The Crystal Hall Te Whare Noho nā Thomas Abraham

Ko te hoahoa The Crystal Hall Te Whare Noho nā Thomas Abraham he kaitoa whakahirahira o te 2022 A' Design Award Parahi i te Wāhanga Whakataetae Hoahoa Roto Whare me te Whakaaturanga.

ParahiRoto Whare· 2022

The Crystal Hall Te Whare Noho

nā Thomas Abraham

Kiritaki: Thomas Abraham

Kaitoa o te A' Design Award Parahi i te Wāhanga Roto Whare

20,458

Kaitoa Tohu Manatokohia

Manatokohia te Tūnga Tohu mō #129709

Tirohia i te A' Design Award Pānui Pāpāho Tohu Tohu

Ngā Tae

Te Hoahoa

Mō The Crystal Hall Te Whare Noho

Ko Crystal Hall, kei Bangalore, Inia i hangaia hei whare noho motuhake e whakauru ana i nga ariā o te hoahoanga reo me nga rawa hou me te hangarau. E karapotia ana e nga mara rakau, e whai ana ki te whakapumau i te hononga o te tangata me te taiao. Me nga pakitara ma me nga roto karaihe, ko te arotahi ko te pupuri i te waahi kia kore e kapi me te iti. Ko nga rawa katoa i whakamahia he mea whakahou ake mai i te taikaha i te wa e hanga ana, kia kore ai e moumou. I hoahoatia kia noho mohio ki te taiao, ka whakarato i te waiariki, te tirohanga, me te whakamaaramatanga oro, i te wa e pono ana ki tana kaupapa rerehua.

Te Whakamihi

Mō te A' Design Award Parahi

Ko The Crystal Hall Te Whare Noho te toa o te A' Design Award Parahi, he whakaaetanga tino whai mana e hoatu ana ki ngā hoahoa kōeke e tohua ana mā te auaha, te mahi mōhio me te whakaaro hōhonu. Ko ngā toa Parahi he mahi pukenga e rite ana, he auaha mīharo, e whakatūturu ana i te wheako nui, te whakaaro me te mōhio-ā-ringa o ā rātou kaihoahoa. E tūmanakohia ana ko The Crystal Hall Te Whare Noho he taonga whakanuia, whakamīharotia, aroha nui, he ngaio, he auaha hoki. Ko tēnei hoahoa i toa i te Parahi e whakauru ana i ngā tikanga pai rawa i te toi, te pūtaiao, te hoahoa me te hangarau, ā, he tino mīharo ki ngā taipitopito. Ka whakatutuki a The Crystal Hall Te Whare Noho i ngā hiahia, ka pā ki ngā hiahia, ka whakaoho i ngā kare-ā-roto, ā, ka kume i te pākiki.

I Muri i te Hoahoa

Kete Pāpāho

Ngā whakamihi, ngā mema o te rōpū me ngā taipitopito hangarau i whakaratohia e te kaihoahoa.

Āhuatanga Motuhake: The Crystal Hall integrates sustainability, reuses material, and uses disadvantaged local talent. Glass is a modern material that can be recycled endlessly without loss of quality or clarity, recreating bioclimatic conditions that tackle climate change. It follows a minimalistic modern approach while taking inspiration from classicism and yet being culturally, emotionally and ecologically conscious. The building follows a zero-waste policy and is an example of socially responsible design
Inenga & Pēketanga: Site area - 2322 meter square
Building area - 835 square meter
Gross - 418 sqm
Tūtohu: Sustainable design, Sustainable Interior, Residential Interior, Ecofriendly Design, Innovative Design, Green Design, Interior design, White Interior, Modern Interiors, Minimalistic Interiors
Hangarau Whakanao: The structure consists an eclectic mix of glass, MS columns and cast in situ concrete. Contrary to general opinion, glass is among the most eco-friendly materials, more than compared to mud or stone, as it can be recycled endlessly without loss of quality or clarity and is made of sand, which is among the most plentiful resources available. Glass recreates bioclimatic conditions that tackle climate change while using modern materials that are culturally, emotionally, and ecologically conscious.
Wero Hoahoa: Glass is often considered inappropriate for a tropical climate. But the architect used a double-layered glass - one layer reflecting the longwave radiation and the other reflecting the sun's shortwave radiation, providing thermal insulation to the building. As the project is in the outskirts where the power situation is erratic, the architect used wind power generating towers to provide backup power during windy days. The power is stored in batteries, and the excess is fed back to the city grid.
Rangahau: The Crystal Hall a big but small home is an essay on light nature and history. Apart from integrating sustainability along reusing materials and using disadvantaged local talent the architect ensured every space of the project was curated to reflect what has been religiously culturally and geographically experienced by the client. It has the worlds first residential windmill towers proprietary use of two layers of high performance recycled glass with noninvasive vegetation species within thermal insulation technology and rainwater utilization thus creating a glocal (global and local) building.
Whakaaweawe: Inspired by the state of the Earths climate and the status of its poorest this is design as an instrument for social and environmental change. It is not just an aesthetic adventure but a tool to recycle and reuse modern materials in sustainable and affordable ways. He made it his mission to hire the so called unemployable from Indias oppressed people of color. This is a building of universal human values that is yet culturally specific being inspired by vernacular Indian design.
Roanga o te Kaupapa: Located in Bangalore, India, The Crystal Hall was constructed over a span of five years, from 2014 to 2019.
Rerenga Mahi: The Crystal Hall is an example of paleomodern design, paleo meaning first. This is to take design beyond form follows function to form follows feeling, to reintroduce beauty and pleasure in art, things which were once universal but now is seen as sentimental and commercial. Things like Square proportions, Golden mean proportions, rhythm, scale, harmony and the accommodation of local and climatological aspects makes this a traditional design with a modern outlook using Avant Grande technology and materials.
Pātene: Thomas Abraham
Ngā Mema o te Rōpū: Thomas Abraham
Diana Jacil Prakash
Saad Pasha
Whakamana Whakaahua: Image #1: Sandeep
Image #2: Rashmi Srinivasan
Image #3: Dullu
Image #4: Rashmi Srinivasan
Image #5: Sandeep