Porous Manifold Çayxaneya Japonî by Ryumei Fujiki and Yukiko Sato

Porous Manifold Çayxaneya Japonî by Ryumei Fujiki and Yukiko Sato is a highly esteemed winner of the very prestigious 2019 Xelata A' Design Award a Zîvîn in Dîzayna Hunerên Bedew û Sazkirina Hunerî Competition Category.

ZîvHunera Bedew· 2019

Porous Manifold Çayxaneya Japonî

by Ryumei Fujiki and Yukiko Sato

Client: F.A.D.S + Fujiki Studio, KOU::ARC

Xelata A' Design Award a Zîvîn Winner in Hunera Bedew Category

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Colors

The Design

About Porous Manifold Çayxaneya Japonî

Ev çayxaneyek demkî ya Japonî ye ku di Echigo-tsumari Art Triennale 2018-an de hatî pêşandan û xwedan avahiyek hêlînkirî ye ku bi cîhê du tatamî ve di çargoşeya deh lingan de ye. Di vê pêşangehê de, ji mîmaran hat xwestin ku bersivê bidin mijara ka meriv çawa têgîna cîhê homojen a ku di sedsala 20-an de serdest bû, derbas bike. Îskelet bi şêweya rasthatî ya ku jê re dibêjin Dabeşa Voronoi hate sêwirandin da ku cîhê homojen berovajî bike. Û hate pêşniyar kirin ku mîmariya bi hejmareke mezin a kunên ku dikare were vekirin û girtin li gorî hewcedariyê ji bo danûstandina bi derve re mîna zindiyekî.

The Recognition

About the Xelata A' Design Award a Zîvîn

Porous Manifold Çayxaneya Japonî xelatgirê Xelata A' Design Award a Zîvîn e, nasîneke bi awayekî awarte bi prestîj ku ji sêwiranên di asta herî bilind de, xweşik û bibandor re tê dayîn. Xelatgirên Zîvînê karên pir birûsk û pir afirîner in, yên ku pisporiya hêja, jêhatîbûn û zîrekiya sêwiranerên xwe nîşan didin. Tê hêvîkirin ku Porous Manifold Çayxaneya Japonî karekî mînak, pir pîşekar û bi kûrahî nûjen be. Ev sêwirana bi Zîvînê serketî vedîtineke berbiçav û hatiye sitayişkirin e ku ji bo fireh kirina sînorên huner, zanist, sêwiran û teknolojiyê tevkarî dike. Porous Manifold Çayxaneya Japonî afirandinek e ku gelek kes çavê xwe lê dikin, daxwazan şiyar dike, hestên erênî tîne û heyirînê çêdike.

Behind the Design

Press Kit

Credits, team members and technical details provided by the designer.

Unique Properties: This is a temporary Japanese tearoom and a nested structure with two-tatami space embedded in ten foot square.
In this exhibition, architects were asked to respond to the theme of how to overcome the concept of homogeneous space which was dominant in the 20th century. It is distorted homogeneous space to create irregularities by the random pattern of the skeleton and proposed an art-tecture with many holes which are open and close as necessary to communicate with the outside like living things.
Dimensions & Packaging: Width, Depth and Height are 2730mm each.
This dimension was called a "Jo" in the old words in Japan.
Tags: Porous Manifold, Breathing Pleats, Voronoi Division, Japanese Tearoom
Production Technology: It is made of a hybrid of spruce CLT panels and plastic materials processed using digital fabrication technology.
Design Challenge: Modern office buildings made in the 20th century are separated from the external environment by a closed curtain wall. Then, using the lighting and air conditioning equipment, it is idea to control so that all places are homogenous and constant environment artificially. However, we need enormous energy, which is a major factor of global environmental problems.
It is important not to block the external environment and the internal space, but to open and close as necessary, that is, to create a building responsive to the external environment. Then it was created a living-like architecture.
Research: Towards the generation of "heterogeneous space", we studied from a point of geometrical viewpoint.
Homogeneous space is geometrically equivalent to 3D Euclidean space. The biggest problem of homogeneous space is that our imagination is captured by it, but in order to overcome this, it is necessary to extend the concept of homogeneous space rather than deny it. Just as Einstein discovered, it is important to introduce a structure that "space is distorted".
It is distorted homogeneous space to create irregularities using random patterns found in various shapes and phenomena in nature (VORONOI DIVISION).
Inspiration: Inspired by Hojoki ("An Account of My Hut"), written in the Middle Ages, to survive in our troubled times, about thirty groups of architects and artists selected through the open call (Jury: Hiroshi Hara, Ryue Nishizawa, Fram Kitagawa) exhibited their "hojo" (ten foot square hut) which represented their worldviews.
In this exhibition, architects were especially asked to respond to the theme of how to overcome the concept of homogeneous space which was dominant in the 20th century.
Project Duration: This work was exhibited in "Hojoki Shiki in 2018: The Universe of Ten Foot Square Huts by Architects and Artists" as a special exhibition during from July 29th to September 17th in Echigo-tsumari Art Triennale 2018, Niigata Pref. in Japan.
In the present day, the global Financial capitalism has an impact on all regions, which have been required to accept the improved efficiency, rationalization and homogenization. This exhibition was an opportunity for the architects and artists to present their own Hojoki Shiki, proposing different "hojo", the minimum model of Japanese architecture.
Operation Flow: As you enter inside, this art-tecture (architecture) feels you and begins to breathe like a living thing.
Specifically to say, many holes called BREATHING PLEATS start opening and closing according to the movement of people.
Patents: F.A.D.S + Fujiki Studio, KOU::ARC
Team Members: ARCHITECT: Ryumei Fujiki
Yukiko Sato
DESIGN FIRM: F.A.D.S + Fujiki Studio, KOU::ARC
TEAM MEMBERS: Yu Ohno
Seiya Ueki
Kento Watanabe
Yuta Kimura
Shun Takimoto
Image Credits: Masahiro Hoshida, Fujiki Studio, KOU::ARC