Ko te hoahoa Interpreting Discomfort Ngā Peita Hinu Whakaraupapa nā YunFen Wang he kaitoa whakahirahira o te 2022 A' Design Award Parahi i te Wāhanga Whakataetae Hoahoa Toi me te Whakaaturanga Toi.
ParahiToi· 2022
Interpreting Discomfort Ngā Peita Hinu Whakaraupapa
nā YunFen Wang
Kiritaki: YunFen Wang
Kaitoa o te A' Design Award Parahi i te Wāhanga Toi
Kaitoa Tohu Manatokohia
Manatokohia te Tūnga Tohu mō #136563Te Hoahoa
Mō Interpreting Discomfort Ngā Peita Hinu Whakaraupapa
He raupapa peita hinu a Interpreting Discomfort e pā ana ki te wāhi whaiaro me te pēhitanga pāpori. Ka whakaatuhia e ngā mahi ngā ringa me ngā kanohi i roto i ngā āhuatanga kua whakaritea hei whakahou i ngā wā o te rangirua o ia rā. Ka taea e ngā mahi atawhai te whakatata mai i te tangata, engari mēnā he nui rawa te aro atu, ka puta anō te rangirua. E rua ngā tikanga e honoa ana i roto i ēnei peita. Ko te peita autaki e hanga ana i tētahi tūāpapa mangumangu mā, ka whakamākūkūtia ai ki te tae. Ko te peita tōtika ia e whakapā tonu ana i te ranunga tae ki runga tonu i te mata. I hangaia te raupapa nei mā te peita hinu ki runga i te kānepa me te papa rākau, ā, e whakaaturia ana i ngā whare pikitia hei tīmatanga kōrero.
Te Whakamihi
Mō te A' Design Award Parahi
Ko Interpreting Discomfort Ngā Peita Hinu Whakaraupapa te toa o te A' Design Award Parahi, he whakaaetanga tino whai mana e hoatu ana ki ngā hoahoa kōeke e tohua ana mā te auaha, te mahi mōhio me te whakaaro hōhonu. Ko ngā toa Parahi he mahi pukenga e rite ana, he auaha mīharo, e whakatūturu ana i te wheako nui, te whakaaro me te mōhio-ā-ringa o ā rātou kaihoahoa. E tūmanakohia ana ko Interpreting Discomfort Ngā Peita Hinu Whakaraupapa he taonga whakanuia, whakamīharotia, aroha nui, he ngaio, he auaha hoki. Ko tēnei hoahoa i toa i te Parahi e whakauru ana i ngā tikanga pai rawa i te toi, te pūtaiao, te hoahoa me te hangarau, ā, he tino mīharo ki ngā taipitopito. Ka whakatutuki a Interpreting Discomfort Ngā Peita Hinu Whakaraupapa i ngā hiahia, ka pā ki ngā hiahia, ka whakaoho i ngā kare-ā-roto, ā, ka kume i te pākiki.
I Muri i te Hoahoa
Kete Pāpāho
Ngā whakamihi, ngā mema o te rōpū me ngā taipitopito hangarau i whakaratohia e te kaihoahoa.
- Āhuatanga Motuhake
- Many times “caring” actions will bring people closer together, but it can also make people uncomfortable with too much attention. In this series of works, she discuss how much attention is too much? How is this feeling of discomfort formed? For the attention given by others, we all want to classify it as concern, but too much attention may become a kind of pressure. She use this series of works to discuss with the viewer the comfortable distance of interaction between people.
- Inenga & Pēketanga
- 24 x 48 inch / 24 x 30 inch / 20 x20 inch / 12 x 12 inch
- Tūtohu
- hands, eyes, oil painting, art, surrealism
- Hangarau Whakanao
- She examined the difference between indirect painting and direct painting, and used both of them in the picture. The indirect painting methods belongs to the technique of classic realistic oil painting, which is completed in black and white and then glaze color on top. Direct painting is the method of contemporary painting, which directly superimposes the adjusted color on the canvas.
Materials used: Oil paint, Wood Panel, Canvas - Wero Hoahoa
- Ideation and the atmosphere is the hardest part of this project. In the presentation of the picture, the shape of the hands must be placed harmoniously in the picture without losing the beauty.
- Rangahau
- The first thing is to study how to create an uncomfortable atmosphere. Eyes and hands are good parts for expressing emotions. The unnatural feeling of combining these two makes the picture more attractive and intriguing.
- Whakaaweawe
- The images she make for this project are staged recreations of her own experience, and she believe that it is also the experience of many other people. This series deals with issues of discomfort and stress in everyday life. We all care about how others view us, this has become the same as our invisible living standards.
- Roanga o te Kaupapa
- The project began in San Francisco in 2020. Participated in Contemporary Venice 2021, Italy and Small Works 2021, New York.
- Rerenga Mahi
- It will be displayed in a gallery, and these paintings can be a tool for conversation.
Kaitautoko
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