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Painted Skin ພາຍໃນຮ້ານສັກລາຍ by Yalan Zheng
Painted Skin ພາຍໃນຮ້ານສັກລາຍ by Yalan Zheng
Painted Skin ພາຍໃນຮ້ານສັກລາຍ by Yalan Zheng
Painted Skin ພາຍໃນຮ້ານສັກລາຍ by Yalan Zheng
Painted Skin ພາຍໃນຮ້ານສັກລາຍ by Yalan Zheng

ຄຳ ພາຍໃນ · 2020

Painted Skin ພາຍໃນຮ້ານສັກລາຍ

by Yalan Zheng

  • A' Design Award ລະດັບຄຳ 2020 in ພາຍໃນ
  • CLIENT: Lan Design
  • Estimated Number of Design Views: 17,062
  • Verification code 619EE9F679 · Verify this award
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About Painted Skin ພາຍໃນຮ້ານສັກລາຍ

Painted Skin ແມ່ນການອອກແບບພາຍໃນຮ້ານສັກລາຍ ທີ່ມີເນື້ອທີ່ 240 ຕາແມັດ ຢູ່ນະຄອນເສີງຕູ. ແນວຄວາມຄິດຂອງການອອກແບບແມ່ນສອດຄ່ອງກັບຈຸດປະສົງຂອງຮ້ານ ແລະ ລາຍລະອຽດການຕົກແຕ່ງກໍມີຕົ້ນກຳເນີດຮ່ວມກັນກັບວັດທະນະທຳການສັກລາຍ. ທາງຍ່າງໂຄ້ງທີ່ມີແສງໄຟມືດມົວ ນຳພາເຂົ້າສູ່ພື້ນທີ່ພາຍໃນ ເຊິ່ງຖືກຕົກແຕ່ງໃນຮູບແບບເຣໂທຣທີ່ຫຼູຫຼາ. ໂຄມໄຟລະຍ້າຮູບໂຄງກະດູກ ທີ່ເຮັດດ້ວຍມືເປັນເວລາຫົກເດືອນ ແຂວນລົງມາຈາກເພດານ. ຕູ້ໄມ້ແກະສະຫຼັກ, ສາກກັ້ນ ແລະ ເຄົາເຕີບາ ເພີ່ມຄວາມຮູ້ສຶກຫຼູຫຼາໃຫ້ກັບໂທນສີເຂັ້ມ. ຂ້າງພື້ນທີ່ສັກລາຍແບບນີໂອຄລາສສິກ ຍັງມີຫ້ອງຮັບແຂກສອງຫ້ອງທີ່ມີແນວຄວາມຄິດສະເພາະ ຊື່ວ່າ Mirror Palace (ວັງກະຈົກ) ແລະ Cave (ຖ້ຳ).

About the A' Design Award ລະດັບຄຳ

Painted Skin ພາຍໃນຮ້ານສັກລາຍ ແມ່ນຜູ້ຊະນະ A' Design Award ລະດັບຄຳ ເຊິ່ງເປັນການຍອມຮັບທີ່ມີກຽດສູງສຳລັບການອອກແບບຊັ້ນນຳ ທີ່ອັດສະຈັນ ແລະ ໂດດເດັ່ນ. ຜູ້ຊະນະລະດັບຄຳແມ່ນຜົນງານທີ່ມີນະວັດຕະກຳສູງ ມີວິໄສທັດ ແລະ ເຈີດຈ້າງົດງາມ ທີ່ສະທ້ອນພອນສະຫວັນ ປັນຍາ ແລະ ຄວາມຊຳນານຂອງຜູ້ອອກແບບ. Painted Skin ພາຍໃນຮ້ານສັກລາຍ ຖືກຄາດວ່າຈະເປັນການປະດິດທີ່ໄດ້ຮັບການຍ້ອງຍໍສູງ ສ້າງແນວໂນ້ມ ແລະ ມອບຄຸນຄ່າທີ່ບໍ່ເຄີຍມີມາກ່ອນ. ການອອກແບບທີ່ຊະນະລະດັບຄຳນີ້ແມ່ນໂຄງການທີ່ອັດສະຈັນ ແລະ ໄດ້ຮັບການຍົກຍ້ອງ ທີ່ຂະຫຍາຍຂອບເຂດຂອງສິລະປະ ວິທະຍາສາດ ການອອກແບບ ແລະ ເຕັກໂນໂລຊີ. Painted Skin ພາຍໃນຮ້ານສັກລາຍ ສ້າງຄວາມປາດຖະໜາທີ່ເຂັ້ມຂຸ້ນ ປຸກຄວາມຫຼົງໄຫຼ ຊຸກຍູ້ຄວາມຄິດສ້າງສັນ ແລະ ດຶງດູດໃຈພວກເຮົາ.

Press Kit

Unique Properties
The design theme of the whole tattoo shop is highly consistent with its the purpose, and its decorative metaphor and tattoo culture have the same origin. The dialogue between architecture and space has risen to artistic exploration and self-examination at the level of humanity. The rhythm of the whole space is simple, coordinated and complementary.
Dimensions & Packaging
The project covers a total of 240 square meters. In addition to tattoo area that continues the neoclassical dark style, there are also two Vip areas, the Mirror Palace and the Cave.
Tags
Interior, Commercial, Tattoo Shop, School, Neo Classical, Mermaid, Cave, Mirror Palace, Black
Production Technology
The elegant and gorgeous stage and Corinthian Roman column height restore the delicate, elegant and magnificent tone of Rococo period. Although the furniture style from Van Der Rohe is simple, it is well integrated into the background, without any abruptness.
Design Challenge
The skeleton chandelier, which lasted half a year and was made by hand, is watching the customers quietly on the ceiling. The wooded cabinets, screens and bars are decorated with a lot of carved patterns, which make the best of the craftsman's ability and infuse a trace of luxury into the dark style.
Research
Tattoo originated from totem worship. In ancient China, there was a custom of "hairless tattoo" in Wuyue area. The patterns include ancestors, gods or totems. The cave theme room tells the world that tattoo is the earliest art form of human beings, do not look at it in color. In this cave that returns to ancient times, people need to look at this art with the same simple and clear eyes, let tattoos return to the origin, and express themselves with art.
Inspiration
Both old school and new school style tattoos come from the American understanding of traditional and totem symbols thousands of years ago. They are concise in color, vivid in expression and have their own cultural connotation. In order to fit the properties of the main items of the shop, and at the same time, highlight the continuity and compatibility of the new and old schools, the whole space is full of rich retro style.
Project Duration
The project started in February 2018 in Chengdu and finished in July 2019 in Chengdu.
Operation Flow
In the shadow of the corner, a steel mermaid is half hanging in the air with its back to the wall. There is almost no light in the whole corridor, only a small point light source above the Mermaid Girl, which makes her shadow on the wall looks more lonely. The corridor is not long, but it is curved and mysterious.
Patents
Copyrights belong to Yalan Zheng, 2019.
Image Credits
Image #1: Photographer Xinghao Liu, Lobby, 2019.
Image #2: Photographer Xinghao Liu, Corridor, 2019.
Image #3: Photographer Xinghao Liu, VIP Room, 2019.
Image #4: Photographer Xinghao Liu, VIP Room 2, 2019.
Image #5: Photographer Xinghao Liu, VIP Room 3, 2019.

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