Xiangxin Huzhou Songyuanli Dîzayna Navxweyî ya Niştecîbûnê لەلایەن Zhijun Zhong

دیزاینی Xiangxin Huzhou Songyuanli Dîzayna Navxweyî ya Niştecîbûnê لەلایەن Zhijun Zhong خەڵاتگرێکی بەناوبانگی خەڵاتی شکۆمەندی 2023 Xelata A' Design Award a Zîvîn لە پۆلی پێشبڕکێی Dîzayna Cihê Hundurîn û Pêşangehê.

ZîvHundurîn· 2023

Xiangxin Huzhou Songyuanli Dîzayna Navxweyî ya Niştecîbûnê

لەلایەن Zhijun Zhong

کڕیار: Herabenna

خەڵاتگری Xelata A' Design Award a Zîvîn لە پۆلی Hundurîn

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خەڵاتگری پشتڕاستکراو

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سەردانی ماڵپەڕ بینین لە A' Design Award ڕاگەیاندنی چاپەمەنی نیشانەی خەڵات

ڕەنگەکان

دیزاینەکە

دەربارەی Xiangxin Huzhou Songyuanli Dîzayna Navxweyî ya Niştecîbûnê

Xiangxin Huzhou Songyuanli dîzayneke navxweyî ya niştecîbûnê ye ku her wiha wekî xaniyekî nimûne ji raya giştî re tê nîşandan. Ev proje 696 metre çargoşe li Huzhou, Parêzgeha Zhejiang a Çînê digire. Avahîsazî ji avahiyên kevneşopî yên Huizhou sûd werdigire, bi dîwarên spî û kirêmîdên reş. Di hundir de, krîstal û metal bi hev re hatine bikaranîn, û amûrên zêr û zîv û tabloyên antîk odeyan temam dikin. Di mobîlyayan de hevrîşimê herêmî yê Huzhou hatiye bikaranîn. Teknîkên kevneşopî yên nexşandinê, neqişandinê û baxçevaniyê bi şêwaza jiyana nûjen re hatine yek kirin, ji ber vê yekê ev xanî pêdiviyên xwedî û mêvanan bi cih tîne.

پێناسەکردن

دەربارەی Xelata A' Design Award a Zîvîn

Xiangxin Huzhou Songyuanli Dîzayna Navxweyî ya Niştecîbûnê xelatgirê Xelata A' Design Award a Zîvîn e, nasîneke bi awayekî awarte bi prestîj ku ji sêwiranên di asta herî bilind de, xweşik û bibandor re tê dayîn. Xelatgirên Zîvînê karên pir birûsk û pir afirîner in, yên ku pisporiya hêja, jêhatîbûn û zîrekiya sêwiranerên xwe nîşan didin. Tê hêvîkirin ku Xiangxin Huzhou Songyuanli Dîzayna Navxweyî ya Niştecîbûnê karekî mînak, pir pîşekar û bi kûrahî nûjen be. Ev sêwirana bi Zîvînê serketî vedîtineke berbiçav û hatiye sitayişkirin e ku ji bo fireh kirina sînorên huner, zanist, sêwiran û teknolojiyê tevkarî dike. Xiangxin Huzhou Songyuanli Dîzayna Navxweyî ya Niştecîbûnê afirandinek e ku gelek kes çavê xwe lê dikin, daxwazan şiyar dike, hestên erênî tîne û heyirînê çêdike.

لە پشت دیزاینەوە

کیتی چاپەمەنی

باوەڕپێکراوەکان، ئەندامانی تیم و وردەکاری تەکنیکی کە لەلایەن دیزاینەرەوە پێشکەش کراون.

تایبەتمەندییە تایبەتەکان: The project is located in Huzhou, Zhejiang Province, and its architecture draws on the traditional "huizhou architecture" with its white wall and black tile, recreating the highlight of "Aesthetics of China". It intends to respect tradition, review history with contemporary aesthetic taste, open up the lifestyle of modern aristocrats, reorganize the elements of the new era, and write new "story chapters ",which can be traced back to the Chinese modern era.
قەبارە و پاکێج: 696 square meters
تاگەکان: Mansion, luxury, classical, golden age, aristocratic circle, Modern Times of China
تەکنەلۆژیای بەرهەمهێنان: Under the contemporary background, the design shows the aesthetics of China, incorporating classical British expressions into the design, and enhancing the space with soft furnishings such as gold and silver wares and antique paintings.

In terms of material selection, c crystal and metal are perfectly integrated, showing the prosperity of the industrial age and reappearing the golden years of the Oriental Modern. The interior furniture uses local silk products from Huzhou as raw materials, and the joint design with BIZZOTTO, the world leading furniture brand. This reflects the quality and craftsmanship, and conveys the essence of high quality spirit.

The design carries forward the excellence of Chinese culture by inheriting traditional Chinese dark engraving techniques, traditional handicraft embroidery techniques, Jiangnan gardening techniques and an inclusive human attitude.
هەڵەنگاندنی دیزاین: "Fusion is a better reservation"

In an era of rapid development of science and technology, the inheritance of handicrafts and excellent traditional culture has always been facing great difficulties. The design of the large space draws inspiration from modern 'Shanghai', applying the 'cross-border fusion' model once again to the design, integrating traditional culture with contemporary lifestyles and fusing Chinese and Western design features. The multifunctional parlour in the basement will lead the design to trendy movies and video games, and then disassemble and reorganize them to create a boy's ultimate dream playground. In the future design, standards and styles are constantly being broken. We prefer to try to constantly integrate and cross boundaries, challenging more and more interesting fields, and conveying a design concept that is constantly breaking through.
توێژینەوە: n the 1930s and 1940s, the area around the Yangtze River Basin, headed by Shiliyangchang (Shanghai), was gradually westernized. The aristocratic circle's recognition of "Ambilight" decoration has reached the peak of the times, and the classical and luxurious temperament of the space given by the luxury materials such as crystal, metal and leather is generally accepted by people in the circle, which has formed a unique interior decorative style such as naval style and Hong Kong style by integrating with the traditional implicit, class distinct interior layout style. As we all know, gold and silver utensils are the symbol of luxury and the belief of excellent craftsmanship and quality, and also reflect the attitude of noble circles pursuing quality of life. Promoting high quality of life is also the most desired quality concept to be conveyed by the design itself.
ئیلهام: When we think back to China in 1930s, the lifestyle of the upper aristocracy has always been regarded as a classic of the times. Chinese people's aesthetic appreciation began to go from traditional classical subtlety to international modernity. Interior decoration styles began to show the characteristics of the industrial era, not only modern and stylish but also retaining the traditional subtle and elegant temperament.
ماوەی پڕۆژە: This project is located at No. 58 Meiquan Road, Wuxing District, Huzhou City, Zhejiang Province, China, and was completed in May 2022.
ڕێڕەوی کارکردن: This project is the private residence of the project developer, and also needs to be shown to the public as a prototype house. Therefore, we are faced with a paradox: our works should conform to both the owner's preferences and the audience's design preferences, which means that our design works should be both "relatively universal" and "exclusively pertinence". In the first stage, from the perspective of the audience circle, we mainly researched design preferences. In the second stage, we conducted a more detailed investigation on the design details for the owners, thus achieving both the exhibition purpose and meeting the exclusive needs of the owners.