Life With Mountain Tudert akked Wedrar sɣur Alen Lo

Life With Mountain Tudert akked Wedrar sɣur Alen Lo d anerbaz yettwaqadren meqqren n 2020 Tarbaḥt A' Design Award n Uzzal deg Taggayt n Tnaflit n Afeṣṣel n Ugensu, Taddart n Uzenz d Uskan.

UzzalAgensu· 2020

Life With Mountain Tudert akked Wedrar

sɣur Alen Lo

Amsaɣ: Dreamer Interior Design

Anerbaz n Tarbaḥt A' Design Award n Uzzal deg Taggayt n Agensu

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Anerbaz n Urraz Yettwasenqden

Senqed Addad n Urraz i #91255

Wali deg A' Design Award Tabḍert n tɣamsa Tanecḍa n wammud

Initen

Afeṣṣel

Ɣef Life With Mountain Tudert akked Wedrar

Tudert akked Wedrar d asuneɣ agensay n wexxam n uɛemmar deg yiwet n villa n wedrar di Taiwan. Talɣa n ssqef ittawin akked yiferdisen n uɣerbaz ur nemsawa, ferqen-d tigawin, ma d tiɣmiwin ittwazerɛen sya d sya rran tiɣurfiwin am akken msekniɣent. Krad n yidigan ittɛawaden alaɣu d wadda ssalayen tiseddar n uẓekka n umkan azayez. Izirigen izeggaɣen n uɣawas n uzzal akked yisɣaren rebḍen ijdi d aẓekka i wakken ad ssemɣaren anzi n umkan. Tiɣmiwin ttwaffren s usnas amaynut n uɣawas. Ussisen, tawsit n unaẓur, tafat n yiṭij akked yimɣan wwin-d ttjur n tmetti n uccerq akked wutrib ɣer yiwen wemkan.

Asmekti

Ɣef Tarbaḥt A' Design Award n Uzzal

Life With Mountain Tudert akked Wedrar d amerbaḥ n Tarbaḥt A' Design Award n Uzzal, tagmat i yisnulfa yelhan i yemmalen ayen i d-ttrajun yimdanen seg yisnulfa yelhan. Imerbaḥen n Uzzal ttbanen d tmusni, tmahilt d tazmert n yimahilen-nsen. Life With Mountain Tudert akked Wedrar ad yili d asnulfu yettwaɛezzen, yelhan, amaynut. Isnulfa-a ttwaɛezzen imi ɛawnen deg tudert, rran ddunit ugar n lxir.

Deffir n ufeṣṣel

Tagrurt n tɣamsa

Ismawen n terbaɛt, iferdisen itiknikanen akked telɣut i d-yefka umeṣṣufeɣ.

Taɣara Tasuft: Despite the beautiful natural scenery of this mountain villa, the pitched roof structure and disorderly floor allocation lead to the fragmented layout. The pillars scattered around make the space confined. The designer uses three consecutive high and low stages to increase the visual height of the public space, smartly hide the pillars through the rearrangement of the layout, and perfectly integrate the eastern and western cultural consciousness in life.
Tigejdiwin & Akemmus: The use of materials and colors and the introduction of the natural elements such as sunlight and plants endow the residence with the artistry of new oriental culture. In the living room, the bamboo style wall, grille, and carved Heart Sutra present the Wisdom Path rich in the oriental Buddhist characteristics. On the back wall of the living room, the western oil painting technique is applied to paint the landscape in the style of the Chinese ink art. It extends the scenery out of the window and creates the hidden beauty of different distances by combining the layering of lights and iron shelves.
Tibzimin: Interior, Design, House, Residence
Tasnakta n Ufares: First, to solve the faults of the building is the top priority. The designer introduces the concept of visual compensation. For the height layers of the three consecutive stages, the front and rear walls are precisely connected with the clear vertical lines of the iron pieces and grilles to greatly enlarge the space dimensions and grandeur feeling, visually form the square layout, and solve the existing structure problem. There are also several pillars in the secondary bedroom on the second floor. According to the functions and situations in life, the designer rearranges the height for more possibilities in the space usage.
Asewḥel n Usnulfu: In terms of the disorderly space and floor allocation caused by the pitched roof structure, how does the design maximize the space efficiency for the residents in the design? How does the design integrate a comfortable living situation and cultural meaning? These are the most challenging design problems in this project.
Anadi: The concept of visual compensation is introduced. For the height layers of the three consecutive stages, the front and rear walls are precisely connected with the clear vertical lines of the iron pieces and grilles to enlarge the space dimensions and feelings and visually form the square layout. By defining the stairs and the kitchen, the designer hides the sense of oppression from the pillars and extend the reading area by the window. There are also several pillars in the secondary bedroom on the second floor. According to the functions and situations in life, the designer rearranges the space for more possibilities in space usage.
Aseḥbiber: The residents are of two different generations. Besides the comfortable living quality, the designer hopes to integrate the residents cultural background and ways of life. Therefore, the designer starts from solving the faults of the construction and create the cultural thinking of a new oriental residence through the arrangement of materials and art.
Tanzagt n Usenfar: The project started in Oct. 2018 and finished in July 2019 in Taiwan.