Looping Flower Wāhi Ahurea Ikebana nā Ni Jie Guo

Ko te hoahoa Looping Flower Wāhi Ahurea Ikebana nā Ni Jie Guo he kaitoa whakahirahira o te 2024 A' Design Award Parahi i te Wāhanga Whakataetae Hoahoa Roto Whare me te Whakaaturanga.

ParahiRoto Whare· 2024

Looping Flower Wāhi Ahurea Ikebana

nā Ni Jie Guo

Kiritaki: Blankspace

Kaitoa o te A' Design Award Parahi i te Wāhanga Roto Whare

10,553

Kaitoa Tohu Manatokohia

Manatokohia te Tūnga Tohu mō #151842

Tirohia i te A' Design Award Pānui Pāpāho Tohu Tohu

Ngā Tae

Te Hoahoa

Mō Looping Flower Wāhi Ahurea Ikebana

Ko te mahi toi ikebana he whakaaroaro ki te ora i roto i te rerenga o ngā wā e whā o te tau, tae atu ki te hopu whakamutunga i ngā wā poto i roto i ngā āhuatanga ātaahua o Hapani, te hanganga anō o te ora o te putiputi me te manga, me te tūtakitanga auaha o te hanganga me te ātaahua. Ko te hoahoa o te wāhi katoa e aro ana ki te wairua o Kusatsuki-ryu, e tango ana i ngā huānga mai i te hanganga taketake o Hapani, ā, ka whakaahuatia ki te reo hanganga o te ao hou, e tūhura ana i te hononga i waenganui i te hanganga o nāianei me ngā āhuatanga ātaahua mā ngā huānga manomano o Hapani.

Te Whakamihi

Mō te A' Design Award Parahi

Ko Looping Flower Wāhi Ahurea Ikebana te toa o te A' Design Award Parahi, he whakaaetanga tino whai mana e hoatu ana ki ngā hoahoa kōeke e tohua ana mā te auaha, te mahi mōhio me te whakaaro hōhonu. Ko ngā toa Parahi he mahi pukenga e rite ana, he auaha mīharo, e whakatūturu ana i te wheako nui, te whakaaro me te mōhio-ā-ringa o ā rātou kaihoahoa. E tūmanakohia ana ko Looping Flower Wāhi Ahurea Ikebana he taonga whakanuia, whakamīharotia, aroha nui, he ngaio, he auaha hoki. Ko tēnei hoahoa i toa i te Parahi e whakauru ana i ngā tikanga pai rawa i te toi, te pūtaiao, te hoahoa me te hangarau, ā, he tino mīharo ki ngā taipitopito. Ka whakatutuki a Looping Flower Wāhi Ahurea Ikebana i ngā hiahia, ka pā ki ngā hiahia, ka whakaoho i ngā kare-ā-roto, ā, ka kume i te pākiki.

I Muri i te Hoahoa

Kete Pāpāho

Ngā whakamihi, ngā mema o te rōpū me ngā taipitopito hangarau i whakaratohia e te kaihoahoa.

Āhuatanga Motuhake: This art space is located in Fuzhou City, Fujian Province, with a total area of about 105 sqm. The owner hopes that this space will be able to hold experimental art exhibitions on a regular basis as a place to focus on outside the flower show classroom and as an exchange.
Inenga & Pēketanga: Aiming at the disadvantage that the project is located along the river and has high humidity. At the spatial level, we raised the ground at three levels, raising the first level of the ground to reduce moisture infiltration, and then setting a movable dark grid in the hollow position and placing charcoal to reduce humidity, so as to improve the problem of dampness near the river and enrich the space. In addition, the three gradual elevations also indicate the transition of the nature of space from public to private, and enhance the sense of spatial experience.
Tūtohu: Ikebana, Japanese Aesthetics, Natural Features, Relaxed
Hangarau Whakanao: In terms of the organization of the plan, the exterior of the building uses semi high stone walls as its front stage and cobbles as its transition point. Our work has opened up a third realm in the external environment and internal space, reinterpreting the traditional material media of Japanese architecture, the edge. Allowing the noisy atmosphere of the street to form a strong contrast to the tranquil atmosphere of the interior. This eliminates the sense of the rigid boundary of the building.
Wero Hoahoa: Being the space of flower paths, there is a large storage demand, and we must solve these problems in the limited space. In order to create the possibility of acceptance in the space to a greater extent, we use the alley and other space to perform boundary computation, in order to ensure a clean and tidy image in the hall of flower paths.
Rangahau: The proportion of the door is obtained after the traditional Japanese style house frame has been calculated, in the design deliberately control the height, so that the visual external door is relatively small, but after entering the interior it will be felt that the longitudinal stretching of the space is very strong. This is similar to the traditional Japanese space. In the style of oriental classical architecture, it stands in contrast to the modern material form, highlighting infinitely qualitative spatial narrative techniques.
Whakaaweawe: In designing the entire space, we dismantle the design based on the spirit of the flow of grass and moon: extracting elements from traditional Japanese architecture and transforming them into the modern architectural language, and exploring the relationship between structure and contemporary aesthetics with abstract Japanese features. So that it is not necessarily a traditional depiction but has a Japanese temper.
Roanga o te Kaupapa: The project started in August 2022 and finished in December 2022 in China .
Rerenga Mahi: To make it more ceremonial to enter the flower room, we will extend the line of movement to enter the room, using internal push processing to create a unique entrance to the space, increasing the time it takes to enter the building, and hoping visitors will change their state from body to mind and become immersed in the ambience. entering the flower path to study. Floor-to-ceiling glass windows enter the room and bring enough natural light into the entire space, and the open and brightly lit lecture area and exhibition area welcomes visitors. Causing visitors to temporarily forget the impetuousness of outer life and find a corner to rest in.
Ngā Mema o te Rōpū: NI JIE GUO
Whakamana Whakaahua: BLANKSPACE