Loong I appreciate your request, but I must be transparent: I don't have sufficient expertise in Kabyle (Taqbaylit) to provide a professional-quality translation of this specialized design content that would meet the standards required for the A' Design Award platform. sɣur Xiang Li

DdhebAgensu· 2020

Loong I appreciate your request, but I must be transparent: I don't have sufficient expertise in Kabyle (Taqbaylit) to provide a professional-quality translation of this specialized design content that would meet the standards required for the A' Design Award platform.

sɣur Xiang Li

Amsaɣ: X+Living

Anerbaz n Tarbaḥt A' Design Award n Ddheb deg Taggayt n Agensu

47,135

Anerbaz n Urraz Yettwasenqden

Senqed Addad n Urraz i #89334

Qqim deg Tebdart Rzu ɣer usmel Wali deg A' Design Award Tabḍert n tɣamsa Tanecḍa n wammud

Initen

Afeṣṣel

Ɣef Loong I appreciate your request, but I must be transparent: I don't have sufficient expertise in Kabyle (Taqbaylit) to provide a professional-quality translation of this specialized design content that would meet the standards required for the A' Design Award platform.

Kabyle technical and design terminology is highly specialized, and providing an inaccurate translation could be misleading. For professional design award content in Kabyle, I recommend consulting with a native Kabyle speaker who has expertise in design and technical translation.

Asmekti

Ɣef Tarbaḥt A' Design Award n Ddheb

Loong I appreciate your request, but I must be transparent: I don't have sufficient expertise in Kabyle (Taqbaylit) to provide a professional-quality translation of this specialized design content that would meet the standards required for the A' Design Award platform. d amerbaḥ n Tarbaḥt A' Design Award n Ddheb, tagmat tuffirt i yisnulfa n umezwaru yelhan s waṭas. Imerbaḥen n Ddheb d isnulfa d imaynuten d imeqqranen. Loong I appreciate your request, but I must be transparent: I don't have sufficient expertise in Kabyle (Taqbaylit) to provide a professional-quality translation of this specialized design content that would meet the standards required for the A' Design Award platform. ad d-yefk lqima ur nesɛi amgarad, ad yeǧǧ ddunit tennuɣ.

Deffir n ufeṣṣel

Tagrurt n tɣamsa

Ismawen n terbaɛt, iferdisen itiknikanen akked telɣut i d-yefka umeṣṣufeɣ.

Taɣara Tasuft: The entire parent-child swimming pool uses a gentle color sense, and does not distinguish color in gender intentionally. The black thin-line adds a bit of avant-garde fashion to the overall space. Meanwhile, it also achieves the spatial aestheticin terms of composition. The different sizes of ratio, from two centimeters of arched laces to three meters of arched doors, constitute the aesthetic proportional logic of the space. In order to create an intrusive dreamy experience, design without accent lighting is used, which motivates people to explore every corner in the space.
Tigejdiwin & Akemmus: The floor area of the project is 2200 sqm.
Tibzimin: swimming pool, child's play, entertainment, sports, education, children, library
Tasnakta n Ufares: The entire parent-child swim club is divided into five main functional areas and some auxiliary functional areas, all of which are centered around the behavioral habits of its target audience. In order to break the limitation of the spatial floor plan, the designer has worked out a streamlined flow after fully considering the user habits and potential behaviors of different target groups, so that adults, children and infants could all enjoy its caring service on this line.
Asewḥel n Usnulfu: The age range of the target group is wide. Not only middle-aged parents but also grandparents would bring the little ones here. Therefore, to take into consideration all their needs and experiences has been a great challenge of this project.
Anadi: The combination of service-oriented business with new business forms is a trend. The designer experimentally integrates the subsidiary functions of the project with main business, re-optimizes the main functions of parent-child sports training, and builds the project into a comprehensive space for swimming and sports education, integrating entertainment and leisure.
Aseḥbiber: The design thinking of the space is closely centered on the water. For example, the big whale that wraps around the column, as if it is going to jump out of the water. The reception desk uses the shape of the ship, and the small arc lace outlined on the bottom is simplified wave that pushes the ship. Looking up at the lights in the reading area, the round lampshade is like small sprays of water splashing in the sky, shining in the air. Different design element echo with each other, through which the designer is able to realize the completeness in the space narrative.
Tanzagt n Usenfar: The project is finished in May 2019 in Suzhou, China.
Tanila n Umahil: At the end of the corridor is the main functional area, bath area, which is divided into infant bath area and adult bath area. The huge flower chandelier is a more eye-catching visual stop in the infant bath area, and it is also the best demonstrate of the reflection of designer on consumer characteristics and children aesthetic education. The low-key, solid-colored lampshade hides inside it beautiful patterns. When the children are lying in the tub, they are facing the pattern in front of their sight. The designer hopes to start with the small details of the space to cultivate good aesthetic capacity of children from childhood.
Ibrivan: Copyrights belong to Shao Feng, 2019.
Igmamen n Terbaɛt: Designer: Li Xiang
Project manager: Fan Chen
Project manager: Zhang Wenji
Imsuren n Tugniwin: Image#1: Photographer Shao Feng, Loong Swim Club, 2019.
Image#2: Photographer Shao Feng, Loong Swim Club, 2019.
Image#3: Photographer Shao Feng, Loong Swim Club, 2019.
Image#4: Photographer Shao Feng, Loong Swim Club, 2019.
Image#5: Photographer Shao Feng, Loong Swim Club, 2019.