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Craft as Time Capsule Китеп by Hsiao-Wen Hu

Craft as Time Capsule Китеп by Hsiao-Wen Hu is a highly esteemed winner of the very prestigious 2021 A' Design Award Күмүш байгеси in Басма жана Басылган Медиа Дизайны Competition Category.


КүмүшБасма· 2021

Craft as Time Capsule Китеп

by Hsiao-Wen Hu

Client: Pratt Institute

A' Design Award Күмүш байгеси Winner in Басма Category

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Verified Award Winner

Verify Award Status for #121747

Colors

The Design

About Craft as Time Capsule Китеп

Бул долбоор азыркы санариптик доордо сактоо методологиясы катары кол өнөрчүлүк жасоо боюнча Сяо-Вэнь'дын диссертациясынын изилдөөсүнүн акыркы документациясы болуп саналат. Китеп үч бөлүктөн турат, анда физикалык жана виртуалдык, материалдык жана маалыматтардын ортосундагы өтүү, кол өнөрчүлүктү жасоо жана сактоо көз карашынан колдонуучунун катышуусу жана тажрыйбасы каралат. Дүйнө физикалык иш-аракеттерден виртуалдык өз ара аракеттенүүгө өткөндүктөн, айлана-чөйрөбүз менен байланыштын жаңы муктаждыктары жана формалары түрткү болду. Мындай өзгөрүү объект жана технология аркылуу гана эмес, жалпысынан бүтүндөй маданиятты көрсөтөт.

The Recognition

About the A' Design Award Күмүш байгеси

Craft as Time Capsule Китеп – A' Design Award Күмүш байгесинин жеңүүчүсү, жогорку деңгээлдеги, көркөм жана таасирдүү дизайндарга берилген өзгөчө бедели жогору таануу. Күмүш жеңүүчүлөр – өтө тамаша жана абдан чыгармачыл иштер, алар авторлорунун мыкты билимин, талантын жана сезгичтигин көрсөтөт. Craft as Time Capsule Китеп сонун, үлгүлүү, өзгөчө кесипкөй жана терең жаңычыл чыгарма болот деп күтүлөт. Бул Күмүш байгени жеңген дизайн – искусство, илим, дизайн жана технологиянын чек араларын кеңейтүүгө салым кошкон көрүнүктүү ойлоп табуу. Craft as Time Capsule Китеп баардыгы кызыккан чыгарма, ал каалоону ойготот, жагымдуу сезимдерди алып келет жана таң калуу менен суктанууну жаратат.

Behind the Design

Press Kit

Credits, team members and technical details provided by the designer.

Unique Properties
This project is a documentation of Hsiao-Wen's thesis research on craft making as a preservation methodology in the current digital age. The book consists of three parts, examining the intertranslation between the physical and the digital from the perspectives of crafts. The typographic choices in this book are a combination of Serif, Sans Serif, and Script typefaces, symbolic of the longevity of crafts and human’s use of technology.
Dimensions & Packaging
The dimension of the book is in US letter size: 216 mm x 279 mm.
Tags
design research, book design, editorial design, graphic design, typography, print, craft, technology, archive, postdigital, preservation
Production Technology
The book was intended to be printed on newsprint papers and have debossing on the cover. Unfortunately, the plan was postponed due to the pandemic.
Research
This research aims to look at the transition between the physical and virtual, material and data, user engagement and experience from the perspective of craft making and preservation. Craft has always been a reflection of culture and identity. As our lives transitioned from physical activities to virtual interactions, new needs and forms of engagement with our surroundings were prompted. And such change not only exhibits via the object and the technology, but also the whole culture at large.

As craft and preservation being the two main cores of this research, it is important to explore different ways to archive the research process. In addition to this book, the designer had also built a website to document the research in another format. It is also interesting to compare the same content on two different mediums.
Inspiration
This book can be seen as an archive that not only documents the designer's research in writing but also organizes several other design projects, experiments, and references in a clear structure that supports the main thesis. The grid and the rigid layout of the book are inspired by letterpress, which plays a key role in my research on technology and web interface design.
Project Duration
This research started in 2019 and was finalized in May 2020. The book was designed after the completion of the research, from June to August 2020.

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