ຂ້າಮໄປຫາເນື້ອຫາ
Vicereines of Ireland ໜັງສືວິຊາການ ໂດຍ Jurga Rakauskaite-Larkin

ຜົນງານ Vicereines of Ireland ໜັງສືວິຊາການ ໂດຍ Jurga Rakauskaite-Larkin ເປັນຜູ້ຊະນະທີ່ໄດ້ຮັບຄວາມນັບຖືສູງຂອງລາງວັນ 2022 A' Design Award ລະດັບເຫຼັກ ອັນຊົງກຽດໃນໝວດການແຂ່ງຂັນ ການອອກແບບສື່ສິ່ງພິມ ແລະ ສິ່ງພິມ.


ເຫຼັກສິ່ງພິມ· 2022

Vicereines of Ireland ໜັງສືວິຊາການ

ໂດຍ Jurga Rakauskaite-Larkin

ລູກຄ້າ: The Office of Public Works

ຜູ້ຊະນະ A' Design Award ລະດັບເຫຼັກ ໃນໝວດ ສິ່ງພິມ

13,246

ຜູ້ຊະນະລາງວັນທີ່ຢັ້ງຢືນແລ້ວ

ຢັ້ງຢືນສະຖານະລາງວັນສຳລັບ #135430

ສີ

ການອອກແບບ

ກ່ຽວກັບ Vicereines of Ireland ໜັງສືວິຊາການ

ໜັງສືເລື່ອງ Vicereines of Ireland ເປັນໜັງສືວິຊາການກ່ຽວກັບກຸ່ມແມ່ຍິງທີ່ຖືກມອງຂ້າມໃນປະຫວັດສາດໄອແລນ. ການອອກແບບໄດ້ຈັບເອົາໂລກແຫ່ງວັດຖຸອັນອຸດົມສົມບູນຂອງແມ່ຍິງເຫຼົ່ານີ້ ພ້ອມທັງສະທ້ອນເຖິງຄວາມເປັນມະນຸດໃນການກະທຳຂອງພວກເຂົາ. ໂຕນສີໄດ້ຖືກເລືອກມາຈາກສີບົວອ່ອນທີ່ຍັງເຫຼືອຢູ່ໃນຈານສີຂອງແມ່ຍິງຄົນໜຶ່ງ. ໜ້າປົກໃນໄດ້ຮັບແຮງບັນດານໃຈຈາກປື້ມບັນທຶກລາຍຫີນອ່ອນອິຕາລີແບບເກົ່າ ແລະຖືກສ້າງຂຶ້ນດ້ວຍເຕັກນິກການເຮັດລາຍຫີນອ່ອນແບບຈຸດຕາມແບບດັ້ງເດີມ ຊຶ່ງຕໍ່ມາໄດ້ຖືກປັບປຸງດ້ວຍລະບົບດິຈິຕອນ. ກອບແຜ່ນຄຳຖືກປະທັບຢູ່ເທິງໜ້າປົກແຂງດ້ານຫຼັງຮູບພາບໜ້າປົກ ເພື່ອໃຫ້ແມ່ຍິງທີ່ປາກົດຢູ່ນັ້ນເດັ່ນຂຶ້ນມາຂ້າງໜ້າ.

ການຮັບຮູ້

ກ່ຽວກັບ A' Design Award ລະດັບເຫຼັກ

Vicereines of Ireland ໜັງສືວິຊາການ ແມ່ນຜູ້ຊະນະ A' Design Award ລະດັບເຫຼັກ ເຊິ່ງເປັນການຍອມຮັບທີ່ມີກຽດສຳລັບການອອກແບບທີ່ດີ ທີ່ຕອບສະໜອງຄວາມຕ້ອງການທາງວິຊາຊີບ ແລະ ອຸດສາຫະກຳທີ່ຄາດຫວັງຈາກຜົນງານທີ່ອອກແບບມາຢ່າງດີ. ຜູ້ຊະນະລະດັບເຫຼັກສະແດງເຖິງທັກສະອັນຍິ່ງໃຫຍ່ ຄວາມຊຳນານສະເພາະສູງ ຄວາມເຂົ້າໃຈຂອງຜູ້ຊ່ຽວຊານ ແລະ ຄວາມສາມາດໃນການສ້າງສັນຂອງຜູ້ສ້າງ. Vicereines of Ireland ໜັງສືວິຊາການ ຖືກຄາດວ່າຈະເປັນຜົນງານທີ່ໄດ້ຮັບການຍົກຍ້ອງສູງ ໜ້າຊົມເຊີຍ ແລະ ເປັນທີ່ຮັກແພງ ທີ່ໃຊ້ງານໄດ້ຈິງ ແລະ ມີນະວັດຕະກຳ. ການອອກແບບທີ່ຊະນະລະດັບເຫຼັກນີ້ລວມວິທີປະຕິບັດທີ່ດີທີ່ສຸດຂອງອຸດສາຫະກຳ ແລະ ມີຄຸນລັກສະນະທາງເຕັກນິກທີ່ມີຄວາມສາມາດ ເຊື່ອມໂຍງກັບຄວາມຮູ້ ແລະ ພອນສະຫວັນ. Vicereines of Ireland ໜັງສືວິຊາການ ໄດ້ຮັບການເຄົາລົບສຳລັບຄວາມລະອຽດຮອບຄອບ ແລະ ຖືກອອກແບບເພື່ອປັບປຸງຄຸນນະພາບຊີວິດ ຊ່ວຍເຮັດໃຫ້ໂລກເປັນບ່ອນທີ່ດີຂຶ້ນ.

