Mother Earth Primary Function: Tawlaft sɣur Naseer Behbehani

Mother Earth Primary Function: Tawlaft sɣur Naseer Behbehani d anerbaz yettwaqadren meqqren n 2020 Tarbaḥt A' Design Award n Lfeṭṭa deg Taggayt n Tnaflit n Afeṣṣel n Tewlaft d Usenfel n Tewlafin.

LfeṭṭaTawlaft· 2020

Mother Earth Primary Function: Tawlaft

sɣur Naseer Behbehani

Anerbaz n Tarbaḥt A' Design Award n Lfeṭṭa deg Taggayt n Tawlaft

38,541

Anerbaz n Urraz Yettwasenqden

Senqed Addad n Urraz i #88302

Rzu ɣer usmel Wali deg A' Design Award Tabḍert n tɣamsa Tanecḍa n wammud

Initen

Afeṣṣel

Ɣef Mother Earth Primary Function: Tawlaft

Yemma Tamurt d tawlaft n uneɛrud yettwaṭṭfen deg wexxam n usnulfu i d-yeskanen amaḍal s ṣṣifa n wemdan am tmeṭṭut ur nṣeḥḥi ara. Aṣenteɛ isseqdac initen izegzawen, izerwaɣen d wid iwraɣen i wakken ad d-yemmel ilelwan, imɣan d wakal. Ijeǧǧigen i yettmettaten ttwarran ɣef uqerruy n tमेṭṭut i wakken ad d-mlen aṭṭan. Udem n tmeṭṭut yeskanay-d leḥzen d ṭṭlam n uɛeddi. Tafat tettwaxdem s yiwet n uctabux ameqqran ɣef tmeṭṭut d yiwet n tafat ɣef ugummu n deffir. Tugna taneggarut tettwaseɣ s wesmel amḍan n uẓreg. Tawlaft-a tqerreb aluɣu ɣer usnulfu n wemdan yerna tessawaḍ lwelha ɣer ubeddel n tegnawt.

Asmekti

Ɣef Tarbaḥt A' Design Award n Lfeṭṭa

Mother Earth Primary Function: Tawlaft d amerbaḥ n Tarbaḥt A' Design Award n Lfeṭṭa, tagmat ɛlayen i yisnulfa yelhan, yeḥlan s waṭas. Imerbaḥen n Lfeṭṭa d isnulfa yelhan akk, yesɛan tmusni d tazmert. Mother Earth Primary Function: Tawlaft ad yili d asnulfu amaynut, yelhan, ad yeǧǧ ddunit tennuɣ.

Deffir n ufeṣṣel

Tagrurt n tɣamsa

Ismawen n terbaɛt, iferdisen itiknikanen akked telɣut i d-yefka umeṣṣufeɣ.

Taɣara Tasuft: The goal is to transfer earth pollution suffering into human emotion, to grab people attention to a raising problem of modern life style.
Tigejdiwin & Akemmus: Camera used: Canon 5d Mark ii, with canon 85/1.2 @ s100, f9, ISO 50
Software used: Lightroom and photoshop
Tibzimin: Portrait, Earth, Studio, Photography, Makeup, Nature, Pollution, People, Woman
Tasnakta n Ufares: I sketched the idea for the makeup artist to understand the concept. The colors are representation of nature, and the dead flowers on the head of the model to show that she is dying. I asked the model to show vulnerability and sadness. I used one big octabox on the model and one light on the backdrop.
Asewḥel n Usnulfu: The hardest part of this project was to find an African model. At the time of making this project, modeling agencies wast not common. So finding a model of a specific look was difficult.
Anadi: How earth would look like in a human form is the main is the core of this project. So, I mainly used google to view other artist approach of this concept, to get inspiration. The I did sketches of my own to show them to the makeup artist so she could understand my vision. I decided to hire an African model since Africa is the most connected with nature than others. I used dying petals as a representation of sickness. The green, blue and brown ware used as the colors of nature.
Aseḥbiber: When I was a kid winter used to be colder and longer. Climate is actually changing due to global worming. Mother earth is dying and we are the ones responsible for that. So I though to represent planet earth as a sick woman waring nature, with makeup inspired by oceans, plants and soil. I choose an African model, as for me, Africa is the closest place on earth to pure nature.
Tanzagt n Usenfar: The photograph took around 3 hours for the makeup and shooting in studio and 2 hours of retouching. It was shot in Kuwait 2015.
Tanila n Umahil: Mother Earth photograph main perps is to engage with the viewers emotionally. So the best way to view this photograph is to look hard to the model's face and try to read her emotions.
Igmamen n Terbaɛt: Makeup artist: Fatima Yousif
Model: Dalal
Imsuren n Tugniwin: Image #1: Photographer Naseer Behbehani, Mother Earth, 2015.
Image #2: Photographer Naseer Behbehani, Progress 1, 2015.
Image #3: Photographer Naseer Behbehani, Progress 2, 2015.
Image #4: Photographer Naseer Behbehani, Progress 3, 2015.