Ɛeddi ɣer ugbur

Floating Light Primary Function: Aɣawas n daxel n uxxam sɣur George PC Kao

Floating Light Primary Function: Aɣawas n daxel n uxxam sɣur George PC Kao d anerbaz yettwaqadren meqqren n 2020 Tarbaḥt A' Design Award n Lfeṭṭa deg Taggayt n Tnaflit n Afeṣṣel n Ugensu, Taddart n Uzenz d Uskan.


LfeṭṭaAgensu· 2020

Floating Light Primary Function: Aɣawas n daxel n uxxam

sɣur George PC Kao

Amsaɣ: ACG Design International

Anerbaz n Tarbaḥt A' Design Award n Lfeṭṭa deg Taggayt n Agensu

19,074

Anerbaz n Urraz Yettwasenqden

Senqed Addad n Urraz i #92848

Initen

Afeṣṣel

Ɣef Floating Light Primary Function: Aɣawas n daxel n uxxam

Book Text: Floating Light d aɣawas n daxel n uxxam yellan deg yiwet n texxamt n ṛebɛa n twinasin deg temdint n Taichung, di Taiwan. Axxam yekfa deg wayyur n Yunyu 2019. Yiwen n uzayaz (atrium) yettawi tafat tagamant ɣer yidis aɛeddan yerna yettwellih tunigin ger yiswiren. Iɣerban yettwafeṣlen s uzɛim aminral d-sskanayen isekkilen ittbeddilen n tafat d tili deg wass. Ablaɣ agaman, lemṛemṛ, tira n usɣar d yizeryan yezziqen ttfaṛasen tawzilt tafessast tettuɣalen. Aɣawas yettxelliq amḍiq yemcaraken anda tawacult tzemmer ad d-tennejmaɛ yerna ad temyagar.

Asmekti

Ɣef Tarbaḥt A' Design Award n Lfeṭṭa

Floating Light Primary Function: Aɣawas n daxel n uxxam d amerbaḥ n Tarbaḥt A' Design Award n Lfeṭṭa, tagmat ɛlayen i yisnulfa yelhan, yeḥlan s waṭas. Imerbaḥen n Lfeṭṭa d isnulfa yelhan akk, yesɛan tmusni d tazmert. Floating Light Primary Function: Aɣawas n daxel n uxxam ad yili d asnulfu amaynut, yelhan, ad yeǧǧ ddunit tennuɣ.

Deffir n ufeṣṣel

Tagrurt n tɣamsa

Ismawen n terbaɛt, iferdisen itiknikanen akked telɣut i d-yefka umeṣṣufeɣ.

Taɣara Tasuft
Under the shuttling light, shadow and line work, an avantgarde design vocabulary were adopted to create strong contrast with materials while creating visual harmony under conflicting perception, in wholistically conveying the time and space concepts of the designers. As the designers adopted light and shadow for the ongoing narrative of each space, minimal, rational, geometric, linear and the original material texture are the core visual focus for a design theme of a connecting Floating Light.
Tigejdiwin & Akemmus
With a predominant usage of mineral paint as the compositional base for the overall interior, a simple repetitive spatial texture created a visual rhythm. So apart from light and shadow, another inspiration from the classic game of Snake, time was brought into the spatial configuration as another ongoing connection and continuation, as it traverses freely in the interior in providing sufficient and free-willed lighting whilst providing a guide of spatiality and subtle demarcation.
Tibzimin
Atrium, Marble, Painted Metalwork, Imported Italian Tiles, Ultra Scratchproof Flooring, Special Glass, Imported Special Paints, Stucco, Genuine Timber Veneer
Tasnakta n Ufares
As this residence is situated in a 15-year-old four-story residential building in Taichung City, it added diffuculty to the vertical spatial demarcation, circulation and light guidance. Large use of imported natural masonry materials and mineral paints became the creative foundation of the interior, as the unprocessed materiality conveyed a simple, repetitive yet rythmic spatial quality of a pure and enriched internal experiences, realized by natural elements and design techniques.
Asewḥel n Usnulfu
Having spent 2 to 3 months in communicating with the client on concepts and requirements, on top of on-site research and evaluations in search of other possibilities, the design team has synergized the actual functions and inner sentiments in realizing them through natural elements and design techniques. During the construction process, whenever there were 2 or more materials coming into a junction, with essential consideration of chromatic fluidity, and understanding of materials.
Anadi
While the Floating Light design was being developed, the original daytime light of the sky was also preserved. The design team transformed the exquisite pond, no matter how minute compared to the external world, in reflecting the light and cloud in the sky with glamor and energy which was translated to a transcending sense of extension within a limited interior area.
Aseḥbiber
Having originated from the many-year friendship with, and understanding of, the client, the design was to create a domain for the family to congregate and interact, given the long duration of absence of the client from the family, while solidifying the fatherly presence of the client for the children, inspired by the work of a famous poet, X. Sung, of Sung Dynasty, where the design speaks of the eternal loving bond between the father and the children.
Tanzagt n Usenfar
The project was finished in June, 2019 in Taichung City, Taiwan.
Tanila n Umahil
With the atrium design that brings in ample natural light in forming dramatic changes at different times, such as light and shadow patterns formed on walls treated with mineral paint, much like a naturally-formed flowing textured pattern which re-defined lighting design by seemingly consolidating all large volumes such as sofa and staircase that lightened the previously heavy and conventional spatial ideology by creating a light touch of spatial ambiance and visual tension.
Igmamen n Terbaɛt
George PC Kao
Hsin I Lin
Imsuren n Tugniwin
Squid Image Studio

Yettwaxellṣen

Snirem Seld Designers.org

Af-d iferdisen, imeẓla d tegnatin sɣur yimɛawnen-nneɣ n usissen.

Asnulfu Yelhan Yesra Asekṛes Ameqqran

Arraz A' n Usnulfu d arraz agraɣlan, yettusneqden sɣur uɣref, i usnulfu yelhan. Ttekki deg Urraz A' n Usnulfu akken ad tesɛuḍ tagnit n usekṛes imeritukratik, ad tawiḍ aẓayer, ameqqer d usissen i umahil-ik. Sumer amahil-ik i Urraz A' n Usnulfu akken ad tnafseḍ s Ulamek A' n Usnulfu.

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