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Quiet Monolith Asfeṛṛeḥ n Wegnes n Tnezduɣt sɣur Line 2 Pixels

Quiet Monolith Asfeṛṛeḥ n Wegnes n Tnezduɣt sɣur Line 2 Pixels d anerbaz yettwaqadren meqqren n 2026 Tarbaḥt A' Design Award n Lbrunz deg Taggayt n Tnaflit n Afeṣṣel n Ugensu, Taddart n Uzenz d Uskan.


LbrunzAgensu· 2026

Quiet Monolith Asfeṛṛeḥ n Wegnes n Tnezduɣt

sɣur Line 2 Pixels

Amsaɣ: Line2pixels

Anerbaz n Tarbaḥt A' Design Award n Lbrunz deg Taggayt n Agensu

5,914

Anerbaz n Urraz Yettwasenqden

Senqed Addad n Urraz i #183096

Initen

Afeṣṣel

Ɣef Quiet Monolith Asfeṛṛeḥ n Wegnes n Tnezduɣt

Quiet Monolith d asfeṛṛeḥ n wegnes n tnezduɣt i isdukklen tamnaḍt n tudert, tin n učči akked texxamt n usewwi deg yiwen n wadeg amezgi. Yiwet n tṭabla tameqqrant n uẓru n quartzite Taj Mahal d yiwen n uẓru tesbedd talɣa n texxamt n usewwi, ma d yiwen n uselɣas n quartzite Palladium Sage yettemtawi ɣer tamnaḍt n tudert akked tin n učči. Asɣar akked yiniten ileqqaqen imestanen kemmlen agraw n yiferdisen. Ijeǧǧigen n wallen s teɣzi tummidt ldin agnes ɣer tebḥirt, yerna afrag amecṭuḥ yesskcam tafat n wass akked ubeḥri ɣer wul n wexxam. Tajumma yebnan tewweḍ 2 955 n yiḍarren imkuẓen.

Asmekti

Ɣef Tarbaḥt A' Design Award n Lbrunz

Quiet Monolith Asfeṛṛeḥ n Wegnes n Tnezduɣt d amerbaḥ n Tarbaḥt A' Design Award n Lbrunz, tagmat ɛlayen i yisnulfa yelhan, yeṭṭafaren tinawt, tamusni d tezmert. Imerbaḥen n Lbrunz d isnulfa yelhan, ttbanen d timusniwin n tmusni n yimahilen-nsen. Quiet Monolith Asfeṛṛeḥ n Wegnes n Tnezduɣt ad yili d asnulfu yettwaɛezzen, yelhan, amaynut. Quiet Monolith Asfeṛṛeḥ n Wegnes n Tnezduɣt yettemlil ɣef yimawlan, yettwaɛezzen s tmahilt-is.

Deffir n ufeṣṣel

Tagrurt n tɣamsa

Ismawen n terbaɛt, iferdisen itiknikanen akked telɣut i d-yefka umeṣṣufeɣ.

Taɣara Tasuft
This project re-imagines the domestic core as a continuous living landscape where material and light define spatial experience. A monolithic Taj Mahal quartzite island anchors the kitchen, while a Palladium Sage quartzite console extends into the living and dining area, establishing a unified material language. Full-height glazing dissolves the boundary to the garden, allowing cooking, gathering, and living to exist as one fluid environment.
Tigejdiwin & Akemmus
Built-up area: 2,955 sqft.
Tibzimin
line2pixels, quartzite, taj mahal, contemporary, living
Tasnakta n Ufares
The project was realized through precise coordination between custom carpentry and natural stone fabrication. Taj Mahal and Palladium Sage quartzite were carefully selected and book-matched to maintain visual continuity, while tailored joinery ensured seamless integration of storage and appliances. Full-height glazing systems were installed to maximize daylight while maintaining thermal and spatial performance.
Asewḥel n Usnulfu
The primary challenge was balancing spatial openness with functional clarity within an originally enclosed and dim interior. Introducing a courtyard reconfigured the layout to bring daylight and ventilation into the core, while careful zoning ensured the living and kitchen areas remained fluid yet purposeful without compromising usability.
Anadi
This project investigates how spatial continuity and natural light can redefine the domestic core. By introducing a courtyard into a previously enclosed interior, the design enhances daylight, ventilation, and openness. A unified material palette of Taj Mahal and Palladium Sage quartzite with timber reinforces spatial clarity, demonstrating how openness and functionality can coexist in a cohesive living environment.
Aseḥbiber
The design was inspired by the idea of calm domestic living shaped by light and material continuity. By connecting the living room and dry kitchen through a restrained palette of Taj Mahal and Palladium Sage quartzite, timber, and soft neutral tones, the space allows everyday rituals to unfold naturally while maintaining a strong relationship with the surrounding garden.
Tanzagt n Usenfar
The project started in May 2025 and finished in August 2025 in Valencia, Sg. Buloh, Malaysia.
Tanila n Umahil
The spatial flow is organized as a continuous sequence between the living,dining, kitchen, and courtyard, allowing movement to unfold naturally without rigid boundaries. The central island acts as both a functional workspace and social anchor, encouraging interaction, while clear circulation paths ensure efficiency and ease of use within an open yet structured environment.
Igmamen n Terbaɛt
Creative Designer: Liew Jay
Project Manager: Ee Lin Kang
Technical Designer: Kathrine Sze
Site Manager: Keith Tan
Supporting Team: Ei Ni Sia, Caroline Ting
Imsuren n Tugniwin
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Yettwaxellṣen

Snirem Seld Designers.org

Af-d iferdisen, imeẓla d tegnatin sɣur yimɛawnen-nneɣ n usissen.

Asnulfu Yelhan Yesra Asekṛes Ameqqran

Arraz A' n Usnulfu d arraz agraɣlan, yettusneqden sɣur uɣref, i usnulfu yelhan. Ttekki deg Urraz A' n Usnulfu akken ad tesɛuḍ tagnit n usekṛes imeritukratik, ad tawiḍ aẓayer, ameqqer d usissen i umahil-ik. Sumer amahil-ik i Urraz A' n Usnulfu akken ad tnafseḍ s Ulamek A' n Usnulfu.

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