Myriad Circles Famolavolana Atitrano ho an'ny Trano Fonenana nataon'i Xishun Tan

Ny endrika Myriad Circles Famolavolana Atitrano ho an'ny Trano Fonenana nataon'i Xishun Tan dia mpandresy sarobidy amin'ny 2026 A' Design Award Volamena amin'ny Sokajin'ny Fifanintsanana Famolavolana Habaka Anatiny ary Fampisehoana.

VolamenaAnatiny· 2026

Myriad Circles Famolavolana Atitrano ho an'ny Trano Fonenana

nataon'i Xishun Tan

Mpanjifa: Vanke

Mpandresy A' Design Award Volamena amin'ny Sokajy Anatiny

21,372

Mpandresy Loka Voamarina

Hanamarina ny Sata Loka ho an'ny #180277

Jereo ao amin'ny A' Design Award Fanambarana ho an'ny Mpanao Gazety Marika Loka

Loko

Ny Endrika

Momba ny Myriad Circles Famolavolana Atitrano ho an'ny Trano Fonenana

Myriad Circles dia famolavolana atitrano ho an'ny trano fonenana vita tany Sichuan, Sina. Ny fandaminana dia nahazo aingam-panahy avy amin'ny tanàna Linpan any Andrefan'i Sichuan sy ny rafitra hazo Chuandou nentim-paharazana ao aminy. Ny asa hazo walnut amerikana natao manokana dia mamerina mandika ny teknika fampifandraisana sy fampitongilanana (cantilever) an'ireo rafitra ireo. Fanamafisana vy miafina ao anatin'ny asa hazo no manohana ny lanjan'ny fitambaram-modely. Ny vy tsy harafesina sy ny fitaratra dia ampiarahina amin'ny hazo. Ireo singa walnut raikitra dia manome halalim-kolontsaina ny atitrano, raha ny singa azo ovaina kosa dia mamela ny toerana hanompo fampiasana miovaova.

Ny Fankasitrahana

Momba ny A' Design Award Volamena

Nandresy ny A' Design Award Volamena ny famolavolana Myriad Circles Famolavolana Atitrano ho an'ny Trano Fonenana, fankasitrahana malaza indrindra tsy refesi-mandidy omena ny famolavolana kilasy voalohany, mahagaga ary miavaka. Ny mpandresy Volamena dia famoronana vaovao indrindra, mahay mijery lavitra ary mamirapiratra mahafinaritra izay maneho ny fahamoramoran-tsaina, ny fahendrena ary ny fahaizan'ny mpamolavola azy. Andrasana ho fikarohana mahazo ankasitrahana indrindra, mitarika ny fironana ary tsangambato ny famolavolana Myriad Circles Famolavolana Atitrano ho an'ny Trano Fonenana izay mamatsy sanda tsy mbola nisy toy izany. Ity famolavolana nandresy ny A' Design Award Volamena ity dia tetikasa mahavariana sy hajaina izay mahasoa be ary mampandroso ny sisintanin'ny zavakanto, ny siansa, ny famolavolana ary ny teknolojia. Ny famolavolana Myriad Circles Famolavolana Atitrano ho an'ny Trano Fonenana dia mamorona fihetseham-po mafy momba ny faniriana, mamelona ny ahiahy, mamporisika ny fahaiza-mamorona ary mahasarika antsika.

Ao Ambadiky ny Endrika

Fitaovana ho an'ny Mpanao Gazety

Fankasitrahana, mpikambana ao amin'ny ekipa ary antsipiriany teknika nomen'ny mpanao endrika.

Toetra Manokana: Echoing the structural elegance of "Linpan" architecture in Western Sichuan, China, this design distills traditional "Chuandou" timber systems into a contemporary narrative. Custom walnut joinery abstracts ancient cantilever techniques, creating a sculptural framework for the client’s "Retro-Futurist" collection. The space bridges eras, merging the precision of heritage carpentry with the playful spirit of the digital age to form a deeply personalized, culturally anchored sanctuary.
Marika: Retro-Futurism, Mid-Century Modern, Linpan Architecture, Residential Interior Design, Collector Workspace, Eclectic Luxury, Custom Joinery, Sichuan Vernacular, Chuandou Structure
Teknolojia Famokarana: To resurrect the essence of traditional "Linpan" settlements, we utilized contemporary fabrication techniques. The design synthesizes American Walnut—a nod to vernacular timber—with modern industrial materials like stainless steel and glass. By embedding concealed steel reinforcements within the joinery, we achieved the iconic "Chuandou" interlocking aesthetic without traditional limitations. This application of modern material science allows the ancient architectural form to be reborn within a "Retro-Futurist" context.
Fanamby Endrika: The primary challenge lay in reconciling the solemnity of vernacular "Linpan" architecture with the vibrancy of a "Retro-Futurist" toy collection. Visually, preventing this eclectic mix from appearing chaotic required rigorous curation to balance historical weight with pop-culture playfulness. Structurally, mimicking the lightweight aesthetic of traditional "Chuandou" cantilevers while supporting heavy die-cast models imposed engineering constraints, necessitating a concealed steel skeleton within the walnut joinery.
Fikarohana: This project is grounded in applied design research that decodes the vernacular "Linpan" settlements of Sichuan. We sought to translate their core principles of community, organic hierarchy, and material authenticity into a contemporary urban residence. Our methodology combined ethnographic field observation, spatial analysis of traditional "Chuandou" timber structures, and material prototyping. We engaged local craftsmen and used 3D scanning alongside digital and physical modeling to test modern interpretations of joinery. A key insight emerged: the "Chuandou" system functions as a "social scaffold," organizing life through a gradient of spaces from public to private. This research directly generated the project's central "permanent-temporary" framework. Its impact is threefold: it provides business value through deep cultural narrative, offers society a model for fostering neighborhood belonging in dense cities, and advances design practice by demonstrating a rigorous methodology for systemic vernacular translation, moving beyond superficial aesthetic reference.
Aingam-panahy: A chance journey through Western Sichuan introduced me to the mesmerizing "Linpan" settlements. This experience deeply resonated with me, and by a stroke of serendipity, I was soon commissioned for this Chengdu residence. Inspired to bring this local spirit indoors, I reinterpreted the region's traditional "Chuandou" timber structures. The design translates these ancient interlocking techniques into modern walnut joinery, grounding the space in its cultural roots.
Faharetan'ny Tetikasa: The project started in April 2024 in China and finished in August 2025 in Sichuan China.
Fizotr'asa: The space guides visitors on a narrative journey, from the symbolic "Tree of Light" entrance into the intimate, wood-clad "Study Box." Interaction is encouraged through integrated zones where children's play is visible to adults, fostering natural community connection. Its strength lies in a "permanent-temporary" framework: the fixed walnut architecture provides cultural depth, while flexible elements allow the space to transform from a sales gallery into an active community hub. This creates not just a functional space, but one that actively builds and sustains relationships.
Mpikambana ao amin'ny Ekipa: Design Director：FIONA LIU and Project Director：TIM TAN
Loharanon-tsary: Photographer：Kong studio