ເບື້ອງຫຼັງການອອກແບບ

ຊຸດຂ່າວ

ຂໍ້ມູນ, ສະມາຊິກທີມ ແລະ ລາຍລະອຽດທາງເຕັກນິກທີ່ສະໜອງໂດຍນັກອອກແບບ.

ຄຸນສົມບັດພິເສດ
Aim of the design was to capture rich material world, and also to reflect these women's humanity. The choice of a simple cover rather than grand portrait, that mainly appear on the covers of art history books, reflects this approach. The gilded frame that usually surrounds many portraits is placed not around the portrait image but behind it, on the hard cover, allowing the image of the woman to come forward. It encourages reader to look beyond the superficial image of women as decorative partners to powerful men.
ຂະໜາດ ແລະ ບັນຈຸພັນ
Size:
21.46 x 2.79 x 24.51 cm portrait,
Cover:
Hardcover with Luxor 220 Gold foil block on the front and spine
Dust jacket with Matt Black foil block on the front and spine,
Printed: 4/4 CMYK,
Binding:
Hardcover, head and tail gold bands, 2.5 mm boards, thread sewn,
Black silk ribbon,
Repro:
Images supplied digitally, image and colour corrections,
One set of digital colour proofs
ແທັກ
book, irishdesign, irishculture,
ເຕັກໂນໂລຊີການຜະລິດ
The making of the book was a dialogue between the written content, the visual material discovered during the research, and current design practices. One of the key sources used in the writing of the book was an old Italian marbled notebook that belonged to one of the women. This inspired the creation of artwork for the book's end papers. The book's colour palette was sent to an artist, who created six bespoke patterns using a traditional spot marbling technique. After selecting the most suitable, the pattern was digitally manipulated to give this traditional pattern a contemporary look.
ສິ່ງທ້າທາຍດ້ານການອອກແບບ
As an academic book, there were specific design conventions which had to be followed. The challenge was to strike a balance between meeting these criteria and reflecting the seriousness of the book's content, while also pushing the creative boundaries to modernise the image of the art history book. A bold colour palette, unexpected cover image (and application of it), use of a ribbon bookmark inspired by the diaries of the vicereines and the choice of contemporary serif typography all helped to overcome this challenge.
ການຄົ້ນຄວ້າ
The research for the design grew out of several years of original research for the book. This research was carried out in public and private archives across Ireland, Britain and the USA, and attracted funding from bodies including the Paul Mellon Centre for Studies in British Art. The main sources were the letters and diaries of these women, as well as their private collections of textiles, sketches and personal objects. One of the most inspiring of these objects was the paint palette of one of the women featured in the book. The book's colour scheme was taken from the blush pink paint colours that have survived on the palette since the 1780s.
ແຮງບັນດານໃຈ
The book tells the untold story of a group of overlooked women in Irish history. As the wives of the countrys rulers, they were the female faces of the British administration in Ireland before independence. Even though their privileged world was one of shimmering fabrics, sparkling pearls and blossoming flowers, many of these women worked hard to relieve crushing poverty, promote Irish fashion and mitigate injustices. Despite their pioneering efforts, they have long been almost entirely forgotten in Irish history. Their story, and the value of telling it for the first time, inspired the project.
ໄລຍະເວລາໂຄງການ
Project started in 2019 and was finished in 2021 in Dublin, Ireland.
ສະມາຊິກທີມ
Editor: Myles Campbell
Project Manager: Mary Heffernan
Publisher: Irish Academic Press
Printed: Kopa Print
ເຄຣດິດຮູບພາບ
Image #1 Unknown artist, The Right Hon. The Countess of Buckinghamshire (detail), 1778. Reproduced courtesy of the National Library of Ireland
Image #2 Ausra Lazauskiene, Marbling artist
Image #4 Robert French (photographed by), The vicereine’s boudoir at the Viceregal Lodge, Dublin, Reproduced courtesy of the National Library of Ireland.
Image #5 After Sir Thomas Lawrence, Lady Henrietta Cole, Lady Grantham, later Countess de Grey, National Trust, Florence Court, County Fermanagh
Henri Gascar, Frances Talbot (née Jennings), Duchess of Tyrconnell, Bridgeman Images.
Maria Phipps, Countess of Mulgrave, later Marchioness of Normanby
Montego Bay, Jamaica, Photograph by Scott Wicking, reproduced courtesy of the Marquis and Marchioness of Normanby.

Photographer: Kevin Fox, 'We Shoot'

ໂຄສະນາ

ສຳຫຼວດນອກເໜືອຈາກ Designers.org

ຄົ້ນພົບຜະລິດຕະພັນ, ບໍລິການ ແລະ ໂອກາດຈາກຄູ່ຮ່ວມໂຄສະນາຂອງພວກເຮົາ.

ການອອກແບບດີສົມຄວນໄດ້ຮັບການຍອมຮັບອັນຍິ່ງໃຫຍ່

A' Design Award ເປັນລາງວັນສາກົນທີ່ຖືກຕັດສິນໂດຍຄະນະກຳມະການສຳລັບການອອກແບບທີ່ດີ. ເຂົ້າຮ່ວມ A' Design Award ເພື່ອໂອກາດໄດ້ຮັບການຍອมຮັບຢ່າງມີຄຸນສົມບັດ, ສ້າງຊື່ສຽງ, ກຽດຕິຍົດ ແລະ ການເຜີຍແຜ່ສຳລັບຜົນງານຂອງທ່ານ. ສະເໜີຜົນງານຂອງທ່ານເຂົ້າ A' Design Award ແລະ ແຂ່ງຂັນເພື່ອລາງວັນ A' Design Prize ອັນເປັນທີ່ປາຖະໜາ.

ສະເໜີຊື່