Ataraxia Ny Fanangonana Firavaka by Yilan Liu

Ataraxia Ny Fanangonana Firavaka by Yilan Liu is a highly esteemed winner of the very prestigious 2020 A' Design Award Volamena in Famolavolana Firavaka Competition Category.

VolamenaFiravaka· 2020

Ataraxia Ny Fanangonana Firavaka

by Yilan Liu

Client: Yilan Jewelry

A' Design Award Volamena Winner in Firavaka Category

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Verified Award Winner
Verify Award Status for #90013

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Colors

The Design

About Ataraxia Ny Fanangonana Firavaka

Miaraka amin'ny lamaody sy ny haitao mandroso, ny tetik'asa dia ny hamorona sombin-firavaka izay mety hahatonga ireo singa taloha Gothic ho lasa fomba vaovao, miresaka momba ny mety ho fomban-drazana amin'ny toe-javatra ankehitriny. Miaraka amin'ny fahalianana amin'ny fomba fiantraikan'ny Gibre vibes ny mpihaino, ny tetikasa dia manandrana mampisy fanandramana tokana tokana amin'ny alàlan'ny fifaneraserana mahaliana, mijery ny fifandraisana eo amin'ny famolavolana sy ny mpanao akanjo. Ny vatosoa sintetika, amin'ny maha-eco-imprint ambany kokoa, dia nopotehina amin'ny tany tsy dia mahazatra mba hanipy ny lokon'izy ireo amin'ny hoditra hanatsara ny fiarahana.

The Recognition

About the A' Design Award Volamena

Nandresy ny A' Design Award Volamena ny famolavolana Ataraxia Ny Fanangonana Firavaka, fankasitrahana malaza indrindra tsy refesi-mandidy omena ny famolavolana kilasy voalohany, mahagaga ary miavaka. Ny mpandresy Volamena dia famoronana vaovao indrindra, mahay mijery lavitra ary mamirapiratra mahafinaritra izay maneho ny fahamoramoran-tsaina, ny fahendrena ary ny fahaizan'ny mpamolavola azy. Andrasana ho fikarohana mahazo ankasitrahana indrindra, mitarika ny fironana ary tsangambato ny famolavolana Ataraxia Ny Fanangonana Firavaka izay mamatsy sanda tsy mbola nisy toy izany. Ity famolavolana nandresy ny A' Design Award Volamena ity dia tetikasa mahavariana sy hajaina izay mahasoa be ary mampandroso ny sisintanin'ny zavakanto, ny siansa, ny famolavolana ary ny teknolojia. Ny famolavolana Ataraxia Ny Fanangonana Firavaka dia mamorona fihetseham-po mafy momba ny faniriana, mamelona ny ahiahy, mamporisika ny fahaiza-mamorona ary mahasarika antsika.

Behind the Design

Press Kit

Credits, team members and technical details provided by the designer.

Unique Properties: Inspired by Gothic architecture, the collection encapsulates the sublime internal atmosphere, exploiting Gothic structural details to stimulate the particular feelings and explore emotional experience. Synthetic gemstones, as a lower eco-imprint material, were cut into unusually flat surfaces to cast their colors onto the skin to enhance the vibe. Immersive exploration of the precious culture is encouraged by the collection. The jewelry acts as a media to provoke unique individual experience. The design challenged the production to realize all the details to achieve the final result.
Dimensions & Packaging: Ring No.1: 41mm x 18mm x 30mm;
Ring No.2: 28mm x 28mm x 36mm;
Bangle: 75mm x 75mm x 22mm;
Earring: 21mm x 59mm x 8mm
Tags: jewelry, ring, bangle, earring, Gothic architecture, culture, emotional experience, eco-friendly, interaction, synthetic gemstones
Production Technology: The production lasted about one month including wax curving, casting, stone cutting, model modification, stone setting, metal finishing and gold plating. Some design details were adjusted during this process. The materials are synthetic gemstones including cubic zirconia, synthetic spinel and synthetic ruby which were cut into usually flat surfaces. For the metal part, the material is goldplated silver.
Design Challenge: The challenge was to realize all the design details to achieve the best result. There were many details in the design which made it difficult to well polish all the corners without damaging. After several experiments, I finally chose sand blasting as the main metal finishing which combined with full polish of the top faces of the settings, ensuring all the details as well as giving the collection a feel of flexibility. Also, the stone cutting process went through a lot of experiments to decide the thickness to gain the best effect.
Research: The research concentrated on Gothic culture and the purchasing behavior of customers towards contemporary jewelry from books, journals, online articles and relevant market data. The research showed the potential of making the old into the new in the perspectives of market and technology. Besides, the case studies were given on market, trend and manufacture with online research and interviews, as first-hand investigations underscoring the value of the project. All the research promoted the development of the project and completed the project in the academic way.
Inspiration: The collection was inspired by ancient Gothic architecture. This traditional style is fading with time, but it can be reborn in a new way with jewelry. Combining with fashion and advanced technology, the project aims to create jewelry pieces which can make the old into a new style, discussing the potential of the traditional in the contemporary context. With the interest in the way how the Gothic vibe influences audience and based on the vast research on Gothic culture, the project also tries to provoke unique individual experience through playful interaction, exploring the relationship between design and wearers.
Project Duration: The project started in October 2017 in London and finished in May 2019 in London, and was exhibited in Central Saint Martins Degree Show in June 2019 and was awarded as Distinction. The production was finished in China.
Operation Flow: The designs were inspired from Gothic architecture. Wearers will be easily attracted by its amazing appearance with elegant details. The pieces combine the old with the new, explaining the traditional culture with contemporary fashion language. When wearing the jewelry, the beautiful lines flow with the body, the bright colors cast onto the skin, creating a poetic experience for individuals. It is jewelry, but more than jewelry. It is a combination of culture, aesthetic, fashion and emotion.
Image Credits: #1, 2, 3, 4, 5: Photographer Xiaowu Yu, 2019