Lily of the Valley Taxatemt sɣur Yi Xiong

Lily of the Valley Taxatemt sɣur Yi Xiong d anerbaz yettwaqadren meqqren n 2026 Tarbaḥt A' Design Award n Lfeṭṭa deg Taggayt n Tnaflit n Afeṣṣel n Lḥelya.

LfeṭṭaLḥelya· 2026

Lily of the Valley Taxatemt

sɣur Yi Xiong

Amsaɣ: Aris Fine Studio

Anerbaz n Tarbaḥt A' Design Award n Lfeṭṭa deg Taggayt n Lḥelya

25,748

Anerbaz n Urraz Yettwasenqden

Senqed Addad n Urraz i #183380

Rzu ɣer usmel Wali deg A' Design Award Tabḍert n tɣamsa Tanecḍa n wammud

Initen

Afeṣṣel

Ɣef Lily of the Valley Taxatemt

Lily of the Valley d taxatemt yettwaxedmen s uwraɣ n 18K, s chrysoberyl akked safir azeggzaw axuxi. Afeṣṣel-is yekka-d seg wassaɣ n tdukli yellan gar ujeǧǧig n lily of the valley d tulwatin n lexla. Iferkawen n uwraɣ yemsednan sbedden tasegda ur nemsadda ara i yettwaḥekmen, s lebni yeldin. Talɣa yeldin tuɣal deg wemkan n usersi aqbuṛ imedlen n yedɣaɣen ɣlayen, tefka-d i txatemt afsus. Idɣaɣen ɣlayen izegzawen d ixuxiyen xedmen-d amgirred n yiniten i yuɣalen d aḥric seg tsegda-nni. Lebni yeldin yettaǧǧa daɣen taxatemt ad tewwet aṭas n leqyasat n yiḍudan.

Asmekti

Ɣef Tarbaḥt A' Design Award n Lfeṭṭa

Lily of the Valley Taxatemt d amerbaḥ n Tarbaḥt A' Design Award n Lfeṭṭa, tagmat ɛlayen i yisnulfa yelhan, yeḥlan s waṭas. Imerbaḥen n Lfeṭṭa d isnulfa yelhan akk, yesɛan tmusni d tazmert. Lily of the Valley Taxatemt ad yili d asnulfu amaynut, yelhan, ad yeǧǧ ddunit tennuɣ.

Deffir n ufeṣṣel

Tagrurt n tɣamsa

Ismawen n terbaɛt, iferdisen itiknikanen akked telɣut i d-yefka umeṣṣufeɣ.

Taɣara Tasuft: Inspired by the symbiotic relationship between lily of the valley and wild strawberry, this ring translates their organic growth into a controlled asymmetrical structure. Layered gold branches create a fluid spatial hierarchy, while the open construction departs from traditional enclosed gemstone settings.
This ring evokes a subtle sense of suspension, shifting it from mere adornment to an expression of emotion and personal presence, reflecting a balance between softness and structural strength.
Tigejdiwin & Akemmus: Ring size: US 6.25 (inner diameter approx. 16.7 mm)
Center stone: 2.2 ct chrysoberyl
Material: 18K gold, total weight approx. 6 g
Custom sizing available upon request
Tibzimin: Organic Growth, Symbiotic Relationship, Asymmetrical Structure, Open Construction, Fluidity, Sense of Suspension, Gold Branches, Spatial Hierarchy, Sculptural Metal, Contemporary Femininity
Tasnakta n Ufares: Materials: 18K gold, chrysoberyl, and pink sapphire
Craftsmanship: This ring reinterprets botanical jewelry through structural abstraction rather than literal representation. Controlled asymmetry is introduced while maintaining visual balance, with visual weight distributed across an open form to create a sense of suspension. Sculptural metalwork is integrated with precise gemstone setting, while color contrast functions as a structural element rather than decoration.
Asewḥel n Usnulfu: The core challenge lies in achieving both structural stability and visual lightness within an open, asymmetrical form.
Through multiple rounds of structural testing, the support relationships between gold branches and the positioning of the gemstones were refined to ensure stability and durability during wear. The gemstones are integrated into the overall structural system, aligning visual expression with functional integrity and moving beyond the constraints of traditional jewelry construction.
Anadi: This design explores how the logic of organic growth can be translated into a controlled asymmetrical structure. Through structural balance and a reconstructed spatial hierarchy, it captures the rhythm and fluidity of nature without directly replicating botanical forms.

The open structure maintains stability while introducing a sense of lightness and freedom, resulting in a dynamic yet restrained composition. It reflects the resilience and strength associated with contemporary femininity.
Aseḥbiber: Inspired by the symbiotic relationship between lily of the valley and wild strawberry, this ring does not replicate botanical forms directly, but instead translates their underlying growth logic into a dynamic structure.

The contrast between green and pink gemstones reflects the harmony and variation found in nature. An open construction combined with layered elements enhances fluidity and spatial balance, translating natural rhythms into a contemporary jewelry language.
Tanzagt n Usenfar: The project finished in February 2026 in New York.
Tanila n Umahil: The open structure accommodates a range of finger sizes, allowing flexibility in wear.
The asymmetrical composition is carefully calibrated to maintain both visual harmony and structural stability.
As the wearer moves, subtle shifts in angle reveal changing spatial relationships, creating a dynamic visual experience.
Layered metal elements reduce visual density while maintaining structural clarity, balancing everyday wearability with artistic expression.
Igmamen n Terbaɛt: Yi Xiong
Imsuren n Tugniwin: Aris Xiong (Yi Xiong)