Uketamo Famolavolana ny Atitrano Hotely nataon'i Chris Yj Chen

Ny endrika Uketamo Famolavolana ny Atitrano Hotely nataon'i Chris Yj Chen dia mpandresy sarobidy amin'ny 2026 A' Design Award Varahina amin'ny Sokajin'ny Fifanintsanana Famolavolana Habaka Anatiny ary Fampisehoana.

VarahinaAnatiny· 2026

Uketamo Famolavolana ny Atitrano Hotely

nataon'i Chris Yj Chen

Mpanjifa: Chris YJ Chen

Mpandresy A' Design Award Varahina amin'ny Sokajy Anatiny

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Mpandresy Loka Voamarina

Hanamarina ny Sata Loka ho an'ny #183112

Tsidiho ny Tranonkala Jereo ao amin'ny A' Design Award Fanambarana ho an'ny Mpanao Gazety Marika Loka

Loko

Ny Endrika

Momba ny Uketamo Famolavolana ny Atitrano Hotely

Uketamo dia atitrano hotely iray hita ao amin'ny Distrikan'i Daan, Taipei, Taiwan. Ny famolavolana dia mamadika ny hevitry ny fanekena ho dia iray manerana ny habaka. Tohatra afovoany iray no mampifandray ny efitrano fandraisam-bahiny amin'ny rihana telo, izay maneho ny lasa, ny ankehitriny ary ny hoavy. Ny tohatra dia manana rafitra vy voarakotra tila italianina, ary ny rindrina dia mitondra fandalorana mineraly natao tanana miaraka amin'ny endrika mitovy amin'ny tany. Lamba tenona natao tanana mirefy fito metatra no miova miandalana avy amin'ny manga antitra mankany amin'ny manga hatsatra. Mihamazava ny velaran-javatra rehefa miakatra ny vahiny, mitondra azy avy amin'ny fifanizinan'ny tanàna mankany amin'ny fitoniana.

Ny Fankasitrahana

Momba ny A' Design Award Varahina

Nandresy ny A' Design Award Varahina ny famolavolana Uketamo Famolavolana ny Atitrano Hotely, fankasitrahana malaza be omena ny famolavolana miavaka izay mampiavaka ny fahaiza-mamorona, ny fahazotoana ary ny fahamaotinan-tsaina. Ny mpandresy Varahina dia zavatra vita tanana mahay dia mahay ary mamorona mivantana izay manamafy ny traikefa be dia be, ny sarintsaina ary ny fahaizan-kafoy an'ny mpamolavola azy. Andrasana ho zavatra ankasitrahana be, ankafizina ary tiana, mahay amin'ny asa sady vaovao ny famolavolana Uketamo Famolavolana ny Atitrano Hotely. Ity famolavolana nandresy ny A' Design Award Varahina ity dia mitahiry ny fomba fanao tsara indrindra amin'ny zavakanto, ny siansa, ny famolavolana ary ny teknolojia, ary tsara indrindra amin'ny fitandremana ny antsipirihany. Ny famolavolana Uketamo Famolavolana ny Atitrano Hotely dia mahafa-po ny filana tsara, mikasika ny faniriana, mahasarika ny fihetseham-po ary misarika ny fahalianana.

Ao Ambadiky ny Endrika

Fitaovana ho an'ny Mpanao Gazety

Fankasitrahana, mpikambana ao amin'ny ekipa ary antsipiriany teknika nomen'ny mpanao endrika.

Toetra Manokana: By reinterpreting this ancient pilgrimage within a contemporary urban void, the designer crafted a 'Staircase of Time'. This ritualistic path invites travelers to embark on a meditative ascent that strips away the city's noise, allowing the soul to progress through a profound spiritual realignment. As guests traverse the levels, they move beyond the physical structure to experience a state of rebirth, ultimately restoring the spirit to its primal 'Zero' state.
Refy & Fonosana: The central wall features a monumental 7 meter long tapestry by Yamagata Dantsu, a workshop founded in 1935. This bespoke textile was meticulously crafted over six months, integrating traditional thread cultivation, custom dyeing, and expert hand-tufting by skilled artisans. This ensures a seamless gradient transition from deep indigo to the ethereal pale blue-white of dawn light.
Marika: Hotel,Uketamo,Hotel Uketamo,Taiwan,Paradox Studio,Yamagata
Teknolojia Famokarana: The staircase is constructed with a structural steel frame clad in Italian tile. The surrounding walls are finished with ONE DUST Colorwash Extra, a premium mineral-based coating. This mineral paint is applied using a hand-layered technique to achieve a monolithic, earthy texture that evokes a mountain path.
Fanamby Endrika: The primary challenge was translating the metaphysical 'Uketamo' philosophy into a tangible architectural experience within a constrained urban footprint. It required balancing physical materiality with a spiritual narrative through three key strategies:

