Vitrine Delumini Tam、eṛḍ: Tamḥeṛḍt sɣur Thiago Mondini d anerbaz yettwaqadren meqqren n 2026 Tarbaḥt A' Design Award n Lbrunz deg Taggayt n Tnaflit n Afeṣṣel n Ugensu, Taddart n Uzenz d Uskan.
LbrunzAgensu· 2026
Vitrine Delumini Tam、eṛḍ: Tamḥeṛḍt
sɣur Thiago Mondini
Amsaɣ: Thiago Mondini Arquitetura
Anerbaz n Tarbaḥt A' Design Award n Lbrunz deg Taggayt n Agensu
Anerbaz n Urraz Yettwasenqden
Senqed Addad n Urraz i #180516Afeṣṣel
Ɣef Vitrine Delumini Tam、eṛḍ: Tamḥeṛḍt
Wagi d amḥeṛḍ n leṛyuḍ deg yiwet n tebḥirt tameqqrant n uzenzi di Brazil. Ttwaxelqen kra n yimukan yemxalafen akken ad snernin tamuɣli n yal taɣawsa, ama d tin yesɛan initen neɣ d tin ifessusen. Leṛyuḍ ilɣuɣen ttwabeggnen-d deg uḥric aburgundi n uzenzi, ma d leṛyuḍ ilmawiyen, iwumi isehleḍ useqdec, ttwabeggnen-d deg uḥric amellal n uzenzi. Yella daɣen wamkan wis kraḍ, s yiniten iberkanen ugar, anda ttwabeggnen-d leṛyuḍ d teɣawsiwin s yiniten iɣersen ugar.
Asmekti
Ɣef Tarbaḥt A' Design Award n Lbrunz
Vitrine Delumini Tam、eṛḍ: Tamḥeṛḍt d amerbaḥ n Tarbaḥt A' Design Award n Lbrunz, tagmat ɛlayen i yisnulfa yelhan, yeṭṭafaren tinawt, tamusni d tezmert. Imerbaḥen n Lbrunz d isnulfa yelhan, ttbanen d timusniwin n tmusni n yimahilen-nsen. Vitrine Delumini Tam、eṛḍ: Tamḥeṛḍt ad yili d asnulfu yettwaɛezzen, yelhan, amaynut. Vitrine Delumini Tam、eṛḍ: Tamḥeṛḍt yettemlil ɣef yimawlan, yettwaɛezzen s tmahilt-is.
Deffir n ufeṣṣel
Tagrurt n tɣamsa
Ismawen n terbaɛt, iferdisen itiknikanen akked telɣut i d-yefka umeṣṣufeɣ.
- Taɣara Tasuft
- This exhibition presents furniture within a large-scale store in Brazil, organized to enhance the perception of each product. Distinct zones were created to emphasize their character: the burgundy area showcases special, standout pieces; the white section features neutral, versatile products; and a third, darker-toned space highlights furniture and items with deeper hues, providing a carefully curated and visually coherent presentation.
- Tigejdiwin & Akemmus
- 585 square meters
- Tibzimin
- interior, interior design, store, commercial, furniture, brazil, brazilian, brasil, contemporary, color, burgundy, ecletic
- Tasnakta n Ufares
- The design focused on highlighting each product through distinct spatial environments. Rich burgundy walls were chosen to intensify colors and create striking contrasts, while white walls provide a neutral backdrop that emphasizes the form and details of the furniture. The process combined careful color studies, material selection, and spatial composition to ensure each piece stands out without visual conflict, creating a balanced and immersive exhibition experience.
- Asewḥel n Usnulfu
- The greatest challenge was the limited time available to complete the project, which demanded rapid yet careful decision-making. Equally complex was working with the existing product stock while creating a visually coherent and engaging exhibition. Internally, the design had to respect aesthetic and social expectations for a modern retail experience, while externally, constraints included production limitations, material availability, and the need to adapt to the store’s physical layout and technical possibilities.
- Anadi
- Research was design-focused, exploring how spatial environments affect product perception. Objectives were to highlight furniture through color and context while creating an engaging visitor experience. Methodology included spatial analysis, color studies, and material testing. Data was collected via mock-ups, material samples, and staff/visitor feedback. Participants included store staff and visitors. Results showed distinct zones improved product visibility and appreciation. Insights revealed that environmental contrast enhances perception, impacting retail display strategies, visitor engagement, and design thinking in commercial spaces.
- Aseḥbiber
- A vibrant furniture display, intentionally departing from the typical white and minimal commercial interiors, designed to engage and inspire both clients and industry professionals.
- Tanzagt n Usenfar
- The project started in July 2025 and finished in August 2025, in Balneario Camboriu, Brazil.
- Tanila n Umahil
- Interaction is guided by the store’s spatial layout. Visitors naturally move through four distinct zones: the burgundy area highlights vibrant pieces, the white zone emphasizes neutral forms, the rear space showcases lighting, and the upper dark area presents deeper-toned furniture. Each transition frames products in contrast-rich environments, enhancing perception and engagement, allowing visitors to appreciate color, form, and material more clearly than in a conventional display.
- Igmamen n Terbaɛt
- Architect: Thiago Mondini
- Imsuren n Tugniwin
- Image #1: Photographer ArqVerso
Image #2: Photographer ArqVerso
Image #3: Photographer ArqVerso
Image #4: Photographer ArqVerso
Image #5: Photographer ArqVerso
Yettwaxellṣen
Snirem Seld Designers.org
Af-d iferdisen, imeẓla d tegnatin sɣur yimɛawnen-nneɣ n usissen.
Ugar i tifin
Ifeṣṣelen yemcudden
Snirem ugar n ifeṣṣelen yewwin ammud seg twennaḍt-nni kan, ttwaferzent s lmeɛna.
