Mother Earth फोटो by Naseer Behbehani is a highly esteemed winner of the very prestigious 2020 A' Design Award रजत पुरस्कार in छायाचित्रण आनी फोटो मॅनिप्युलेशन डिझायन Competition Category.
रजतछायाचित्रण· 2020
Mother Earth फोटो
A' Design Award रजत पुरस्कार Winner in छायाचित्रण Category
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The Design
About Mother Earth फोटो
आवय पृथ्वी हो एक स्टुडिओ पोर्ट्रेट फोटो आसा जो ग्रहाक मनशाच्या रूपांत, बरे भलायकेंत नाशिल्ल्या बायलेच्या रूपांत सादर करता. मेकअपांत हिरवे, निळे आनी तपकिरी रंग वापरून समुदर, रोंपटीं आनी माती दाखयल्यात. मॉडलाच्या माथ्यार मरपाक लागिल्ल्या फुलांच्या पाकळ्यो दवरून दुयेंस सुचयलां. मॉडलाची अभिव्यक्ती दुख्ख आनी दुर्बळपण व्यक्त करता. उजवाड एका व्हड ऑक्टाबॉक्सान मॉडलाचेर आनी एका उजवाडान पाटभुंयेर तयार केला. निमाणी प्रतिमा डिजिटल एडिटिंग सॉफ्टवेराचेर परिष्कृत केली. हो फोटो प्रदूषणाक मनशाच्या भावनांकडेन जोडता आनी वातावरण बदलाकडेन लक्ष ओडटा.
The Recognition
About the A' Design Award रजत पुरस्कार
Mother Earth फोटो ही A' Design Award रजत पुरस्काराची विजेती आसा, सर्वोच्च दर्जाच्या, सुंदर आनी प्रभावी रचनांक दिवपी विलक्षण प्रतिष्ठीत मान्यताय. रजत विजेत्यो रचना अत्यंत तेजस्वी आनी खूब सर्जनशील कृती आसून रचनाकारांची उत्कृष्ट तज्ञताय, प्रतिभा आनी सूक्ष्म दृष्टी दाखयतात. Mother Earth फोटो ही अद्भुत, आदर्श, अत्यंत व्यावसायिक आनी खोलायेन नाविन्यपूर्ण कृती जावंक जाय अशी अपेक्षा आसा. हे रजत पुरस्कार जिखिल्ले रचन कला, विज्ञान, रचना आनी तंत्रज्ञानाच्यो सीमा रुंदावपाक मदत करपी कौतुक जाल्लो शोध आसा. Mother Earth फोटो ही सगळ्यांक हेवो दिवपी निर्मिती आसून इत्सा जागयता, सकारात्मक भावना हाडटा आनी आश्चर्य निर्माण करता.
Behind the Design
Press Kit
Credits, team members and technical details provided by the designer.
- Unique Properties
- The goal is to transfer earth pollution suffering into human emotion, to grab people attention to a raising problem of modern life style.
- Dimensions & Packaging
- Camera used: Canon 5d Mark ii, with canon 85/1.2 @ s100, f9, ISO 50
Software used: Lightroom and photoshop - Tags
- Portrait, Earth, Studio, Photography, Makeup, Nature, Pollution, People, Woman
- Production Technology
- I sketched the idea for the makeup artist to understand the concept. The colors are representation of nature, and the dead flowers on the head of the model to show that she is dying. I asked the model to show vulnerability and sadness. I used one big octabox on the model and one light on the backdrop.
- Design Challenge
- The hardest part of this project was to find an African model. At the time of making this project, modeling agencies wast not common. So finding a model of a specific look was difficult.
- Research
- How earth would look like in a human form is the main is the core of this project. So, I mainly used google to view other artist approach of this concept, to get inspiration. The I did sketches of my own to show them to the makeup artist so she could understand my vision. I decided to hire an African model since Africa is the most connected with nature than others. I used dying petals as a representation of sickness. The green, blue and brown ware used as the colors of nature.
- Inspiration
- When I was a kid winter used to be colder and longer. Climate is actually changing due to global worming. Mother earth is dying and we are the ones responsible for that. So I though to represent planet earth as a sick woman waring nature, with makeup inspired by oceans, plants and soil. I choose an African model, as for me, Africa is the closest place on earth to pure nature.
- Project Duration
- The photograph took around 3 hours for the makeup and shooting in studio and 2 hours of retouching. It was shot in Kuwait 2015.
- Operation Flow
- Mother Earth photograph main perps is to engage with the viewers emotionally. So the best way to view this photograph is to look hard to the model's face and try to read her emotions.
- Team Members
- Makeup artist: Fatima Yousif
Model: Dalal - Image Credits
- Image #1: Photographer Naseer Behbehani, Mother Earth, 2015.
Image #2: Photographer Naseer Behbehani, Progress 1, 2015.
Image #3: Photographer Naseer Behbehani, Progress 2, 2015.
Image #4: Photographer Naseer Behbehani, Progress 3, 2015.
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