Craft as Time Capsule Pirtûk لەلایەن Hsiao-Wen Hu

دیزاینی Craft as Time Capsule Pirtûk لەلایەن Hsiao-Wen Hu خەڵاتگرێکی بەناوبانگی خەڵاتی شکۆمەندی 2021 Xelata A' Design Award a Zîvîn لە پۆلی پێشبڕکێی Dîzayna Medyaya Çapkirî û Weşandî.

ZîvÇap· 2021

Craft as Time Capsule Pirtûk

لەلایەن Hsiao-Wen Hu

کڕیار: Pratt Institute

خەڵاتگری Xelata A' Design Award a Zîvîn لە پۆلی Çap

36,290

خەڵاتگری پشتڕاستکراو

پشتڕاستکردنەوەی باری خەڵات بۆ #121747

سەردانی ماڵپەڕ بینین لە A' Design Award ڕاگەیاندنی چاپەمەنی نیشانەی خەڵات

ڕەنگەکان

دیزاینەکە

دەربارەی Craft as Time Capsule Pirtûk

Ev proje belgeya paşîn a lêkolîna teza Hsiao-Wen e li ser çêkirina hunerê wekî rêbazek parastinê di serdema dîjîtal a heyî de. Pirtûk ji sê beşan pêk tê, veguheztina di navbera fizîkî û virtual, materyal û daneyê, tevlêbûna bikarhêner û ezmûnê de ji perspektîfa çêkirin û parastinê çêdibe. Gava ku cîhan ji çalakiyên laşî berbi danûstendinên virtual ve diçû, hewcedarî û şêwazên nû yên tevlêbûna bi derdora me re peyda bûn. Guhertinek wusa ne tenê bi obje û teknolojiyê, lê di heman demê de bi tevahî çandê jî pêşan dide.

پێناسەکردن

دەربارەی Xelata A' Design Award a Zîvîn

Craft as Time Capsule Pirtûk xelatgirê Xelata A' Design Award a Zîvîn e, nasîneke bi awayekî awarte bi prestîj ku ji sêwiranên di asta herî bilind de, xweşik û bibandor re tê dayîn. Xelatgirên Zîvînê karên pir birûsk û pir afirîner in, yên ku pisporiya hêja, jêhatîbûn û zîrekiya sêwiranerên xwe nîşan didin. Tê hêvîkirin ku Craft as Time Capsule Pirtûk karekî mînak, pir pîşekar û bi kûrahî nûjen be. Ev sêwirana bi Zîvînê serketî vedîtineke berbiçav û hatiye sitayişkirin e ku ji bo fireh kirina sînorên huner, zanist, sêwiran û teknolojiyê tevkarî dike. Craft as Time Capsule Pirtûk afirandinek e ku gelek kes çavê xwe lê dikin, daxwazan şiyar dike, hestên erênî tîne û heyirînê çêdike.

لە پشت دیزاینەوە

کیتی چاپەمەنی

باوەڕپێکراوەکان، ئەندامانی تیم و وردەکاری تەکنیکی کە لەلایەن دیزاینەرەوە پێشکەش کراون.

تایبەتمەندییە تایبەتەکان: This project is a documentation of Hsiao-Wen's thesis research on craft making as a preservation methodology in the current digital age. The book consists of three parts, examining the intertranslation between the physical and the digital from the perspectives of crafts. The typographic choices in this book are a combination of Serif, Sans Serif, and Script typefaces, symbolic of the longevity of crafts and human’s use of technology.
قەبارە و پاکێج: The dimension of the book is in US letter size: 216 mm x 279 mm.
تاگەکان: design research, book design, editorial design, graphic design, typography, print, craft, technology, archive, postdigital, preservation
تەکنەلۆژیای بەرهەمهێنان: The book was intended to be printed on newsprint papers and have debossing on the cover. Unfortunately, the plan was postponed due to the pandemic.
توێژینەوە: This research aims to look at the transition between the physical and virtual, material and data, user engagement and experience from the perspective of craft making and preservation. Craft has always been a reflection of culture and identity. As our lives transitioned from physical activities to virtual interactions, new needs and forms of engagement with our surroundings were prompted. And such change not only exhibits via the object and the technology, but also the whole culture at large.

As craft and preservation being the two main cores of this research, it is important to explore different ways to archive the research process. In addition to this book, the designer had also built a website to document the research in another format. It is also interesting to compare the same content on two different mediums.
ئیلهام: This book can be seen as an archive that not only documents the designer's research in writing but also organizes several other design projects, experiments, and references in a clear structure that supports the main thesis. The grid and the rigid layout of the book are inspired by letterpress, which plays a key role in my research on technology and web interface design.
ماوەی پڕۆژە: This research started in 2019 and was finalized in May 2020. The book was designed after the completion of the research, from June to August 2020.