The Japanese Forest Fotogrāfija by Masaru Eguchi

The Japanese Forest Fotogrāfija by Masaru Eguchi is a highly esteemed winner of the very prestigious 2020 Sudraba balva A' Design Award in Fotogrāfijas un fotomanipulācijas dizains Competition Category.

SudrabaFotogrāfija· 2020

The Japanese Forest Fotogrāfija

by Masaru Eguchi

Client: Sunpono

Sudraba balva A' Design Award Winner in Fotogrāfija Category

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Colors

The Design

About The Japanese Forest Fotogrāfija

Japānas mežs tiek ņemts no japāņu reliģiskā viedokļa. Viena no japāņu senajām reliģijām ir animisms. Animisms ir uzskats, ka nodomiem ir arī radījumiem, kas nav cilvēkveidīgi radījumi, klusās dabas (minerāli, artefakti utt.) Un neredzamām lietām. Fotografēšana ir līdzīga šai. Masaru Eguchi fotografē kaut ko tādu, kas rada sajūtu tēmā. Koki, zāle un minerāli izjūt dzīves gribu. Un pat tādi artefakti kā dambji, kas ilgu laiku palikuši dabā, izjūt gribu. Tikko jūs redzēsit neskarto dabu, nākotne redzēs pašreizējās ainavas.

The Recognition

About the Sudraba balva A' Design Award

The Japanese Forest Fotogrāfija ir Sudraba balvas A' Design Award ieguvējs, ārkārtīgi prestiža atzinība, ko piešķir augstākās klases, krāšņiem un iespaidīgiem dizainiem. Sudraba ieguvēji ir ārkārtīgi spožas un ļoti radošas izpausmes, kas parāda to dizaineru izcilo kompetenci, talantu un asredzību. Sagaidāms, ka The Japanese Forest Fotogrāfija būs lielisks, paraugdarbs, ļoti profesionāls un dziļi inovatīvs. Šis ar Sudraba balvu apbalvotais dizains ir ievērojams, apbrīnots izgudrojums, kas palīdz paplašināt mākslas, zinātnes, dizaina un tehnoloģiju robežas. The Japanese Forest Fotogrāfija ir radījums, kam daudzi apskauž, kas modina vēlmes, rada pozitīvas izjūtas un raisa izbrīnu un apbrīnu.

Behind the Design

Press Kit

Credits, team members and technical details provided by the designer.

Unique Properties: "The Japanese Forest" is taken from a Japanese religious perspective.
In addition, the more it explores the unique perspectives of Japan, the more universal and true nature appears.
The nature in this work is the scenery seen by ancient people, modern people, and future people.
Dimensions & Packaging: The camera used in "The Japanese Forest" is NIKON Df. Retouch uses Adobe CC.
Tags: Japan, Photo, Nature, Mountain, Forest, Tree, Green, Landscape, Sustainable, Ecology
Production Technology: The technology required for "The Japanese Forest" is digital retouching. Digital retouching has made it possible to achieve both nostalgia and newness. With this work, He was able to create colors that could not be achieved with film.
Design Challenge: The difficulty with this project is that forests are decreasing in Japan. Japanese forests were destroyed by economic growth in the 1960s. Replanted with fast-growing trees, Japanese forests have become similar.
Research: Type of study: animism, eight million gods. Research purpose: To preserve the existing landscape in the future. Methodology: photography. Tools: Japanese classic books. Influence of design: The more unique the country landscape, the more universal the beauty.
Inspiration: One of the beginnings of Japanese religion is the "Yaoyorozu-no-kami". "Yaoyorozu-no-kami" is the belief that there is a god in all things in nature, and it is introduced in foreign countries as "Animism" or "Shinto". Shooting is similar to "Animism". Trees, minerals, and dead grass feel the will of life, and even if an artifact like a dam is left in nature for a long time, it will feel the will of life. Just as we see untouched nature, the future people see the current scenery.
Project Duration: The project was created between 2013 and 2015. And it was released on eguchimasaru.com.
Operation Flow: This work reminds the user of the view of nature stored in the gene. This work suggest a discussion about what is needed for the future art. This is the role of the work.
Patents: Copyright: Masaru Eguchi
Image Credits: Image #1: Photographer Masaru Eguchi, The Japanese Forest, 2013-2020. Image #2: Photographer Masaru Eguchi, The Japanese Forest, 2013-2020. Image #3: Photographer Masaru Eguchi, The Japanese Forest, 2013-2020. Image #4: Photographer Masaru Eguchi, The Japanese Forest, 2013-2020. Image #5: Photographer Masaru Eguchi, The Japanese Forest, 2013-2020.