ຜົນງານ The Armor ຊຸດເສື້ອຜ້າສະແດງລະຄອນ ໂດຍ Samantha Chijona Garcia and Vladimir Cuenca ເປັນຜູ້ຊະນະທີ່ໄດ້ຮັບຄວາມນັບຖືສູງຂອງລາງວັນ 2020 A' Design Award ລະດັບເງິນ ອັນຊົງກຽດໃນໝວດການແຂ່ງຂັນ ການອອກແບບສິລະປະການສະແດງ, ເວທີ, ຮູບແບບ ແລະ ສາກ.
ເງິນສິລະປະການສະແດງ· 2020
The Armor ຊຸດເສື້ອຜ້າສະແດງລະຄອນ
ໂດຍ Samantha Chijona Garcia and Vladimir Cuenca
ລູກຄ້າ: Jazz Martinez Gamboa
ຜູ້ຊະນະ A' Design Award ລະດັບເງິນ ໃນໝວດ ສິລະປະການສະແດງ
ຜູ້ຊະນະລາງວັນທີ່ຢັ້ງຢືນແລ້ວ
ຢັ້ງຢືນສະຖານະລາງວັນສຳລັບ #102743ການອອກແບບ
ກ່ຽວກັບ The Armor ຊຸດເສື້ອຜ້າສະແດງລະຄອນ
ຊຸດເກາະ (The Armor) ແມ່ນຊຸດເສື້ອຜ້າສະແດງລະຄອນທີ່ສ້າງຂຶ້ນສຳລັບຕົວລະຄອນ Richard III ໃນການສະແດງລະຄອນເວທີຂອງ Shakespeare. ຊຸດນີ້ຖືກສ້າງຂຶ້ນຈາກວັດສະດຸທີ່ນຳກັບມາໃຊ້ຄືນ ແລະ ວັດສະດຸທີ່ບໍ່ໄດ້ໃຊ້ແລ້ວ. ເສັ້ນໂລຫະຖືກຫຍິບຕິດໃສ່ເສື້ອຄຸມຜ້າທໍ, ໃນຂະນະທີ່ຜ້າຫຸ້ມແຂ້ງໜັງທີ່ຊ້ອນກັນສ້າງເປັນໂຄງສ້າງແຍກຕ່າງຫາກທີ່ເຊື່ອມຕໍ່ກັນດ້ວຍສາຍໜັງ ແລະ ຫົວເຂັມຂັດ. ຖົງມືເກາະໂສ້ປິດແຂນເສື້ອ, ແລະ ໝວກກຳມະຫຍີ່ທີ່ຮອງດ້ວຍແຜ່ນໂລຫະໃຊ້ເປັນໝວກກັນສັດຕູ. ຫົກສ່ວນນີ້ສາມາດເພີ່ມ ຫຼື ຖອດອອກໄດ້ຕາມການປ່ຽນແປງຂອງຕົວລະຄອນໃນລະຫວ່າງການສະແດງ. ການອອກແບບສະທ້ອນໃຫ້ເຫັນທັງຄວາມເປັນກະສັດ ແລະ ຄວາມອ່ອນແອຂອງຊາຍຄົນນັ້ນທີ່ຢູ່ພາຍໃນ.
ການຮັບຮູ້
ກ່ຽວກັບ A' Design Award ລະດັບເງິນ
The Armor ຊຸດເສື້ອຜ້າສະແດງລະຄອນ ແມ່ນຜູ້ຊະນະ A' Design Award ລະດັບເງິນ ເຊິ່ງເປັນການຍອມຮັບທີ່ມີກຽດສູງເປັນພິເສດສຳລັບການອອກແບບຊັ້ນສູງ ທີ່ງົດງາມ ແລະ ປະທັບໃຈ. ຜູ້ຊະນະລະດັບເງິນແມ່ນຜົນງານທີ່ເຈີດຈ້າ ແລະ ສ້າງສັນຫຼາຍ ທີ່ສະແດງເຖິງຄວາມຊຳນານ ພອນສະຫວັນ ແລະ ຄວາມຄົມຄາຍຂອງຜູ້ອອກແບບ. The Armor ຊຸດເສື້ອຜ້າສະແດງລະຄອນ ຖືກຄາດວ່າຈະເປັນຜົນງານແບບຢ່າງ ທີ່ເປັນມືອາຊີບຢ່າງຍິ່ງ ແລະ ມີນະວັດຕະກຳທີ່ເລິກເຊິ່ງ. ການອອກແບບທີ່ຊະນະລະດັບເງິນນີ້ແມ່ນການປະດິດທີ່ໂດດເດັ່ນ ແລະ ໄດ້ຮັບການຍົກຍ້ອງ ທີ່ປະກອບສ່ວນຂະຫຍາຍຂອບເຂດຂອງສິລະປະ ວິທະຍາສາດ ການອອກແບບ ແລະ ເຕັກໂນໂລຊີ. The Armor ຊຸດເສື້ອຜ້າສະແດງລະຄອນ ເປັນຜົນງານທີ່ຫຼາຍຄົນອິດສາ ປຸກຄວາມປາດຖະໜາ ນຳຄວາມຮູ້ສຶກທາງບວກ ແລະ ກໍ່ໃຫ້ເກີດຄວາມອັດສະຈັນໃຈ.
