Ɛeddi ɣer ugbur
Wuxi Ditre Timensi Tunṣibt n Ilugan sɣur Yang Su

Wuxi Ditre Timensi Tunṣibt n Ilugan sɣur Yang Su d anerbaz yettwaqadren meqqren n 2020 Tarbaḥt A' Design Award n Lbrunz deg Taggayt n Tnaflit n Afeṣṣel n Ugensu, Taddart n Uzenz d Uskan.


LbrunzAgensu· 2020

Wuxi Ditre Timensi Tunṣibt n Ilugan

sɣur Yang Su

Amsaɣ: Nonezone Design

Anerbaz n Tarbaḥt A' Design Award n Lbrunz deg Taggayt n Agensu

9,468

Anerbaz n Urraz Yettwasenqden

Senqed Addad n Urraz i #97728

Initen

Afeṣṣel

Ɣef Wuxi Ditre Timensi Tunṣibt n Ilugan

Wuxi Ditre d timensi tunṣibt n ilugan yettwaxedmen i tmarkant tatalyanit n ilugan deg Wuxi, Ccinwa. Agbur agensan yezga ɣef 600 n lmitrat imrebbaɛen, yesseqdac ticci tarreft n times, akersi n uɣanim, uzzal yettwaxedmen s wudem uzzig akked tqecwalt n wudem tazegzawt. Ini iberkanen, tanfult n uɣanim n tnaturt akked tafat yettwarcen sseɣtin-d asatal awer i wid yettwaseknen. Aselket ilelli-nnig icudd yal agraw n ifaransen s tertib iqerben. Askel yerra amḍiq n ssqef aflaḍan sennig ṭṭabla n usnuble yettwafsaren. Idurar-nni ceṛcen izgaren imɣuran akked igenza n tallaḍt tafessast, ttunuẓẓaḍen mkul ass ttalin d asawen.

Asmekti

Ɣef Tarbaḥt A' Design Award n Lbrunz

Wuxi Ditre Timensi Tunṣibt n Ilugan d amerbaḥ n Tarbaḥt A' Design Award n Lbrunz, tagmat ɛlayen i yisnulfa yelhan, yeṭṭafaren tinawt, tamusni d tezmert. Imerbaḥen n Lbrunz d isnulfa yelhan, ttbanen d timusniwin n tmusni n yimahilen-nsen. Wuxi Ditre Timensi Tunṣibt n Ilugan ad yili d asnulfu yettwaɛezzen, yelhan, amaynut. Wuxi Ditre Timensi Tunṣibt n Ilugan yettemlil ɣef yimawlan, yettwaɛezzen s tmahilt-is.

Deffir n ufeṣṣel

Tagrurt n tɣamsa

Ismawen n terbaɛt, iferdisen itiknikanen akked telɣut i d-yefka umeṣṣufeɣ.

Taɣara Tasuft
The highly modern space matches the characteristic of the exhibits. The subtle fragrance, the light and shade, the scale of enclosures, make one immersed in the spatial interpretation. The free layout allows the space to unfold in sequence, with each portfolio of exhibits presented to the viewers in an orderly manner.
Tigejdiwin & Akemmus
The project covers a total of 600 square meters. Due to the borrowed spatial relationship, the classical Italian style thousands of miles away and the Oriental philosophy of residence meet and collide here, which is an encounter to inspire the imagination.
Tibzimin
Interior, Furniture Showroom, Exhibition, Commercial, Flow Space, Modern, Elegant, Simple, Stable, Ditre
Tasnakta n Ufares
The main materials in this project are fireproof board, wood floor, customized metal and grey floor tile. The exhibits, waiting quietly in a harmonious atmosphere, are as impressive as sparkling treasures in the dark.
Asewḥel n Usnulfu
The stairs connecting different floors have abandoned the traditional treatment, and the solid blocks are interspersed between the walls, supplemented by light-weight glass handrails, like a sculpture switching between delicacy and massiveness. Visitors climb the stairs step by step which are narrowed from wide ones, provoking a desire of visitors to see what's going on up there.
Anadi
Italian furniture has its unique character, in which its appearance can be attractive, and its physical sense can touch your soul, similar to the animal's protective coloration that can bring shelter. The expression of space is developed based on the dark tone, from which the calm black, the natural wooden texture and the classic light, highlight a pure and harmonious atmosphere. Each material is endowed with the function of emotional hint, like a hot heart under the forbidding appearance.
Aseḥbiber
The process of furniture production is a reconstruction of artistic aesthetics itself. DITRE, an Italian furniture brand, came to China far away across the sea, like a migration of aesthetics. The ultimate pursuits for the design by the eastern and western residential cultures bring designers new thoughts on the design of the exhibition hall.
Tanzagt n Usenfar
The project started in October 15, 2018 in Wuxi and finished in January 30, 2019 in Wuxi.
Tanila n Umahil
In the part of the roof which serves as the fifth facade, the framework replaces the flat roof to correspond to the simplified reception desk below. At a glance, one can see how the elaborate design works.
Ibrivan
Copyrights belong to Yang Su, 2019.
Igmamen n Terbaɛt
Yang Su
Hai Wang
Derong Sun
Imsuren n Tugniwin
Image #1: Photographer Ming Chen, Group, 2019.
Image #2: Photographer Ming Chen, Reception, 2019.
Image #3: Photographer Ming Chen, Reception, 2019.
Image #4: Photographer Ming Chen, Group, 2019.
Image #5: Photographer Ming Chen, Group,, 2019.

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