Longmen Realm Aseɣwer n Temsikent sɣur Ecust Creplus Design d anerbaz yettwaqadren meqqren n 2026 Tarbaḥt A' Design Award n Lbrunz deg Taggayt n Tnaflit n Afeṣṣel n Ugensu, Taddart n Uzenz d Uskan.
LbrunzAgensu· 2026
Longmen Realm Aseɣwer n Temsikent
sɣur Ecust Creplus Design
Amsaɣ: Lingshan Museum
Anerbaz n Tarbaḥt A' Design Award n Lbrunz deg Taggayt n Agensu
Anerbaz n Urraz Yettwasenqden
Senqed Addad n Urraz i #183008Afeṣṣel
Ɣef Longmen Realm Aseɣwer n Temsikent
Temsikent Longmen Realm tesken-d 76 n yiɣerfan n umezruy seg Yifran n Longmen, gar-asen iṣenɛiyen ibudiyen, tiṣudar n weẓru akked yisenqasen n tira tucbiḥt. Aseɣwer-agi yesnulfa-d tallunt n temkarḍit n umezruy s usuddes n tallunt, iferdisen n usbeddi akked tafat, iwakken ad yefk timeẓriwt tifrit d usegzi ilhan. Ibandiwen yellin d imɛellqen, agens yettarran tafat, akked tafat yeddan deg useɣwer, snulfan-d tawennaḍt tameẓrit yettwasuddsen. Iferdisen imyigawanen ttḥeṛṛiṣen inebgawen ad ttekkin yerna ad ṭṭfen tiwlafin, ayen yessishilen anekcum n yemdanen ɣer tgemmi tadelsant.
Asmekti
Ɣef Tarbaḥt A' Design Award n Lbrunz
Longmen Realm Aseɣwer n Temsikent d amerbaḥ n Tarbaḥt A' Design Award n Lbrunz, tagmat ɛlayen i yisnulfa yelhan, yeṭṭafaren tinawt, tamusni d tezmert. Imerbaḥen n Lbrunz d isnulfa yelhan, ttbanen d timusniwin n tmusni n yimahilen-nsen. Longmen Realm Aseɣwer n Temsikent ad yili d asnulfu yettwaɛezzen, yelhan, amaynut. Longmen Realm Aseɣwer n Temsikent yettemlil ɣef yimawlan, yettwaɛezzen s tmahilt-is.
Deffir n ufeṣṣel
Tagrurt n tɣamsa
Ismawen n terbaɛt, iferdisen itiknikanen akked telɣut i d-yefka umeṣṣufeɣ.
- Taɣara Tasuft
- The exhibition presents 76 artifacts from the Longmen Grottoes, including sculptures, reliefs, and calligraphic rubbings. Through spatial design, scenography, and lighting, the project adapts the museum gallery to improve how visitors view and understand the works. By combining historical artifacts with installation design, the exhibition supports cultural interpretation and public awareness of heritage. Within 45 days of opening, the exhibition recorded over 450000 visitors.
- Tigejdiwin & Akemmus
- Total exhibition area: 2000 m². The exhibition includes suspended textile banners, sculptural installations, mirror-finished flooring, and lighting systems integrated with the octagonal ceiling structure to enhance spatial depth and visual layering.
- Tibzimin
- Longmen Grottoes, Exhibition Design, Installation, Museum Space
- Tasnakta n Ufares
- The exhibition integrates spatial design, installation structures, textile banners, reflective flooring, and programmable lighting systems. Fabric structures are used to suspend large scale imagery, while mirror-finished flooring enhances spatial reflection. Installations derived from calligraphic brushstrokes translate traditional visual elements into contemporary spatial forms.
- Asewḥel n Usnulfu
- The main challenge was presenting ancient sculptures shaped by long-term historical processes in a contemporary exhibition format while maintaining their cultural context. The design introduced large suspended banners, reflective flooring, and a central lotus structure to organize the space. In the calligraphy section, brushstroke forms were transformed into installations, creating a relationship between traditional artifacts and spatial design.
- Anadi
- The project is based on research into the sculptural forms of the Longmen Grottoes and the spatial characteristics of the museum gallery. The study analyzed proportions, carving styles, and calligraphic inscriptions to identify visual elements adaptable to exhibition design. These findings informed artifact placement, installation structures, and lighting strategies, enabling the exhibition to balance historical authenticity with immersive contemporary presentation.
- Aseḥbiber
- The exhibition draws inspiration from the artistic language of the Longmen Grottoes, including Buddhist sculpture, stone reliefs, decorative patterns, and calligraphy from the Northern Wei period. Through research into these elements, the design reinterprets traditional aesthetics using a contemporary spatial and visual approach.
- Tanzagt n Usenfar
- The project design began in February 2025 in Shanghai, China, and the exhibition opened in July 2025 at Lingshan Scenic Area, Wuxi, China.
- Tanila n Umahil
- Visitors move through a spatial narrative that transitions from historical interpretation to immersive experience. Sculptures and calligraphic artifacts are arranged around large-scale installations that guide circulation and visual focus. Suspended Buddha banners, reflective flooring, and dynamic lighting create layered perspectives as visitors move through the space. A central lotus seat invites visitors to pause, interact, and photograph, transforming the exhibition into both a contemplative and participatory cultural experience.
- Igmamen n Terbaɛt
- Chief Project Planner: Weiping QIN
Deputy Project Planner: Yidong FAN
Creative Director: Hao Shan
Art Director：Yueqi DING
Graphic Designer: Haoming XIAN, Jingning ZHANG, Yizhou Hua, Shuyi TANG, Zhonghang LI - Imsuren n Tugniwin
- Photo Credits: ECUST Creplus Design，Wuxi Lingshan Cultural Tourism Group
Video Credits: Wuxi Lingshan Cultural Tourism Group
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