Citic Fengyue Tower 오피스 인테리어 디자인 by Ye Feng

Citic Fengyue Tower 오피스 인테리어 디자인 by Ye Feng is a highly esteemed winner of the very prestigious 2020 A' Design Award 금상 in 인테리어 공간 및 전시 디자인 Competition Category.

금인테리어· 2020

Citic Fengyue Tower 오피스 인테리어 디자인

by Ye Feng

Client: Beijing Shanghe Interior Design

A' Design Award 금상 Winner in 인테리어 Category

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Verified Award Winner

Verify Award Status for #100042

View at A' Design Award Press Release Award Badge

Colors

The Design

About Citic Fengyue Tower 오피스 인테리어 디자인

중신 펑웨 타워(Citic Fengyue Tower)는 중국의 해안 도시 다롄에 위치한 6,500제곱미터 규모의 오피스 인테리어이다. 디자인은 과학기술과 예술, 자연 그리고 바다에서 영감을 얻었으며, 주된 이미지는 파도의 형태에서 가져왔다. 천장과 바닥은 흐르는 듯한 곡선과 블록 형태의 면을 활용해 움직임과 개방감을 전달한다. 군함을 형상화한 리셉션 데스크는 이 지역의 항구를 연상시키며, 아이스 화이트 대리석과 골드 스테인리스 스틸로 제작되었다. 화이트 그레이 톤에 테크니컬 블루가 조화를 이룬다. 실내외에 배치된 조형물은 동선을 유도하고 상호작용을 촉진한다.

The Recognition

About the A' Design Award 금상

Citic Fengyue Tower 오피스 인테리어 디자인, 이 작품은 A' Design Award 금상 수상작으로, 일류의 경이롭고 뛰어난 디자인에 수여되는 극히 권위 있는 인정입니다. 금상 수상작은 대단히 혁신적이고 선견지명이 있으며 눈부시게 빛나는 작품으로, 디자이너의 천재성, 지혜, 기량을 반영합니다. Citic Fengyue Tower 오피스 인테리어 디자인, 이 작품은 가장 높이 평가받는 트렌드 선도적이고 기념비적인 발명품으로서 전례 없는 가치를 제공할 것으로 기대됩니다. 이 금상 수상 디자인은 예술, 과학, 디자인, 기술의 경계를 넓히는 장관을 이루는 존경받는 프로젝트입니다. Citic Fengyue Tower 오피스 인테리어 디자인, 이 작품은 강렬한 욕망을 불러일으키고 열정을 자아내며 창의성을 북돋우고 매료합니다.

Behind the Design

Press Kit

Credits, team members and technical details provided by the designer.

Unique Properties: In the design space, the designer also adopted the design concept of master Zaha Hadid for ceiling and floor. On the basis of this, the designers made full use of lines and block surfaces, which were forceful and soft. It conveys a sense of motivation and space, symbolizes the order and harmony of the new era, and fills space with infinite imagination.
Dimensions & Packaging: The project covers a total of 6500 square meters. The modern design is efficient and concise. The combination of lighting color, decoration structure and modeling has achieved good decoration effect, which is simple, bright, in line with the psychological needs of contemporary people.
Tags: Interior, Office, Modern, Simple, Citic Fengyue Tower, Technology, Art, Nature, Sea
Production Technology: The white gray is added with technical blue, and the modern style is used as the keynote to blend in. The design method of plane division is used to make the space design flexible and comfortable.
Design Challenge: From indoor to outdoor, the designers have selected original works of art such as sculpture "Moon" and "Floating City" by contemporary performers. Through the artistic movement line of space, artistic taste, increased interaction in communication, and created a sense of symbiosis between space design and people.
Research: In the historical development of the society, new artistic expression means and artistic aesthetics are constantly promoted. People's aesthetic activities also reflect social life and show people's sense of thought. This is exactly what the city needs, a more concise and orderly architecture without losing its beauty.
Inspiration: Citic Fengyue Tower is located in Dalian City, Liaoning Province, which is a seaside city. In the new era of modern life, inspired by science and technology, art, nature and the sea, the design source is extracted from the sea wave elements of coastal cities, and the idea of "all rivers run into sea" is interpreted in an invisible, casual and natural way.
Project Duration: The project started in December 2017 in Dalian and finished in November 2019 in Dalian.
Operation Flow: Dalian has one of China's major ports, docking with the Chinese navy fleet. This idea was used for reference in the interior to design the warship reception desk. It is composed of natural ice white marble and golden stainless steel.
Patents: Copyrights belong to Ye Feng, 2019.
Team Members: Ye Feng
Image Credits: Image #1: Photographer Guojun Yang, Lobby, 2019.
Image #2: Photographer Guojun Yang, Elevator, 2019.
Image #3: Photographer Guojun Yang, Lobby 2, 2019.
Image #4: Photographer Guojun Yang, Corridor, 2019.
Image #5: Photographer Guojun Yang, Lobby 3, 2019.