Alilea Alba Taxatemt n uxḍab sɣur Teodora Szabo Tonki

Alilea Alba Taxatemt n uxḍab sɣur Teodora Szabo Tonki d anerbaz yettwaqadren meqqren n 2026 Tarbaḥt A' Design Award n Lbrunz deg Taggayt n Tnaflit n Afeṣṣel n Lḥelya.

LbrunzLḥelya· 2026

Alilea Alba Taxatemt n uxḍab

sɣur Teodora Szabo Tonki

Amsaɣ: Viverté Jewellery

Anerbaz n Tarbaḥt A' Design Award n Lbrunz deg Taggayt n Lḥelya

8,323

Anerbaz n Urraz Yettwasenqden

Senqed Addad n Urraz i #178752

Rzu ɣer usmel Wali deg A' Design Award Tabḍert n tɣamsa Tanecḍa n wammud

Initen

Afeṣṣel

Ɣef Alilea Alba Taxatemt n uxḍab

Alilea Alba d taxatemt n uxḍab i d-yettwasnulfan seg ccḍeḥ n uxḍab n yefrax n lǧennet. Talɣa-s yebnan ɣef sin iqusan tesmektay-d timeẓla n wafriwen mi ttferfiren, tzuzur aẓrar alemmas deg yiwet n tugna yeldin. Taxatemt tettwaxdem s ddheb amellal n 14k, tersa fell-as morganite yettwaqecṛen s talɣa n tfirest n 3.00 n yiqiraṭen akked idyamanen i yewwḍen ɣer 0.76 n yiqiraṭen. Idyamanen yersan s tarrayt n pave ttabaɛen izirigen yennḍen n talɣa. Talɣa tettwasnulfa s uɣawas n 3D d usiggez n 3D iwakken ad d-tili tanmegla tuḥṛict, syin tettwakemmel s ufus s leḥder. Iẓra akk ttwarsen ddaw n uminiskup iwakken ad ilin s tseddi.

Asmekti

Ɣef Tarbaḥt A' Design Award n Lbrunz

Alilea Alba Taxatemt n uxḍab d amerbaḥ n Tarbaḥt A' Design Award n Lbrunz, tagmat ɛlayen i yisnulfa yelhan, yeṭṭafaren tinawt, tamusni d tezmert. Imerbaḥen n Lbrunz d isnulfa yelhan, ttbanen d timusniwin n tmusni n yimahilen-nsen. Alilea Alba Taxatemt n uxḍab ad yili d asnulfu yettwaɛezzen, yelhan, amaynut. Alilea Alba Taxatemt n uxḍab yettemlil ɣef yimawlan, yettwaɛezzen s tmahilt-is.

Deffir n ufeṣṣel

Tagrurt n tɣamsa

Ismawen n terbaɛt, iferdisen itiknikanen akked telɣut i d-yefka umeṣṣufeɣ.

Taɣara Tasuft: The rings structure echoes the sweeping wing gestures of birds of paradise, framing the morganite in a dynamic, open silhouette that suggests both movement and balance. Its dual arc form highlights the gemstone as the heart of the composition, while the pavé set diamonds enhance the sense of radiant motion. The design stands out through its sculptural elegance and symbolic expression of feminine grace.
Tigejdiwin & Akemmus: Width 22 mm x Depth 18,5 mm x Height 28 mm
Tibzimin: biomimicry jewelry design, organic form ring, 3D jewelry design, micro-casting, hand stone setting, morganite engagement ring, contemporary high jewelry, bespoke fine jewelry
Tasnakta n Ufares: Crafted in 14k white gold, the ring features a pear cut 3,00 ct morganite and 0,76 ct of diamonds. The form was developed through 3D design and printing to achieve precise symmetry, followed by meticulous hand finishing. All stones were set under a microscope to ensure accuracy and refinement, merging traditional goldsmithing heritage with contemporary technical precision.
Asewḥel n Usnulfu: The greatest challenge was distilling the fluid, expressive wing movements of birds-of-paradise into a refined, wearable form. Balancing the emotional intensity of courtship with the traditional expectations of an engagement ring required careful restraint. Technical limits of micro-casting and setting stones on curved, flowing shapes demanded multiple prototypes before achieving a form that felt both alive and enduring.
Anadi: This project is based on qualitative design research exploring how the courtship movements of South American birds-of-paradise could be translated into jewelry. Observation, sketches and 3D modeling were used to study motion and form, supported by videos and scientific sources. Several prototypes tested proportions and wearability. The final design captures the energy of a wingbeat, showing how natural gestures can inspire emotionally resonant, contemporary jewelry with real value for both design practice and client experience.
Aseḥbiber: This design is inspired by the elegant courtship dances of birds of paradise, whose expressive wing movements mirror the rhythm and emotional intensity of passionate relationships. Their graceful arcs and unfolding gestures guided the silhouette of the piece, symbolising confidence, allure and the radiant strength of femininity. The result is a jewel that captures both motion and harmony in a contemporary, refined form
Tanzagt n Usenfar: The piece for the competition was created in Szeged and took approximately three months to complete.
Tanila n Umahil: The Alilea Alba ring is worn like a flowing sculpture that gently follows the hand’s movement. Its wing-like curves guide the eye toward the central morganite, creating a soft sense of motion without any mechanical parts. Light catches the stones differently with each gesture, making the ring feel alive. The interaction is simple yet expressive: the design enhances emotion through shifting reflections, giving the wearer a quiet, intimate sense of presence.
Igmamen n Terbaɛt: Teodóra Szabó Tönki
Erneszt Szabó Tönki