1. Cultivating Acceptance through Movement:
One of the greatest challenges was designing the vertical circulation to facilitate a state of total acceptance (Uketamo). The goal was to create a space that could instinctively quiet the mind; by manipulating spatial volume and rhythm, the design transformed the act of climbing into a meditative process, allowing guests to unconditionally embrace the transition from urban chaos to inner stillness.

2. Metaphorical Translation: Synthesizing the "Three Mountains of Dewa" required precise control over material density. The designer overcame this by engineering a vertical sensory shift: moving from heavy, grounded textures on the lower floors to ethereal, light-driven surfaces at the peak, ensuring the spiritual timeline was perceptible through touch and sight.
3. Interactive Sightlines: We conducted a rigorous sightline analysis to align the staircase's open-riser structure with the monumental 'Yamago Agu' (looking up to the sacred mountain) tapestry. This ensured that the transition from a "look-up" (awe) to an "overlook" (clarity) perspective remained perfectly synchronized with the guest's physical ascent, successfully turning a functional transit void into a ritualistic, cinematic journey.
Fikarohana: The Trilogy of Life: The Arboreal Journey
The central staircase acts as the architectural sapwood, vertically interconnecting the 4th, 5th, and 6th-floor lobbies into a living allegory of a tree’s growth and spiritual evolution. The design maps the "Roots-Branches-Leaves" sequence onto a temporal timeline, creating a cohesive narrative arc where movement through space mirrors the journey of life.
4F: Solid Roots (The Past). Representing the foundation of being, the design language is grounded and tactile. Heavier textures and structural honesty evoke the stability of ancient roots deep within the mountain soil.
5F: Layered Branches (The Present). The main arrival point mimics the complexity of interlocking branches. Here, social interaction and functional layers intersect, capturing the vibrant, active energy of the canopy.
6F: Ethereal Leaves & Water Shadows (The Future). As the staircase reaches its peak, lightness defines the atmosphere. Sunlight filters through high windows, creating an effect of "leaves falling onto water shadows," symbolizing spiritual transcendence and rebirth.
Through this Vertical Connectivity, the architecture physically "lightens" as guests ascend. By transitioning from the density of the roots to the transparency of the sky, the design facilitates a profound Sensory Transformation, guiding the observer toward the ultimate state of Uketamo (Unconditionally Acceptance).
Aingam-panahy: In the heart of Taipei Daan District, HOTEL UKETAMO explores the urban sanctuary through the lens of Japanese philosophy: Uketamo, a state of acceptance.
The project reimagined the traditional lobby and circulation into a 'Vertical Pilgrimage' rooted in the spiritual heritage of the Yamabushi monks from the Three Sacred Mountains of Dewa. Each level of this architectural intervention mirrors the sacred peaks' symbolism of existence: the Past, the Present, and the Future.
Faharetan'ny Tetikasa: Completed in August 2025. Taipei, Taiwan.
Fizotr'asa: The center staircase is a vertical 'Cosmic Axis' bridging the celestial and the terrestrial, guided by the principle of 'As above, so below.' The Zenith, symbolizing the Origin of the Universe, acts as a spiritual 'Sun' cascading light like shimmering dewdrops. This light is captured at the base by a reflective 'Mirror Moon,' forming a Complete Circle that embodies the spiritual cycle of the Three Sacred Mountains of Dewa. This infinite resonance between the Past, Present, and Future suggests that the vastness of the universe and the reincarnation of life are both held within the stillness of the self. Within this axis, the staircase serves as a cinematic platform for the monumental tapestry, 'Yama o Aogu' specially commissioned from the renowned Yamagata Dantsu team. As guests traverse the levels, their vision evolves through a shifting perspective: from a humble look-up (awe) at the mountain's roots to a clear overlook (clarity) at its peak. This movement, echoing the transition from dawn to dusk, reflects an internal evolution, positing that the 'angle of the heart' ultimately determines how one perceives the mountain of life.
Mpikambana ao amin'ny Ekipa: Design Director: Chris YJ Chen
Architect: TC Kuo
Designer: Emma Hsu
Loharanon-tsary: Photographer: Andrew Kan