Ko te hoahoa Ceramics Extension Momo Whakaurunga nā Tairan Hao and Shan Xu he kaitoa whakahirahira o te 2020 A' Design Award Parahi i te Wāhanga Whakataetae Hoahoa Toi me te Whakaaturanga Toi.
ParahiToi· 2020
Ceramics Extension Momo Whakaurunga
Kiritaki: Tairan Hao
Kaitoa o te A' Design Award Parahi i te Wāhanga Toi
Kaitoa Tohu Manatokohia
Manatokohia te Tūnga Tohu mō #104079Te Hoahoa
Mō Ceramics Extension Momo Whakaurunga
Ko te whakaurunga ka hangaia e nga tohu whakairo a-ringa tawhito me nga whakairo kirihou a 3D. Ko te toi me te hoahoatanga kei te ngana ki te whakapuaki i te kare i roto i te hunga whakarongo, ko nga mea katoa, ko nga tangata katoa, ko nga mea katoa kei te roa te mutunga. Na te mea i roto i nga whakairo, ko te korero i te waahanga o nga mea e kitea ana e ratou he tino pono, engari ko etahi atu taonga ko te whakaata i te whakaata, he ahua kore. Ko te taunekeneke he whakaaro ki nga tangata kei te neke haere i roto i te ao wawata e hangaia ana e ratou anake.
Te Whakamihi
Mō te A' Design Award Parahi
Ko Ceramics Extension Momo Whakaurunga te toa o te A' Design Award Parahi, he whakaaetanga tino whai mana e hoatu ana ki ngā hoahoa kōeke e tohua ana mā te auaha, te mahi mōhio me te whakaaro hōhonu. Ko ngā toa Parahi he mahi pukenga e rite ana, he auaha mīharo, e whakatūturu ana i te wheako nui, te whakaaro me te mōhio-ā-ringa o ā rātou kaihoahoa. E tūmanakohia ana ko Ceramics Extension Momo Whakaurunga he taonga whakanuia, whakamīharotia, aroha nui, he ngaio, he auaha hoki. Ko tēnei hoahoa i toa i te Parahi e whakauru ana i ngā tikanga pai rawa i te toi, te pūtaiao, te hoahoa me te hangarau, ā, he tino mīharo ki ngā taipitopito. Ka whakatutuki a Ceramics Extension Momo Whakaurunga i ngā hiahia, ka pā ki ngā hiahia, ka whakaoho i ngā kare-ā-roto, ā, ka kume i te pākiki.
I Muri i te Hoahoa
Kete Pāpāho
Ngā whakamihi, ngā mema o te rōpū me ngā taipitopito hangarau i whakaratohia e te kaihoahoa.
- Āhuatanga Motuhake
- The installation is formed by traditional handmade ceramics sculptures and 3D printed plastic sculptures. There is a total of 130 pieces of sculptures in the installation space. The installation is designed to display in a space surrounded by reflected glass mirrors, with 5 LED lights that give the audience a fantasy and futuristic feeling. The meaning of the installation design is trying to show the communication between the future and the past, modern technology and traditional handicraft, the real world and the virtual world.
- Inenga & Pēketanga
- half of the sculptures in the installation are 3D printed, dimension variable; the other half of the sculptures are handmade, dimension variable as well. the dimension of the space is a box, 15m*15m*15m
- Tūtohu
- Installation, Art, 3D Printing, Ceramics, Sculpture
- Hangarau Whakanao
- 3D printing; Plastic; aluminum mirrors; porcelain, LED lights
- Wero Hoahoa
- The arrangement of the sculptures was one of the challenges in the design process. Some of the ceramics were too heavy to use ropes to hold and connect it with the roof. Therefore, most of the sculptures are remade and reprinted by the 3D printer, using lighter materials then sprayed by the glazed-look white color to the surface.
- Rangahau
- The reflective material was the key to this design. Different materials combine with LED lights have different visual effects. Glass, Acrylic, and mirrors cannot demonstrate a good visual effect because of the reflection range are limited, as well as when the light is being reflected, the feeling wasn't satisfied. The installation took lots of tests in order to see if the fantasy feeling can be presented. The optimal result is shown in the final design, which is to use aluminum mirrors as the main materials.
- Whakaaweawe
- The relationship between the virtual world and the real world generates the form of this installation design, as well as the traditional method of crafting versus what can be crafted with contemporary technologies. The development of civilization proceeds as time goes on. Therefore, the mirror reflection in the interior space of the installation shows the infinite possibility of what time can change. Technology allows humans to define what is real and what is virtual and all the connections.
- Roanga o te Kaupapa
- The project started in 2016 in Beijing and finished in 2017. It was exhibited in Beijing Today Art Museum in 2017.
- Rerenga Mahi
- When the audiences step into the installation space, they will sense a feeling of visual infinity. The visual interaction generates a strong feeling to the audiences that every object, everyone, everything is being extended infinitely. With the presence of sculpture, it is communicating part of the objects they see are real, but the other objects are the reflection by the mirrors, which is unreal. The interaction makes people think that they are stepping into a fantasy world that is created by themselves.
- Pātene
- Copyrights belong to Shan Xu and Tairan Hao, 2017
- Ngā Mema o te Rōpū
- Designer: Shan Xu
Artist: Tairan Hao - Whakamana Whakaahua
- Image #1: Photographer Tairan Hao, 2017
Image #2: Photographer Tairan Hao, 2017
Image #3: Photographer Tairan Hao, 2017
Image #4: Photographer Tairan Hao, 2017
Image #5: Photographer Tairan Hao, 2017
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