디자이너 ZKW Studio의 작품 Weaving Wood 캐비닛은(는) 매우 권위 있는 2025 A' Design Award 동상의 가구 디자인 부문에서 탁월한 수상작입니다.

동가구· 2025

Weaving Wood 캐비닛

디자이너: ZKW Studio

클라이언트: ZKW Studio

가구 부문 A' Design Award 동상 수상작

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사이트 방문 A' Design Award에서 보기 보도 자료 수상 배지

색상

디자인

Weaving Wood 캐비닛 소개

위빙 우드 캐비닛은 직조된 월넛 베니어 텍스타일로 제작된 세 개의 측면 패널을 특징으로 하는 사다리꼴 월넛 캐비닛입니다. 표면 전체에 걸쳐 직조 밀도가 변화하여 질감의 미묘한 그라데이션을 연출합니다. 기계적 방식으로는 구현할 수 없는 이 수작업 공정은 목재의 구조적 견고함과 텍스타일의 유연성을 결합합니다. 햇빛에 노출될 때 표면은 겹겹이 쌓인 그림자를 드리우며, 나뭇결의 정렬은 일관된 시각적 리듬을 형성합니다.

수상 인정

A' Design Award 동상 소개

Weaving Wood 캐비닛, 이 작품은 A' Design Award 동상 수상작으로, 창의성, 독창성, 영민함으로 돋보이는 뛰어난 디자인에 수여되는 높은 권위의 인정입니다. 동상 수상작은 충분히 숙련되고 인상적으로 창의적인 작품으로, 디자이너의 폭넓은 경험, 상상력, 기지를 입증합니다. Weaving Wood 캐비닛, 이 작품은 높이 평가받고 감탄과 사랑을 받는 사물로서 두드러지게 전문적이고 혁신적일 것으로 기대됩니다. 이 동상 수상 디자인은 예술, 과학, 디자인, 기술의 모범 사례를 담고 있으며 세부에 대한 주의로 훌륭합니다. Weaving Wood 캐비닛, 이 작품은 필요를 훌륭하게 충족하고 욕망에 닿으며 감정을 매료하고 호기심을 불러일으킵니다.

디자인 비하인드

프레스 킷

디자이너가 제공한 크레딧, 팀원 및 기술 세부 사항.

고유 특성: This piece of furniture employs a unique weaving technique that integrates walnut veneer into textile, transforming the originally fabric into a unique screen. When exposed to sunlight, the woven surface casts delicate and beautiful shadows. Weaving veneer into textile is a unique technique that machines are not capable of doing. Each wooden board undergoes a meticulous selection based on its grain and color, building a consistent sense of nature beauty.
치수 및 패키징: W * D * H : 508 * 304 * 1118 mm
태그: Cabinet, Veneer Textile, Furniture, Material Innovation, Indoor Furniture
생산 기술: This cabinet is entirely handcrafted from walnut, including the textile panels on both sides, which are woven from a combination of cotton thread and walnut veneer. The technique of integrating wood veneer into textile weaving is a process that cannot be replicated by machines. Due to the hardness and thickness of the walnut veneer, the tension of the weave must be carefully and continuously adjusted—tight enough to securely hold the veneer strips in place, yet flexible enough to maintain structural integrity without causing displacement.
디자인 과제: The project posed creative and technical challenges, particularly in adapting thick wood veneer for weaving. Wood veneer lacks the tension typically required by a loom and thread fabric, making it necessary to carefully calculate the spacing between each column to maintain a good structure. Beyond the textile, the frame designed to hold the textile became another big technical challenge. Though the grooves are invisible from the outside, there are 28 hidden channels that secure the woven surface in place. Due to their seamless requirement and the thinness of each wooden board, cutting precise grooves along narrow edges proved fine-tuned craftsmanship, merging material research with construction precision.
연구: The project is rooted in a deep investigation of materials and making techniques, centering on a textile innovation that integrates thin walnut veneer into a woven structure using a loom. The process involved extensive experimentation, beginning with a series of prototypes that tested veneer thicknesses, thread weights, and weaving patterns. A key challenge was preserving the tension necessary for weaving while accommodating the rigidity of wood—an issue resolved through careful calibration of spacing, tension, and structural support.

Traditional weaving tools were adapted for this process, with each strip of veneer hand-cut and softened for flexibility before being woven alongside cotton thread. Machines proved incompatible with the delicacy and precision required, making the technique entirely dependent on manual craftsmanship. The final textile achieves both strength and fluidity, allowing the wood grain to appear continuous across a pliable surface.

In parallel with material research, the project draws on classical furniture forms—particularly the trapezoidal cabinet, a shape now rare in contemporary contexts. Reinterpreted through this new textile language, the form is both familiar and reimagined, merging historic references with a distinctly modern sensibility.
영감: Inspired by the balanced spirit of nature, this cabinet reinterprets a classic trapezoidal form with three side panels composed of walnut veneer textile. The veneer is woven more densely near the frame, creating a visual and tactile gradient , not only in the viewing but also in the tactile experience. By blending rigid walnut with flexible textile, the piece explores harmony through material, offering a unique sensory experience that invites closer interaction and touch.
프로젝트 기간: The project started in October 2023 and finished in March 2024 in United States, and was exhibited in ICFF WANTED in May 2024.
운영 흐름: The cabinet features a slender profile suited for storing small objects, making it well-suited to living spaces and compact interiors. Its low height allows it to sit neatly beside a television, serving as a functional storage piece. Designed to be freestanding, the cabinet reveals its tactile quality when illuminated. Sunlight filtering through the woven textile creates a soft interplay of light and shadow. The pale-toned fabric responds gently to natural light, introducing a sense of airy and a renewed lightness to the surrounding space.
팀원: Textile Partner: Huining Liu