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The Reflection of Light Tazwart Tadaxlit n Tesnulfut n Texxamt n Umahil sɣur Panteha Asgharzade

The Reflection of Light Tazwart Tadaxlit n Tesnulfut n Texxamt n Umahil sɣur Panteha Asgharzade d anerbaz yettwaqadren meqqren n 2020 Tarbaḥt A' Design Award n Lbrunz deg Taggayt n Tnaflit n Afeṣṣel n Ugensu, Taddart n Uzenz d Uskan.


LbrunzAgensu· 2020

The Reflection of Light Tazwart Tadaxlit n Tesnulfut n Texxamt n Umahil

sɣur Panteha Asgharzade

Amsaɣ: Allied Consolidated

Anerbaz n Tarbaḥt A' Design Award n Lbrunz deg Taggayt n Agensu

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Anerbaz n Urraz Yettwasenqden

Senqed Addad n Urraz i #93174

Initen

Afeṣṣel

Ɣef The Reflection of Light Tazwart Tadaxlit n Tesnulfut n Texxamt n Umahil

Aḍris n Tewsi: Tazwart n Tafat d tadaxlit n texxamt n umahil i d-ițwaxdamen deg ugensu n uɣerbaz aqbuṛ i ițwarnun, s tsedka n 230 n lmitrat imkuẓaɣ. Aṭas n tgejda i illan yakan ttwaffren deffir n tessiwi n idurar, akken ad d-ițwarna udiwn asemsel akked usemsawal deg mkul agens. Ixxamen ttwaseknen akken imsefraken d ixeddamen ilelli ad qqimen di teɣwalt deg tallelt tabani akked temsazlit. Idurar ttwazuzmen s taluft n twuzt tuzint yesɛan initen, ma d idurar n twuzt frânen ixxamen akken ad d-tewweḍ tafat tunṭirt ɣer mkul agens. Beton geopolymer, beton azgen akked usenfali n waman ibawen ttwaseqdec-en.

Asmekti

Ɣef Tarbaḥt A' Design Award n Lbrunz

The Reflection of Light Tazwart Tadaxlit n Tesnulfut n Texxamt n Umahil d amerbaḥ n Tarbaḥt A' Design Award n Lbrunz, tagmat ɛlayen i yisnulfa yelhan, yeṭṭafaren tinawt, tamusni d tezmert. Imerbaḥen n Lbrunz d isnulfa yelhan, ttbanen d timusniwin n tmusni n yimahilen-nsen. The Reflection of Light Tazwart Tadaxlit n Tesnulfut n Texxamt n Umahil ad yili d asnulfu yettwaɛezzen, yelhan, amaynut. The Reflection of Light Tazwart Tadaxlit n Tesnulfut n Texxamt n Umahil yettemlil ɣef yimawlan, yettwaɛezzen s tmahilt-is.

Deffir n ufeṣṣel

Tagrurt n tɣamsa

Ismawen n terbaɛt, iferdisen itiknikanen akked telɣut i d-yefka umeṣṣufeɣ.

Taɣara Tasuft
The main concern of this project was to solve the dilemma of columns and unused spaces between these columns, which were covered with wall panels. Eventually an efficient and consistent wall was created for each space. The next important issue was the design of the communication between the internal managers of the company, where the rooms were designed and put together so that the related staff would stay in touch and be in a completely transparent and intimate environment.
Tigejdiwin & Akemmus
Area : 230m
Tibzimin
Culture , Green material
Tasnakta n Ufares
Geo polymer concrete , Waste water management , Green concrete
Asewḥel n Usnulfu
Designing the plan was a challenge because of the many columns in the building and the effort to hide them and to have the office with the right light.
Anadi
The method facilitates design through an iterative process drawing on different knowledge, as to design while considering different aspects of architectural design such as function, structure, light and acoustic. These aspects are continuously considered for the office. The method consists of five phases: 1) Problem or idea phase 2) Analysis 3) sketching 4) synthesis 5) presentation. Where the work between the different phases happens iteratively.
Aseḥbiber
The design of this unit has always been a matter of simplicity and readability. All walls are covered with colored crystal glass to allow individual images of the project walls to be viewed as soon as they are in space. Another important thing for us was that all spaces had natural light, so glass partitions were used to separate the rooms.
Tanzagt n Usenfar
The project started in june 2019 in tehran and finished in september 2019.
Tanila n Umahil
The office is a renovation of an old building. Access to all the spaces and their proper layout was the most challenging part of the design due to the limited area of the building.
Ibrivan
The reflection of light
Igmamen n Terbaɛt
Architect: Pantea Asgharzadeh
Design team: Anahita Asgharzadeh
Design team: Hasan dehghanpour
Design team: meysam Mohamadpour
Imsuren n Tugniwin
Image #1,2,3,4,5: Mohammad Hassan Ettefagh, 2019.
Illustrator : Saeed Shahdadfar

Yettwaxellṣen

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