Life Forms of Colors Digital Konscht vum Yuko Suzuki

D'Wierk Life Forms of Colors Digital Konscht vum Designer Yuko Suzuki ass en héich geschätzten Gewënner vum prestigiéisen 2025 A' Design Award an Sëlwer an der Wettbewerbskategorie Generativt, Algorithmesch, Parametrescht a KI-ënnerstëtzt Design.

SëlwerGenerativ· 2025

Life Forms of Colors Digital Konscht

vum Yuko Suzuki

Client: Civic Creative Base Tokyo (CCBT)

A' Design Award an Sëlwer Gewënner an der Kategorie Generativ

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Faarwen

Den Design

Iwwer Life Forms of Colors Digital Konscht

Dëst Wierk ass eng Animatioun déi de Prozess vun de Pixelen, déi opgeléist a nei zesummegesat ginn, visuell duerstellt. D'Iddi fir d'Wierk ass entstanen wéi de Kënschtler, en Dréckgrafiker, eng Landschaftsgrafik schafen wollte an sech gefrot huet, ob hie Faarftrennung duerch Programméierung erreeche kéint. D'Pixelen erscheinen wéi Zellen, beweegen sech fir nei Formen a Faarwen ze bilden, a verkeerperen déi japanesch Konzepter vu Kasane (Iwwerlagerung) a Zurashi (Verschiwwen). Si symboliséieren och déi verschidden Transformatiounen déi eng Persoun duerchmaache kann, drécken Diversitéit a Fluiditéit duerch d'ganz Wierk aus, a reflektéieren d'Schnittstell tëschent Traditioun an Technologie.

D'Unerkennung

Iwwer den A' Design Award an Sëlwer

Life Forms of Colors Digital Konscht ass e Gewënner vum A' Design Award an Sëlwer, enger aussergewéinlech prestigiéiser Unerkennung, déi un Designe vun der héchster Qualitéit, prächteg a beandrockend vergi gëtt. Sëlwer-Gewënner si bemierkenswäert brillant a ganz kreativ Wierker, déi d'erausragend Expertise, d'Talent an d'Schaarfsënnegkeet vun hire Designer weisen. Et gëtt erwaart, datt Life Forms of Colors Digital Konscht e wonnerbart, mustergëlteg, bemierkenswäert professionellt an déif innovatiivt Wierk ass. Dëst mam Sëlwer ausgezeechent Design ass eng bemierkenswäert, bewonnert Erfindung, déi dozou bäidréit, d'Grenze vun der Konscht, der Wëssenschaft, vum Design an der Technologie ze erweideren. Life Forms of Colors Digital Konscht ass eng Kreatioun, op déi vill neidesch sinn, déi Wënsch erweckt, positiv Gefiller bréngt an Erstaunen a Wonner erweckt.

Hannert dem Design

Press Kit

Credits, Teammemberen an technesch Detailer vum Designer zur Verfügung gestallt.

Eenzegaarteg Eegeschaften: This animation breaks down an image into pixels, reconstructing and transforming them repeatedly. The pixels emerge like cells, moving and forming new shapes and colors, embodying the Japanese concepts of "Kasane (layering)" and "Zurashi (shifting)." This reflects how living beings shape the world, either by choice or by following the flow. The ever-changing forms symbolize human transformation and the cycle of life and death.
Dimensiounen & Verpackung: LED screen 4m × 4m, 10 minutes 30 seconds
Tags: Generative Art, Coding
Produktiounstechnologie: This work was created entirely in a programming language called Processing.
It is made up of multiple animations that change from one shape to the next, linked together.
Design Erausfuerderung: The most difficult and exciting part was figuring out how to connect all of the different shapes through coding.
It was impossible to create all of the animations in one document, so I divided the whole thing into four scenes, created the animation, and connected them using video editing software.
Fuerschung: This design research explores an animation technique that uses coding to break down and reconstruct pixels.
Through this process, the artist began to feel as if the pixels symbolized the workings of humans and the world. The pixels are like cells, but at the same time, they also seem like the individual people that make up the world. This created a sense of moving between the micro and macro worlds.
Through the use of digital technology, this research offers new methods of visual expression in art, business and society, and suggests the possibility of redefining cultural value.
Inspiratioun: The impetus for creating this work began when the artist, a printmaker, wanted to create a landscape print, and wondered whether it would be possible to achieve color separation through coding. This was the beginning of an attempt to incorporate the physical acts of producing a multi-color woodblock print - "color separation of the print," "overprinting, " and "rolling the paper" - into code, and it developed into the more abstract idea of "creating a three-dimensional print."
Projetdauer: This work was exhibited as part of the CCBT x Yebisu International Festival for Art and Alternative Visions 2024 "Poems in Code: Generative Art Today and Programming Generated Moving Image" project held in Tokyo in February 2024.
Operatiounsablaf: This work is an animation that depicts the process of pixels being broken down and reconstructed. As you watch, the pixels move and transform, creating new shapes. The changes in the pixels symbolize the potential for people to transform in various ways, and this diversity and fluidity is expressed throughout the work.
Bildnoweis: Image #1: Photographer Ryuichi Maruo, Life-forms of colors, 2024, Photo courtesy Civic Creative Base Tokyo [CCBT].
Image #2: Photographer Ryuichi Maruo, Life-forms of colors, 2024, Photo courtesy Civic Creative Base Tokyo [CCBT].
Video Credits: Photographer Ryuichi Maruo, Life-forms of colors, 2024, Video courtesy Civic Creative Base Tokyo [CCBT].