دیزاینی Fab Primary Function: نەخشەسازیی ناوەوەی سینەما لەلایەن Xiang Li خەڵاتگرێکی بەناوبانگی خەڵاتی شکۆمەندی 2021 Xelata A' Design Award a Zîvîn لە پۆلی پێشبڕکێی Dîzayna Cihê Hundurîn û Pêşangehê.
ZîvHundurîn· 2021
Fab Primary Function: نەخشەسازیی ناوەوەی سینەما
لەلایەن Xiang Li
کڕیار: X+Living
خەڵاتگری Xelata A' Design Award a Zîvîn لە پۆلی Hundurîn
خەڵاتگری پشتڕاستکراو
پشتڕاستکردنەوەی باری خەڵات بۆ #111752دیزاینەکە
دەربارەی Fab Primary Function: نەخشەسازیی ناوەوەی سینەما
Book Text: فاب نەخشەسازیی ناوەوەی سینەمایەکە کە لە شاری شیئان لە چینە، ڕووبەرێکی ١١٥٠ مەتر چوارگۆشەی داپۆشیوە. نەخشەکە سەکۆیەکی وێنەگرتنی فیلم دەگوازێتەوە بۆ هۆڵی سەرەکی، بۆیە سەردانکەرەکان هاوکات دەبنە بینەرێکی ڕاستەقینە و بەشدارێکی خەیاڵی لە بەرهەمهێنانی فیلمێکدا. کەلوپەلی تایبەت پشتگیری لە بابەتەکە دەکات، لەوانە قەنەفەیەکی بە شێوەی حەمامتەشت، کورسی پشوودانی بە شێوازی دەرهێنەر و شوباکی بلیت کە وەک سندووقێکی سەکۆ شێوەکراوە. باڕێکی پشوودان و تایبەتمەندیی خۆشیبەخش وەک ئامێری چنگک لەگەڵ چوار هۆڵی بینینەوە یەکخراون. پێداویستییە دەنگییەکان و ئاسوودەیی دانیشتن لە سەرانسەردا لەبەرچاو گیراون.
پێناسەکردن
دەربارەی Xelata A' Design Award a Zîvîn
Fab Primary Function: نەخشەسازیی ناوەوەی سینەما xelatgirê Xelata A' Design Award a Zîvîn e, nasîneke bi awayekî awarte bi prestîj ku ji sêwiranên di asta herî bilind de, xweşik û bibandor re tê dayîn. Xelatgirên Zîvînê karên pir birûsk û pir afirîner in, yên ku pisporiya hêja, jêhatîbûn û zîrekiya sêwiranerên xwe nîşan didin. Tê hêvîkirin ku Fab Primary Function: نەخشەسازیی ناوەوەی سینەما karekî mînak, pir pîşekar û bi kûrahî nûjen be. Ev sêwirana bi Zîvînê serketî vedîtineke berbiçav û hatiye sitayişkirin e ku ji bo fireh kirina sînorên huner, zanist, sêwiran û teknolojiyê tevkarî dike. Fab Primary Function: نەخشەسازیی ناوەوەی سینەما afirandinek e ku gelek kes çavê xwe lê dikin, daxwazan şiyar dike, hestên erênî tîne û heyirînê çêdike.
لە پشت دیزاینەوە
کیتی چاپەمەنی
باوەڕپێکراوەکان، ئەندامانی تیم و وردەکاری تەکنیکی کە لەلایەن دیزاینەرەوە پێشکەش کراون.
- تایبەتمەندییە تایبەتەکان
- The design of the theater is different from traditional theaters. The project is not only rendering the film sense with different forms, but also giving the audiences dual identities, both an audience in the reality and a participant of the movie-shooting in the imagination. They are connected and laid down to enter the film world step by step. And instead of waiting boringly, they will enter an active participation sparticipation state through the mobilization of the atmosphere.
- قەبارە و پاکێج
- The floor area of this project is 1150 sqm.
- تاگەکان
- Li Xiang, retail, cinema, interior design, xliving, China
- تەکنەلۆژیای بەرهەمهێنان
- Through some interesting customized furniture, we have taken the theme of the entire space to the extreme. Bathtub sofa, director's rest seat, as well as the ticket counter that imitates the set box, etc, all satisfy the function while cooperating with the creation of the theme, allowing consumers to experience the charm of the movie in an immersive atmosphere.
- هەڵەنگاندنی دیزاین
- The biggest challenge is how to break the trditional pattern. It is easily to be misunderstood that the design ignores functions while completing the aesthetics, but in fact, all the specific requirements of the acoustics environment and the comfort of the audience are all under our consideration at the beginning. We believe that the cinema should undergo a transformation of spatial attributes. It should meet the increasingly vigorous social needs of young people. Simply relying on the sale of movie tickets cannot allow it to maximize the value of a commercial space. So we broke through this situation and completed this design.
- توێژینەوە
- Traditional theaters pay more attention on panoramic sound effects and the viewing experience on the screen while they lack creativity. The single business model of selling tickets and snacks, it weakens the experience and expectations that the venue can give the audienceThrough the design of this project, we have found a possibility that may be able to answer the problem of the future development of the theater.
- ئیلهام
- The inspiration for the project comes from the movie itself. We moved the shooting scene of film production to the main hall of the theater. We hope that the audience will be immediately impressed by the dramatic scene the moment they enter the theater. At the same time, through the integration of different entertainment facilities, the interaction between the audience and the cinema is not limited to watching the movie itself, which increases the possiblity of their consumption.
- ماوەی پڕۆژە
- The project finished in January 2020 in Xi'an, China.
- ڕێڕەوی کارکردن
- According to the original plane, we can only build four relatively square video halls. Since this space pattern is difficult to provide rich viewing, instead of focusing on decoration, we integrated the space with other formats with similar entertainment attributes to build an avant-garde new cinema space. We moved the lounge bar into the theater space. It is not only an independently operable space, but also symbiotic and mutually beneficial with the cinema. The experiential claw machine and other entertainments also stimulates consumers to extend their stay in the theater, maximizes the value of the space.
- ئەندامانی تیم
- Lead Designer: Li Xiang
Project Director: Ren Lijiao
Project Director: Wu Feng - کرێدیتی وێنەکان
- Image#1: Photographer Shao Feng, FAB Cinema, 2019.
Image#2: Photographer Shao Feng, FAB Cinema, 2019.
Image#3: Photographer Shao Feng, FAB Cinema, 2019.
Image#4: Photographer Shao Feng, FAB Cinema, 2019.
Image#5: Photographer Shao Feng, FAB Cinema, 2019.
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