In Seclusion Tawuri tamezwarut: Spa n rrif n wasif sɣur Zehua Zhang

In Seclusion Tawuri tamezwarut: Spa n rrif n wasif sɣur Zehua Zhang d anerbaz yettwaqadren meqqren n 2026 Tarbaḥt A' Design Award n Lbrunz deg Taggayt n Tnaflit n Afeṣṣel n Tansekta, Lebni d Teɣssa.

LbrunzTansekta· 2026

In Seclusion Tawuri tamezwarut: Spa n rrif n wasif

sɣur Zehua Zhang

Amsaɣ: Zehua Zhang

Anerbaz n Tarbaḥt A' Design Award n Lbrunz deg Taggayt n Tansekta

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Anerbaz n Urraz Yettwasenqden

Senqed Addad n Urraz i #180620

Wali deg A' Design Award Tabḍert n tɣamsa Tanecḍa n wammud

Initen

Afeṣṣel

Ɣef In Seclusion Tawuri tamezwarut: Spa n rrif n wasif

Aḍris n udlis: Asenfaṛ d spa yellan ɣef rrif n wasif di Purtugal. Aɣawas yers-d deg yiwen n umenẓaw aɣezfan n udfel yellan yakan, yesseqdac taɣessiwin tisenɣimanin yeččuren d areṭṭal akken ad yessenqes addud aẓuran. Ttwasekcement-d temnaḍin timeqqranin n uzeggaɣ akken ad d-fkent timeẓriyin gar yimukan n daxel d twennaḍt i d-yezzin. Ttwaheggant takemmilt n yisɣaren d ublaṭ n wezru deg yidisan n daxel meṛṛa. Ahil yegber sawna, jakuzi, d wammas aturki, yettwaheggan akken ad d-yefk amyaru n yimukan n usired. Aɣawas-a yessuddes tiwuriwin-a s wassaɣ ɣer wasif d wakal i d-yezzin.

Asmekti

Ɣef Tarbaḥt A' Design Award n Lbrunz

In Seclusion Tawuri tamezwarut: Spa n rrif n wasif d amerbaḥ n Tarbaḥt A' Design Award n Lbrunz, tagmat ɛlayen i yisnulfa yelhan, yeṭṭafaren tinawt, tamusni d tezmert. Imerbaḥen n Lbrunz d isnulfa yelhan, ttbanen d timusniwin n tmusni n yimahilen-nsen. In Seclusion Tawuri tamezwarut: Spa n rrif n wasif ad yili d asnulfu yettwaɛezzen, yelhan, amaynut. In Seclusion Tawuri tamezwarut: Spa n rrif n wasif yettemlil ɣef yimawlan, yettwaɛezzen s tmahilt-is.

Deffir n ufeṣṣel

Tagrurt n tɣamsa

Ismawen n terbaɛt, iferdisen itiknikanen akked telɣut i d-yefka umeṣṣufeɣ.

Taɣara Tasuft: This is a riverside spa design in Portugal that embodies serene seclusion. It harmonizes fully with its historic and natural surroundings, using low-profile architecture, expansive glass, timber interiors, and stone flooring to blur indoor and outdoor boundaries. Its strengths lie in immersive nature integration, warm materiality, and a layout combining sauna, jacuzzi, and Turkish bath, offering guests a profound, multi-sensory retreat deeply connected to the landscape.
Tigejdiwin & Akemmus: Single-story building with overall dimensions of 20 meters in width, 8 meters in depth, and 8 meters in height.
Tibzimin: Landscape architecture, leisure spa, wellness facilities, low-impact design, indoor-outdoor connection, integration with nature, immersive experience
Tasnakta n Ufares: The spa was designed through careful site analysis, integrating gently with the terrain. Timber, beige stone, and low-iron glass were chosen for warmth, durability, and transparency. The process combined ecological sensitivity, modular planning for sauna, jacuzzi, and Turkish bath, and precise glazing to enhance visual connections with nature, creating a harmonious, immersive, and sustainable environment.
Asewḥel n Usnulfu: The hardest part was balancing serenity with practicality—preserving the historic watermill while adding modern spa facilities. Internally, respecting the site’s history and ecology challenged design choices. Externally, strict codes, structural limits, and material availability required adaptation. Technology and environmental analysis guided solutions, ensuring minimal impact while creating a harmonious, immersive experience
Anadi: Type of research: design-focused experiential study. Research objectives: explore how architecture can promote deep relaxation and enhance the human-nature connection. Methodology: combining site analysis, material studies, spatial simulations, and daylight analysis. Data collection: through site photos, topographic drawings, and building equipment specifications. Research tools: cad models, 3d visualizations, material samples, and environmental sensors monitoring light, sound, and water interaction.
Aseḥbiber: The inspiration came from the serene beauty of the Vez River and the timeless presence of the old watermill. I was drawn to creating a space that allows people to reconnect with nature and themselves, offering quietude without isolation. My motive was to design a spa that flows with the landscape, using natural materials and transparent architecture to blur boundaries, fostering a profound, immersive experience of calm, reflection, and harmony with the environment.
Tanzagt n Usenfar: The project started in February 2025 and finished in June 2025
Tanila n Umahil: The spa functions through immersive spatial design: guests move through curated areas—pool, sauna, jacuzzi, Turkish bath—experiencing gentle sensory transitions. Interaction arises from visual and tactile engagement with natural materials, light, and water. Key moments occur at floor-to-ceiling glazing, pool edges, and steam-filled interiors. By harmonizing with nature, it deepens relaxation, enhances well-being, and fosters a seamless, restorative human-nature connection.
Igmamen n Terbaɛt: Zehua Zhang