Tongli Villa Aseɣwes n Wexxam n Tnezduɣt sɣur Hangzhou Shihe Design d anerbaz yettwaqadren meqqren n 2026 Tarbaḥt A' Design Award n Lfeṭṭa deg Taggayt n Tnaflit n Afeṣṣel n Ugensu, Taddart n Uzenz d Uskan.
LfeṭṭaAgensu· 2026
Tongli Villa Aseɣwes n Wexxam n Tnezduɣt
Amsaɣ: Hangzhou Shihe Design
Anerbaz n Tarbaḥt A' Design Award n Lfeṭṭa deg Taggayt n Agensu
Anerbaz n Urraz Yettwasenqden
Senqed Addad n Urraz i #174289Afeṣṣel
Ɣef Tongli Villa Aseɣwes n Wexxam n Tnezduɣt
Tongli Villa d aseɣwes n daxel n wexxam n tnezduɣt yesɛan kraḍ n leswari s tjumma n lqaɛa n wazal n 450 n lmitrat imkuẓen. Talɣa-s teldi yerna tettembeddal s tilelli, war leḥyuḍ n beṭṭu, yerna deg-s tazeqqa n usgunfu deg tqerruyt n wexxam i d-yeqqimen war asqef. D isufar iɣelnawen i d-yesbadun daxel-is, gar-asen asɣar n teak ur nettwaseggem ara, asɣar aberkan yettwaḥerzen mgal aɣebbar, akked leḥyuḍ n talaɣt yettwaxedmen s ufus. Acebbeḥ yeqqim d drus mliḥ, ihi d uḍan akked tafat n wass i yettalsen talɣa i yal taxxamt. Aseɣwes-a d ttbut n tgemmi n Miao n bab n wexxam, yerna yettalel tudert n yal ass yersen yerna teddun s leɛqel.
Asmekti
Ɣef Tarbaḥt A' Design Award n Lfeṭṭa
Tongli Villa Aseɣwes n Wexxam n Tnezduɣt d amerbaḥ n Tarbaḥt A' Design Award n Lfeṭṭa, tagmat ɛlayen i yisnulfa yelhan, yeḥlan s waṭas. Imerbaḥen n Lfeṭṭa d isnulfa yelhan akk, yesɛan tmusni d tazmert. Tongli Villa Aseɣwes n Wexxam n Tnezduɣt ad yili d asnulfu amaynut, yelhan, ad yeǧǧ ddunit tennuɣ.
Deffir n ufeṣṣel
Tagrurt n tɣamsa
Ismawen n terbaɛt, iferdisen itiknikanen akked telɣut i d-yefka umeṣṣufeɣ.
- Taɣara Tasuft
- This residential design captures the essence of emotional connection, cultural resonance, and sensory comfort. Blending raw materials such as teak, charred wood, artistic mud walls, and hand collected objects, the space abandons decorative excess to return to elemental simplicity. The spatial layout is fluid, resisting traditional segmentation. Instead, it becomes a canvas for daily rituals, emotional anchoring, and inner peace: an aesthetic of stillness and lived poetry.
- Tigejdiwin & Akemmus
- The house includes three levels with a total floor area of approximately 450 sqm. Key spatial elements include a horizontally open plan ground floor, an unceiled attic lounge, and a free flow layout without partition walls. Materials are predominantly natural and untreated, aligning with the spatial philosophy of sensory grounding.
- Tibzimin
- Emotional Dwelling, Poetic Minimalism, Miao Culture, Nature Inspired Interior, Raw Materials, Timeless Design, Slow Living, Cultural Resonance, Organic Textures, Meditative Space
- Tasnakta n Ufares
- The project adopts a material first approach rooted in authenticity. Teak wood was used untreated to preserve its warmth and grain, while blackened anti corrosion timber adds weight and durability. Hand applied mud walls and artistic paint deliver texture and tone without ornament. The approach emphasized manual craftsmanship and intuitive layering over mechanical precision.
- Asewḥel n Usnulfu
- The primary challenge was resisting conventional luxury symbols and instead crafting a space of deep emotional value. Balancing the owner's cultural identity with modern comfort required nuanced material choices, emotional mapping, and conceptual restraint. The absence of visual drama demanded heightened attention to detail, proportion, and sensory atmosphere.
- Anadi
- This is an applied cultural emotional design study exploring how spatial language can translate heritage and emotional needs into form. The methodology involved user immersion, ethnographic interviews, and contextual material selection. The homeowner's daily habits, values, and sensory preferences were key data points. The result is a space that not only houses the body but also resonates with memory, ritual, and inner calm enhancing the broader conversation on design’s emotional efficacy.
- Aseḥbiber
- The homeowner's Miao heritage and natural lifestyle philosophy inspired a design that values emotional depth over surface form. Influenced by vernacular dwellings and poetic Eastern aesthetics, the concept centers on the idea of a home as a place of stillness, reflection, and healing. Rain falling on tiles, shifting light across earth toned walls, and silence within wooden textures form the emotional blueprint for the space.
- Tanzagt n Usenfar
- The project started in January 2024 in Suzhou, China and finished in January 2025.
- Tanila n Umahil
- The space invites slow, unstructured interaction. There are no dominant visual cues or rigid furniture placements. Instead, the flow is organic light guides the user, and silence defines transitions. It's not about usage, but co existence: the homeowner doesn't use the space, she dwells within it, rhythmically, intuitively.
- Igmamen n Terbaɛt
- Designer: Chen Kezhi
Designer: Wang Huaqiang - Imsuren n Tugniwin
- Image #1: Photographer Hanmo Vision - Yigao, Tongli Villa, 2025.
Image #1: Photographer Hanmo Vision - Yigao, Tongli Villa, 2025.
Image #1: Photographer Hanmo Vision - Yigao, Tongli Villa, 2025.
Image #1: Photographer Hanmo Vision - Yigao, Tongli Villa, 2025.
Image #1: Photographer Hanmo Vision - Yigao, Tongli Villa, 2025.
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