ເບື້ອງຫຼັງການອອກແບບ
ຊຸດຂ່າວ
ຂໍ້ມູນ, ສະມາຊິກທີມ ແລະ ລາຍລະອຽດທາງເຕັກນິກທີ່ສະໜອງໂດຍນັກອອກແບບ.
- ຄຸນສົມບັດພິເສດ
- This armor, made with fully recycled materials, mixes metallic corset nerves referring to the classic western armor, topped by a butcher's chainmail glove that evokes the bloodthirsty of the character with leather leggings overlapping layers denoting the various faces assumed by the character during the plot. From a modernist vision in terms of fabric, overlapping and weaving of pieces the structure refers to the vulnerability of the King and the man who lives at the same time in Richard III.
- ຂະໜາດ ແລະ ບັນຈຸພັນ
- Armor- 45cmx30cmx55cm
Helmet- diameter:57cm High: 23cm - ແທັກ
- Costume design, Shakespeare, Richard III, Armor, theater, cuban designer, Samantha Chijona Design, schijonag.
- ເຕັກໂນໂລຊີການຜະລິດ
- The armor is compound by 6 pieces. 1: The metal structure, it is metal lines sewn on a twill weave jerkin jacket, 2: the leather armor, leather gaiters overlapping forms an independent structure that joins the rest of the set with leather straps closed by buckles, 3: The metal glove, a chainmail glove closes the cuff to give the sleeve a shot, 4: The helmet,
a velvet hat lined with metal strips works as an armor helmet 5: The pants, a black twill pants and finally 6: Black leather boots to the knees. - ສິ່ງທ້າທາຍດ້ານການອອກແບບ
- The development of the piece became a challenge, I wanted to do something great for the character but working in Cuba is always difficult due to the lack of resources, so while researching, I also located materials. Looking in an antique warehouse I found these old pieces of unused corsets bones and leather leggings and decided to use them. With only one month to prepare the entire theater play with more than 16 characters we were detained in this armor for a week, assembling, testing and sewing piece by piece in search of achieving an attractive but useful result.
- ການຄົ້ນຄວ້າ
- My research flew over two essential aspects, the historical and the technical. After having studied for years Western and Japanese armors, the challenge of creating one was wonderful. I had to solve how I should use the historical engineering structures in those garments with the modern materials I had in hand. I read and compiled images and information, of the western armor, I appropriated the metal and the order of the parts while from the Japanese I took overlays of leather pieces sewn with cord. The result was a very visual and modern armor that keeps its basic function, protection.
- ແຮງບັນດານໃຈ
- Having studied for years structures that we use when dressing and that have protected and distancing ourselves from the real world I choose one of my favorite, the armor. I took advantage of the study of Western and Japanese war pieces and modernized it with the use of materials and disused pieces. The text of Shakespeare's play emphasizes the two faces and the physical problem of the character I used it as inspiration to separate and show the two parts of Richard III.
- ໄລຍະເວລາໂຄງການ
- The project started in June 2018 in Havana, Cuba and ended in September 2018 in Havana, Cuba.
- ຂັ້ນຕອນການດຳເນີນງານ
- The piece is compound by 6 small parts, the main three, armor jacket, pant and boots are easy to put, also it has another leather structure which should be placed with buckles while the hat and the glove are closed by an elastic piece. the interaction between the actor and the piece is determined for the modular form of the main piece, the person can take off the leather part, the helmet, the glove and keep only the base jacket, pants and boots, in the same way he can add more pieces throught the evolution of the character inside the theater play.
- ສິດທິບັດ
- Copyrights belong to Chijona, Samantha, 2018
- ສະມາຊິກທີມ
- Designer and Creative Director: Samantha Chijona
Designer: Vladimir Cuenca - ເຄຣດິດຮູບພາບ
- Image 1,2,3,4,5: Samantha Chijona Photographer/ Samantha Chijona Designer /Richard III/ The Armor /Model: Maria Gabriela Sanchez, 2018
ໂຄສະນາ
ສຳຫຼວດນອກເໜືອຈາກ Designers.org
ຄົ້ນພົບຜະລິດຕະພັນ, ບໍລິການ ແລະ ໂອກາດຈາກຄູ່ຮ່ວມໂຄສະນາຂອງພວກເຮົາ.
ສຳຫຼວດເພີ່ມເຕີມ
ການອອກແບບທີ່ກ່ຽວຂ້ອງ
ສຳຫຼວດການອອກແບບທີ່ໄດ້ຮັບລາງວັນເພີ່ມເຕີມຈາກໝວດໝູ່ດຽວກັນ, ຄັດເລືອກຕາມຄຸນນະພາບ.
