Kuara Uṭil sɣur David Guerra d anerbaz yettwaqadren meqqren n 2020 Tarbaḥt A' Design Award n Lfeṭṭa deg Taggayt n Tnaflit n Afeṣṣel n Tansekta, Lebni d Teɣssa.

LfeṭṭaTansekta· 2020

Kuara Uṭil

sɣur David Guerra

Amsaɣ: David Guerra Arquitetura e Interiores

Anerbaz n Tarbaḥt A' Design Award n Lfeṭṭa deg Taggayt n Tansekta

19,340

Anerbaz n Urraz Yettwasenqden

Senqed Addad n Urraz i #88106

Rzu ɣer usmel Wali deg A' Design Award Tabḍert n tɣamsa Tanecḍa n wammud

Initen

Afeṣṣel

Ɣef Kuara Uṭil

Kuara yettwaxdem i wid yebɣan ad sreḥḥun, ad smeǧǧden deg umyiwel d ugama. D tamsalt deg ufeṣṣel n ass-a, deg yidles d uṭebbaẍ di Brazil. D asenfar i d-yernun tikti n tazayt n usinag n Brazil. D asagur uslig, yuɣalen d aḥulfan n tmagit n Brazil, i d-yesmektin ayen i gellan d azal ameqqran: agama n Brazil aneẓẓuf, am yemma tameǧruḍt, i d-yettaken isisawen imezwura n tudert, deg tinnubga tafessast i temsisi tazedgant akked twennaḍt, yebnan ɣef lqima d tmatult d ugama.

Asmekti

Ɣef Tarbaḥt A' Design Award n Lfeṭṭa

Kuara Uṭil d amerbaḥ n Tarbaḥt A' Design Award n Lfeṭṭa, tagmat ɛlayen i yisnulfa yelhan, yeḥlan s waṭas. Imerbaḥen n Lfeṭṭa d isnulfa yelhan akk, yesɛan tmusni d tazmert. Kuara Uṭil ad yili d asnulfu amaynut, yelhan, ad yeǧǧ ddunit tennuɣ.

Deffir n ufeṣṣel

Tagrurt n tɣamsa

Ismawen n terbaɛt, iferdisen itiknikanen akked telɣut i d-yefka umeṣṣufeɣ.

Taɣara Tasuft: The architecture, thought primordially in establishing solid symbiosis with the richness of the reserve, in a vernacular and modern construction, also answers to the sophistication, essential to every refugee destined for leisure and resting. Therefore, the briefing asked for a modern and established project, which could underline the privilege of being constructed in a preserved rain forest area. This dialogue merges with architectural and interior details, that rescues the Brazilian bossa.
Tigejdiwin & Akemmus: The complexity demanded not just the rough work of experienced carpenters, but the creation of an entire workshop on site to optimize the job. Bamboo, natural fibers, straw, wicker, leather, Brazilian stones, and other handmade elements counterbalance with Florim stones, imported from Italy, used in floors and bathrooms, which despite presenting an industrialized production of the highest standard, still presents the sensation of natural rock, without the inconvenient of water infiltration.
Tibzimin: hotel, brazil, tropical, wood, sun, nature, bahia
Tasnakta n Ufares: In the choosing of materials, it has become necessary to use diversity, in the search for interaction, with great focus in the beauty of wood, in its natural state, executed with perfection by carpenters, whom were disciples of the master Zanine Caldas. The work is abundant in the surfaces, such as floor and walls, as well as architectural elements like venetians, brise soleils, and standard panels, with species like cumaru, tatajuba, ipe and peroba.
Asewḥel n Usnulfu: This richness of memory and diversity could not be ignored, opting, thereby, for the preservation of all native vegetation, using the structure of the old hotel to build the new one on the same places as the old buildings. The landscape architecture takes that into account.
Anadi: This lush nature is inserted on site, since way before the idea of an occupation. An organic composition, which main axis is the Mucuge river. The rain forest flourishes in conjunction with the mangue (a kind of swamp endemic for this region, which hosts a unique biome), between the famous cliffs of Arraial DAjuda. The 200 meters of beach take us to the unforgettable horizon offered by the Atlantic Ocean, on which, about 500 years ago, the portuguese caravelas came from the west, beginning a new phase on Brazilian history.
Aseḥbiber: Kuara, meaning sun for the indigenous Tupi-Guarani. The house of Tupan, the supreme god. Kuara Delivers, every day, energy, heat, life, all elements that make Bahia, the province on which the portuguese discoverers disembarked in Brazil. The Brazilian, indigenous at first, but not only, mixed through dozens of generations, in an ethnic pluralism, bringing an unique diversity to our people, strength in a fascinating narrative about the roots of this country.
Tanzagt n Usenfar: The project started in Arraial DAjuda, Brazil, in 2010, and finished on site in 2017. The hotel inaugurated in the end of 2017.
Tanila n Umahil: Privacy, intimacy, and silence were key words in the program of necessities. Also, the sounds from the waves and birds, the aroma of the vegetation and the sea, and of course the unforgettable views from the very preserved coastline, were treated as untouchable, and make the stay in Kuara not only a time of opportunity and relaxing, but active experience of contact with nature.
Igmamen n Terbaɛt: Jefferson Gurgel
Nínive Resende
Bernardo Hauck
Letícia Thibau
Imsuren n Tugniwin: Image #1: Jomar Bragança
Image #2: Jomar Bragança
Image #3: Jomar Bragança
Image #4: Jomar Bragança
Image #5: Jomar Bragança
Video Credits: Coletivo Imaginário