Iconic Designs Erkê Sereke: Rêzefîlma Televîzyonê لەلایەن Olivier Felix Isselin and Maxime Golay

دیزاینی Iconic Designs Erkê Sereke: Rêzefîlma Televîzyonê لەلایەن Olivier Felix Isselin and Maxime Golay خەڵاتگرێکی بەناوبانگی خەڵاتی شکۆمەندی 2026 Xelata A' Design Award a Tuncîn لە پۆلی پێشبڕکێی Dîzayna Fîlm, Vîdyo û Anîmasyonê.

TuncFîlm· 2026

Iconic Designs Erkê Sereke: Rêzefîlma Televîzyonê

لەلایەن Olivier Felix Isselin and Maxime Golay

کڕیار: MGOFI Production

خەڵاتگری Xelata A' Design Award a Tuncîn لە پۆلی Fîlm

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خەڵاتگری پشتڕاستکراو

پشتڕاستکردنەوەی باری خەڵات بۆ #176172

سەردانی ماڵپەڕ بینین لە A' Design Award ڕاگەیاندنی چاپەمەنی نیشانەی خەڵات

ڕەنگەکان

دیزاینەکە

دەربارەی Iconic Designs Erkê Sereke: Rêzefîlma Televîzyonê

Iconic Designs rêzefîlmeke televîzyonî ya kurte ye ku ji bo analîzkirina şêwe hatiye veqetandin. Her beş li ser tenê tiştek nimûneyî disekine, koka wê, avahiya wê, û bandora wê ya li ser jiyana rojane vedikole. Bi nêzîkatiyeke sînemayî ya kontrolkirî û dekorkirineke mînîmalîst, rêzefîlm dîzaynê wek dîsîplînekê hûrbînî eşkere dike. Bi girêdana çarçoveya dîrokî bi xwendina formî re, ew têgihiştinê diguherîne fêmkirinê, û dîzaynê bê sadekirin gihiştbar dike. Her rêzîk xetên bingehîn, pîvanan û fonksiyonan vediqetîne, û xwendineke zelal a tiştî pêşkêş dike.

پێناسەکردن

دەربارەی Xelata A' Design Award a Tuncîn

Iconic Designs Erkê Sereke: Rêzefîlma Televîzyonê xelatgirê Xelata A' Design Award a Tuncîn e, nasîneke pir bi prestîj ku ji sêwiranên berbiçav ên bi afirînerî, jêhatîbûn û zîrekiyê têne cudakirin re tê dayîn. Xelatgirên Tuncînê karên bi têra xwe jêhatî û bi awayekî balkêş afirîner in, yên ku ezmûna fireh, xeyal û çareserkirina sêwiranerên xwe piştrast dikin. Tê hêvîkirin ku Iconic Designs Erkê Sereke: Rêzefîlma Televîzyonê tiştekî pir hatiye rêzgirtin, sitayişkirin û delal be, bi awayekî berbiçav pîşekar û nûjen. Ev sêwirana bi Tuncînê serketî pratîkên çêtirîn ên huner, zanist, sêwiran û teknolojiyê digire nav xwe û ji bo baldariya li hûrgiliyan hêja ye. Iconic Designs Erkê Sereke: Rêzefîlma Televîzyonê pêdiviyan bi rengekî xweş tîne cih, destê xwe dide daxwazan, hestan dihejîne û meraqê dikişîne.

لە پشت دیزاینەوە

کیتی چاپەمەنی

باوەڕپێکراوەکان، ئەندامانی تیم و وردەکاری تەکنیکی کە لەلایەن دیزاینەرەوە پێشکەش کراون.

تایبەتمەندییە تایبەتەکان: Iconic Designs is a short-format audiovisual series that examines iconic objects through cinematic precision and minimalist visual language. Each episode combines artistic direction with documentary rigor to reveal the logic and construction of form. The series presents design as a cultural discipline, translating observation into understanding through image, rhythm, and composition.
قەبارە و پاکێج: Audiovisual series of ten episodes, each 150 seconds in duration. Filmed in native 8K resolution 7680 x 4320 px at 25 or 30 fps in 16:9 aspect ratio using a RED Monstro 8K VV camera with Angenieux optics. Captured in RAW workflow with controlled depth of field and precision motion control. Mastered in HDR10 with stereo and 5.1 spatial sound. Set constructed on a 6 m x 4 m cyclorama under calibrated 5600K lighting. Delivered in ProRes, MXF and MP4 broadcast formats for television, museum and digital distribution.
تاگەکان: Design, Iconic Objects, Television Series, Short Format, Documentary, Minimalist, Cultural Heritage, Education, Visual Storytelling, Contemporary Culture
تەکنەلۆژیای بەرهەمهێنان: Filmed in 8K using a RED Monstro VV camera with Angenieux optics on an Atrax motion control robotic arm, enabling sub-millimetric precision and repeatable camera movements. The minimalist cyclorama isolates each object within a controlled spatial environment under calibrated 5600K lighting. Spatial sound is captured with Sennheiser microphones and processed through a unified post-production workflow for consistent high-fidelity image and sound integration.
هەڵەنگاندنی دیزاین: The main challenge was to translate the intellectual depth of design into a short audiovisual format without reducing its complexity. This required balancing cultural accuracy, emotional resonance, and cinematic precision. Iterative testing, motion control, and precise editing enabled this balance. The limited duration of each episode demanded absolute clarity in both image and narrative.
توێژینەوە: This research explores how design culture can be communicated through short-form audiovisual language. The objective is to combine clarity, accessibility, and emotional resonance. Methods include visual analysis, expert consultation, and audience testing. Results indicate that minimalist imagery and precise narration improve comprehension and retention, supporting design as a cultural medium.
ئیلهام: The project is inspired by the pervasive role of design in everyday life. Beyond aesthetics, design expresses reason, proportion, and purpose. The series reveals this underlying structure through image and sound, drawing from architecture, art, and philosophy. It transforms observation into knowledge and positions design as a fundamental cultural language.
ماوەی پڕۆژە: The project began in January 2024 in Cannes, France, with concept development and early visual research. Filming took place in 2025 across France, including the historic Tolix factory in Autun and the robotic studio Halphastudio near Paris. Post production and mastering were completed in Dublin, Ireland, in October 2025, marking the international launch of the series.
ڕێڕەوی کارکردن: Each episode follows a three-part structure: introduction, exploration, and reflection. The host presents the object through concise narration while the camera reveals its form in continuous motion. The viewer is guided by rhythm and image rather than explicit explanation. The short format creates an immediate and intuitive engagement, leading to both emotional and intellectual understanding.
پەتێنتەکان: Copyrights belong to Olivier Felix Isselin and Maxime Golay, 2025.
ئەندامانی تیم: Olivier Felix Isselin
Maxime Golay
کرێدیتی وێنەکان: Olivier Felix Isselin
Maxime Golay