بڕۆ بۆ ناوەڕۆک
Fujifilm Clay Studio2 Sêwirana Hundirîn a Ofîsê لەلایەن Koji Aoki, Lin Su and Atsushi Fujita

دیزاینی Fujifilm Clay Studio2 Sêwirana Hundirîn a Ofîsê لەلایەن Koji Aoki, Lin Su and Atsushi Fujita خەڵاتگرێکی بەناوبانگی خەڵاتی شکۆمەندی 2022 Xelata A' Design Award a Tuncîn لە پۆلی پێشبڕکێی Dîzayna Cihê Hundurîn û Pêşangehê.


TuncHundurîn· 2022

Fujifilm Clay Studio2 Sêwirana Hundirîn a Ofîsê

لەلایەن Koji Aoki, Lin Su and Atsushi Fujita

کڕیار: Fujifilm Corporation

خەڵاتگری Xelata A' Design Award a Tuncîn لە پۆلی Hundurîn

10,594

ڕەنگەکان

دیزاینەکە

دەربارەی Fujifilm Clay Studio2 Sêwirana Hundirîn a Ofîsê

Clay Studio 2 sêwirana hundirîn a ofîsekê ye ku ji bo xebatên sêwirana hilber û dîtbarî li Tokyoyê hatiye çêkirin. Cihê 300 metre çargoşe wekî hawîrdorek aram a ji bo kombûnê hatiye plansazkirin, li hember ofîsên ku bi giranî li ser ragihandinê ne. Beton, boyax û textebiya kevirî bêyî pêvajokirin hatine hiştin, ji ber vê yekê jûre tenê ji tîr û stûnan pêkhatî xuya dike. Baxçevanî û dîmena xwezayî paşxaneyê pêk tînin û guhertina werzê dixin nav vê cihê. Mêzan berbi derve ve ne, û mêzek heft metreyî dihêle civînên kurt bêne kirin dema ku dûrahî di navbera mirovan de tê parastin.

پێناسەکردن

دەربارەی Xelata A' Design Award a Tuncîn

Fujifilm Clay Studio2 Sêwirana Hundirîn a Ofîsê xelatgirê Xelata A' Design Award a Tuncîn e, nasîneke pir bi prestîj ku ji sêwiranên berbiçav ên bi afirînerî, jêhatîbûn û zîrekiyê têne cudakirin re tê dayîn. Xelatgirên Tuncînê karên bi têra xwe jêhatî û bi awayekî balkêş afirîner in, yên ku ezmûna fireh, xeyal û çareserkirina sêwiranerên xwe piştrast dikin. Tê hêvîkirin ku Fujifilm Clay Studio2 Sêwirana Hundirîn a Ofîsê tiştekî pir hatiye rêzgirtin, sitayişkirin û delal be, bi awayekî berbiçav pîşekar û nûjen. Ev sêwirana bi Tuncînê serketî pratîkên çêtirîn ên huner, zanist, sêwiran û teknolojiyê digire nav xwe û ji bo baldariya li hûrgiliyan hêja ye. Fujifilm Clay Studio2 Sêwirana Hundirîn a Ofîsê pêdiviyan bi rengekî xweş tîne cih, destê xwe dide daxwazan, hestan dihejîne û meraqê dikişîne.

لە پشت دیزاینەوە

کیتی چاپەمەنی

باوەڕپێکراوەکان، ئەندامانی تیم و وردەکاری تەکنیکی کە لەلایەن دیزاینەرەوە پێشکەش کراون.

تایبەتمەندییە تایبەتەکان
It goes against the "dynamic" offices that exist today, where communication is the main focus. However, on the contrary, a place where people can gather and immerse themselves in friendly competition is the antithesis of the current office. Natural scenery used as the background for the landscaping of a garden adds seasonal changes to the space and enriches the experience of working while immersed.
قەبارە و پاکێج
The space is made of only unprocessed materials and has the appearance of being made up of only beams and pillars. While creating an environment where everyone can face outward to design, the ability to turn around and have a quick meeting at a big table adds flexibility and adaptability to the "immersion. This layout is not face-to-face, and also allows for social distance, so even without acrylic panels, droplet infection can be controlled.
تاگەکان
a place for immersion, dynamic, feel of material unprocessed material, natural scenery used as the background for the landscaping of a garden, 7m big table, To have nothing is to have plenty, Work while cultivating the sensitivity to see the fragility and preciousness of the natural world as beautiful, Length 7m large table
تەکنەلۆژیای بەرهەمهێنان
concrete, painting, wood cement board
هەڵەنگاندنی دیزاین
It was difficult to unite concentration and communication.
It was planned with the hope that people would immerse themselves in the designs they create. This is contrary to the many "dynamic" offices that exist today. This is contrary to the many "dynamic" offices that exist today, where the main focus is on communication. On the contrary, however, believe that it is the antithesis of the current office, where people can gather together and immerse themselves in friendly competition.
توێژینەوە
This is the office for Fujifilm's product and visual design. As a place to practice design management, have created a new base, "Clay Studio 2" in addition to the current office. If the current office is a "dynamic" space, the new office is planned with immersion as a "static" space in mind.
Leased area: 300㎡, use: office, building location: Tokyo, Move-in department: Fujifilm Design Center, Number of residents: 26
ئیلهام
The office was designed with the hope that people would work while cultivating the sensitivity to see the fragility and preciousness of the natural world as beautiful and to immerse themselves in the designs they create. The office was designed with this in mind. Space itself is used as a "guide" for immersion.
Used the original landscape of the building to promote immersion in a calm state of mind, as if visiting a temple or shrine.
ماوەی پڕۆژە
Start of design in November 2020, completion in April 2021
Nishi-Azabu, Minato-ku, Tokyo 
ڕێڕەوی کارکردن
While creating an environment where employees can look outward to design, the ability to turn around and have a quick meeting at a BIG table adds flexibility and adaptability to the "immersion. This layout is not face-to-face, and also allows for social distance, so even without the acrylic panels, droplet infection can be controlled.
ئەندامانی تیم
Director:Koji Aoki
Design:Lin Su
Design:Atsushi Fujita

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