Perception of the Eyes Zavakanto Azo Ampiasaina nataon'i Karina Frances Edmonds

Ny endrika Perception of the Eyes Zavakanto Azo Ampiasaina nataon'i Karina Frances Edmonds dia mpandresy sarobidy amin'ny 2020 A' Design Award Varahina amin'ny Sokajin'ny Fifanintsanana Famolavolana Lamaody, Fitafiana ary Akanjo.

VarahinaLamaody· 2020

Perception of the Eyes Zavakanto Azo Ampiasaina

nataon'i Karina Frances Edmonds

Mpanjifa: Karina Frances

Mpandresy A' Design Award Varahina amin'ny Sokajy Lamaody

35,035

Mpandresy Loka Voamarina

Hanamarina ny Sata Loka ho an'ny #102508

Tsidiho ny Tranonkala Jereo ao amin'ny A' Design Award Fanambarana ho an'ny Mpanao Gazety Marika Loka

Loko

Ny Endrika

Momba ny Perception of the Eyes Zavakanto Azo Ampiasaina

Ny maso rehetra dia mizara ny halalin'ny tantara sy ny hatsarany. Amiko dia toy ny vavahady ho an'ny fanahin'ny olona ny maso. Ny famoahana lalina sy tsy manam-petra no taratry ny maso izay nanome aingam-panahy an'ity ampahany ity. Mahagaga fa ny maso dia aseho amin'ity ampahany ity amin'ny alàlan'ny fitaratra geometrika amin'ny tratra. Ny mpianatra dia asongadin'ny hazavan'ny mason-tsivana. Mitokona ny tariby laser fahitana, miampita amin'ny teboka misy eo amin'ny sisintany. Mampahatsiahy ireo sary siantifika sy fanitsiana ny hazavana sy ny endrika geometrika alohan'ny nidirany tao amin'ny onjan'ny fahitana manjavozavo.Ireo tapany ity dia miresaka momba ny maso sy ny herin'ny poeta.

Ny Fankasitrahana

Momba ny A' Design Award Varahina

Nandresy ny A' Design Award Varahina ny famolavolana Perception of the Eyes Zavakanto Azo Ampiasaina, fankasitrahana malaza be omena ny famolavolana miavaka izay mampiavaka ny fahaiza-mamorona, ny fahazotoana ary ny fahamaotinan-tsaina. Ny mpandresy Varahina dia zavatra vita tanana mahay dia mahay ary mamorona mivantana izay manamafy ny traikefa be dia be, ny sarintsaina ary ny fahaizan-kafoy an'ny mpamolavola azy. Andrasana ho zavatra ankasitrahana be, ankafizina ary tiana, mahay amin'ny asa sady vaovao ny famolavolana Perception of the Eyes Zavakanto Azo Ampiasaina. Ity famolavolana nandresy ny A' Design Award Varahina ity dia mitahiry ny fomba fanao tsara indrindra amin'ny zavakanto, ny siansa, ny famolavolana ary ny teknolojia, ary tsara indrindra amin'ny fitandremana ny antsipirihany. Ny famolavolana Perception of the Eyes Zavakanto Azo Ampiasaina dia mahafa-po ny filana tsara, mikasika ny faniriana, mahasarika ny fihetseham-po ary misarika ny fahalianana.

Ao Ambadiky ny Endrika

Fitaovana ho an'ny Mpanao Gazety

Fankasitrahana, mpikambana ao amin'ny ekipa ary antsipiriany teknika nomen'ny mpanao endrika.

Toetra Manokana: The uniqueness in my design is born from the empowerment created for one to radiate. Empowerment is also my inspiration. My design mirrors an embodiment of this spirit. This garment speaks about eyes and their poetic power. The design boldly enhances the human body, through the rawness of the breasts, mimicking eyes, to the enhanced hip lines, through sculpture. The leather strips, architecturally strike down from the pupil (nipple) to create an illusion lasering out as a form of vision and structural support. Beauty in design shines when poetry meets function.
Refy & Fonosana: Size 6
Marika: wearable art, eyes, vision, perception, poetry
Teknolojia Famokarana: The materials used for the geometric elements are particularly effective. By constructing a corsetry bodice from more robust elements with wire and stiffer fabric such as faux leather, the contrasting silhouette strips are enabled to be pulled tight and hold the criss-cross pattern beautifully, before falling into waves. This is reminiscent of scientific diagrams of refraction of light. The production of this design regarded structure, architecture, form and the body. In the making and testing of this design, I thought about physics regarding matters like the laws of gravity and structure in terms of its architecturally inspired form.
This dress has a sense of history in its construction echoing vintage hip lines whilst displaying thoroughly contemporary vision.(regard pdf) for full version of "Production, realization technology and materials)
Fanamby Endrika: Beginning with the research I was challenged with deep inner reflection, about myself, and identity regarding the theme “Who am I”. Especially because I haven't found myself in this stage of my life as a 15 year old. I believe we are always changing and growing as people, and a society. Also, I faced challenges that regarded transferring my ideas from my pen to the needle, as this was the first time I had created a collection.
Fikarohana: I looked at many sources that helped me better define my knowledge to create a 5 piece collection that could reflect me as a person and unravel my identity. Second, after building my knowledge to a level at which I was confident, I could begin the artistic journey, I began designing. Even when designing it seems as if research and design overlapped, because I was always learning something new. Everything I learned was applied to enhance my skills and help my ability in creating material that is so new to me in the arts. (regard pdf for full research)
Aingam-panahy: I was inspired by eyes and their magical properties with their ability to connect, reflect, and create visual poetry of the world around us. This poetic and magical ability for an eye to radiate vision is the inspiration for this dress. One can see these definitions through the garments architectural forms and illusions that run from the nipple to the ground.
Faharetan'ny Tetikasa: My fashion journey began with research April 2019, designing in May 2019, and finally completed in the summer of June 2019. The dresses were then showcased on the runway at NewYork FashionWeek Fall season (F/SS NYFW), the 7th of September 2019
Fizotr'asa: The design has specific details that make the whole difference when looking at its performance as wearable art. While wearable art is very abstract and not the most wearable, I tried to make my designs so that they can still perform with attributes of the body making them more wearable. There are significant details that allow for this to happen, still encouraging the possibility of my design without making any major adjustments. This includes different systems created to convert art into wearable art.
Patanta: N/A
Mpikambana ao amin'ny Ekipa: Tailor 15% work with patterns-( technical element).
Loharanon-tsary: Image #1: Bruce Wang, 2019
Optional Image #2: Bruce Wang, 2019
Optional Image #3: Bruce Wang, 2019
Optional Image #4: Bruce Wang, 2019
Optional Image #5: Bruce Wang, 2019