Takanabe Ninomaru Tranombakoka ara-tantara nataon'i Tomohiro Kaji

Ny endrika Takanabe Ninomaru Tranombakoka ara-tantara nataon'i Tomohiro Kaji dia mpandresy sarobidy amin'ny 2025 A' Design Award Volamena amin'ny Sokajin'ny Fifanintsanana Famolavolana Lova Ara-kolontsaina sy Indostrian'ny Kolontsaina.

VolamenaLova Ara-kolontsaina· 2025

Takanabe Ninomaru Tranombakoka ara-tantara

nataon'i Tomohiro Kaji

Mpanjifa: Takanabe Town Hall

Mpandresy A' Design Award Volamena amin'ny Sokajy Lova Ara-kolontsaina

78,077

Mpandresy Loka Voamarina

Hanamarina ny Sata Loka ho an'ny #167822

Tsidiho ny Tranonkala Jereo ao amin'ny A' Design Award Fanambarana ho an'ny Mpanao Gazety Marika Loka

Loko

Ny Endrika

Momba ny Takanabe Ninomaru Tranombakoka ara-tantara

Ny Tranombakoka ara-tantara Takanabe, naorina tamin'ny 1986, dia novolavolaina indray mba hamahana ny fihenan'ny fifandraisan'ny mpitsidika noho ny fampirantiana efa lany andro. Nandray ny JIN, filozofia momba ny hatsaram-panahy, ny fanamboarana vaovao, ka nanova azy ho foiben'ny kolontsaina sy fanabeazana mampiroborobo ny fireharehana sivily. Tamin'ny alalan'ny fitantarana ara-jerintany sy ny famolavolana habakabaka, ny fanavaozana dia nampiditra ny fikarakarana araka ny lohahevitra, fampirantiana mampiditra tanteraka, ary tontonana akrilika mifanindry maneho ny fitohizan'ny tantara. Nomena anarana hoe Tranombakoka Tantara NINOMARU, izao izy io dia manompo ho habaka mifanerasera izay mampifandray ny lova, ny fanabeazana ary ny fiaraha-monina.

Ny Fankasitrahana

Momba ny A' Design Award Volamena

Nandresy ny A' Design Award Volamena ny famolavolana Takanabe Ninomaru Tranombakoka ara-tantara, fankasitrahana malaza indrindra tsy refesi-mandidy omena ny famolavolana kilasy voalohany, mahagaga ary miavaka. Ny mpandresy Volamena dia famoronana vaovao indrindra, mahay mijery lavitra ary mamirapiratra mahafinaritra izay maneho ny fahamoramoran-tsaina, ny fahendrena ary ny fahaizan'ny mpamolavola azy. Andrasana ho fikarohana mahazo ankasitrahana indrindra, mitarika ny fironana ary tsangambato ny famolavolana Takanabe Ninomaru Tranombakoka ara-tantara izay mamatsy sanda tsy mbola nisy toy izany. Ity famolavolana nandresy ny A' Design Award Volamena ity dia tetikasa mahavariana sy hajaina izay mahasoa be ary mampandroso ny sisintanin'ny zavakanto, ny siansa, ny famolavolana ary ny teknolojia. Ny famolavolana Takanabe Ninomaru Tranombakoka ara-tantara dia mamorona fihetseham-po mafy momba ny faniriana, mamelona ny ahiahy, mamporisika ny fahaiza-mamorona ary mahasarika antsika.

Ao Ambadiky ny Endrika

Fitaovana ho an'ny Mpanao Gazety

Fankasitrahana, mpikambana ao amin'ny ekipa ary antsipiriany teknika nomen'ny mpanao endrika.

Toetra Manokana: This design centers on the concept of a history of benevolence, creating a space that visually and intuitively conveys the region's heritage through storytelling. Located on the historic site of Takanabe Castle, the museum was renamed and redesigned as a cultural hub to rediscover the town's uniqueness and foster civic pride. From curation and visual identity to signage and narrative design, the space was fully reimagined to serve as an educational and inspiring environment.
Refy & Fonosana: Scale:
Site area: 7,763 meter square
Building area: 904.43 meter square
1st floor area: 461.58 meter square
2nd floor area: 442.85 meter square
Marika: historical museum, cultural heritage, exhibition design, storytelling, visual identity, graphic design, spatial design, civic engagement, SDGs
Teknolojia Famokarana: This exhibition uses graphic and spatial design to make history visually engaging. The entrance features a concept display with a tagline, while the first exhibition room includes zoning signs with symbolic designs. The second exhibition presents Takanabe Domain's history, the Meirindo school, and the 7th lord Akizuki Taneshige's SDGs-related policies. At the center, acrylic panels display successive lords and their policies, with a red gradient symbolizing historical continuity.
Fanamby Endrika: The biggest challenge of this project was creating an engaging exhibition with limited historical materials and budget. From a historical and social perspective, extensive document research and discussions with experts were conducted to highlight the region's uniqueness, shaping the exhibition narrative around the culture of human development. As large-scale renovations were not feasible, we utilized graphic and spatial design to create a visually compelling and immersive exhibition.
Fikarohana: This study aimed to revitalize a historical museum through design and narrative. The objective was to enhance visitor engagement, promote cultural heritage preservation, and foster civic pride. The methodology included comparative studies of museums and interviews with historians. We introduced content curation and visual solutions. By highlighting the region's unique history of human development, we proposed a narrative-driven exhibition design, enhancing historical understanding.
Aingam-panahy: This project was inspired by the need to revitalize a declining local region by restoring its historical museum. Established in 1986 under the Akizuki domain, the museum's outdated exhibits led to a decline in visitor engagement. With the town's rich history in education and culture, revitalizing its significance was crucial. The goal was to transform the museum into a cultural hub where people can learn, connect, and take pride in their heritage and traditions.
Faharetan'ny Tetikasa: The project began in autumn 2023 in Miyazaki, Japana and finished in December 2024.
Fizotr'asa: This exhibition utilizes visual storytelling to help visitors intuitively understand the region's history. The layout is designed for a sequential experience, guiding visitors through zoned spaces categorized by theme and era, ensuring a natural flow of information. The design creates an immersive experience where history is learned through narratives, while layered acrylic panels symbolize temporal connections, resulting in a visually engaging and easily comprehensible exhibition.
Loharanon-tsary: Illustrations: Tomohiro Kaji
Image #1-#5: Photographer Kai Kanno (Nacasa & Partners)