɣ.

Taɣara Tasuft: This is the trophy design for the 2024 Seoul Living Design Fair. Inspired by fundamental architectural elements, such as beams, columns, and slabs, the design reinterprets traditional Korean joinery using acrylic. The trophy’s form responds to light and angle: at times glowing and casting stained-glass-like reflections, at others becoming a dark mirror or a silent, solid mass. Three versions were created—Special, Product, and Space Prizes—each rendered in RGB hues symbolizing light itself.
Tigejdiwin & Akemmus: Width 103 mm x Depth 103 mm x Height 323 mm
Tibzimin: architectural object, architectural trophy, trophy
Tasnakta n Ufares: This project also served as an experiment in translating architectural and furniture joinery techniques into a smaller scale. It involved a series of tests to determine tolerances that allow precise acrylic assembly without breakage, along with studies to identify the optimal colors and levels of transparency. The final outcome was achieved through extensive exploration of transparency, translucency, opacity, reflectivity, dyeing, tinting, and color mixing.
Asewḥel n Usnulfu: Wood was fragile, while rigid paper allowed for easy assembly but presented issues with warping and finish. Aluminum lost its precision and deformed during cutting. While 3D printing offered structural stability, it was excluded due to its incompatibility with the interlocking design language.

Ultimately, acrylic was chosen for its ability to transmit and reflect light, casting colored shadows while glowing on its own. However, tests were required to determine the optimal tolerances for assembly without breakage, as well as to identify suitable colors and levels of transparency.
Anadi: Under a tight timeline, it was necessary to explore multiple formal alternatives for the trophy while simultaneously studying the complex joinery details at a small scale using various materials.
Aseḥbiber: This project explores the universal language of architecture to evoke new experiences and meanings. Fundamental elements, such as beams, columns, walls, and floors, are reconfigured with contemporary materials to defamiliarize the everyday and invite renewed reflection. By reinterpreting traditional joinery through modern techniques, the work honors history while opening paths toward the future.
Tanzagt n Usenfar: The project started in January and finished in February 2024 in Seoul, and was exhibited in the Seoul Living Design Fair 2024 in March.
Tanila n Umahil: Placed by a sunlit window, it takes on entirely different forms and impressions depending on the time, weather, and the viewer’s perspective.
Igmamen n Terbaɛt: SeungBum Ma
Euijung Sung
Eunbin Lim
Imsuren n Tugniwin: All photos by Yoon Park.