Human Haus Tn Toa Kākahu nā Minusplus Design

Ko te hoahoa Human Haus Tn Toa Kākahu nā Minusplus Design he kaitoa whakahirahira o te 2024 A' Design Award Parahi i te Wāhanga Whakataetae Hoahoa Roto Whare me te Whakaaturanga.

ParahiRoto Whare· 2024

Human Haus Tn Toa Kākahu

nā Minusplus Design

Kiritaki: MinusPlus Design

Kaitoa o te A' Design Award Parahi i te Wāhanga Roto Whare

11,822

Kaitoa Tohu Manatokohia

Manatokohia te Tūnga Tohu mō #152964

Tirohia i te A' Design Award Pānui Pāpāho Tohu Tohu

Ngā Tae

Te Hoahoa

Mō Human Haus Tn Toa Kākahu

Ko Human Haus Tn tētahi rō toa kākahu i Tainan, Taiwan. Kei te papa raro o tētahi whare neke atu i te ono tekau tau te pakeke te toa nei e noho ana, he mahere roa, whāiti me te tuanui hangai. I tangohia ngā papa pakitara kua kōpia kia kitea ai ngā pakitara pereki tawhito, ā, i tangohia hoki ngā papa tuanui kia kitea ai te hanganga tuanui rākau taketake. Ko ngā rawa e whakamahia ana ko te tūkoko (stucco), te mahi rino, te pereki me te wahaika oki, ā, ka whakamarumarutia ngā mata tawhito e tētahi paku waipuke-kore. Ko tētahi arawhata me tētahi hoahoanga āhua ipu-onepū ka whakawhānui ake i te tirohanga. Kei te whakamaru ko te wāhi rokiroki taonga, ā, ka āwhina ngā taura ki te neke i ngā taonga.

Te Whakamihi

Mō te A' Design Award Parahi

Ko Human Haus Tn Toa Kākahu te toa o te A' Design Award Parahi, he whakaaetanga tino whai mana e hoatu ana ki ngā hoahoa kōeke e tohua ana mā te auaha, te mahi mōhio me te whakaaro hōhonu. Ko ngā toa Parahi he mahi pukenga e rite ana, he auaha mīharo, e whakatūturu ana i te wheako nui, te whakaaro me te mōhio-ā-ringa o ā rātou kaihoahoa. E tūmanakohia ana ko Human Haus Tn Toa Kākahu he taonga whakanuia, whakamīharotia, aroha nui, he ngaio, he auaha hoki. Ko tēnei hoahoa i toa i te Parahi e whakauru ana i ngā tikanga pai rawa i te toi, te pūtaiao, te hoahoa me te hangarau, ā, he tino mīharo ki ngā taipitopito. Ka whakatutuki a Human Haus Tn Toa Kākahu i ngā hiahia, ka pā ki ngā hiahia, ka whakaoho i ngā kare-ā-roto, ā, ka kume i te pākiki.

I Muri i te Hoahoa

Kete Pāpāho

Ngā whakamihi, ngā mema o te rōpū me ngā taipitopito hangarau i whakaratohia e te kaihoahoa.

Āhuatanga Motuhake: Combining the old and the new: There are many contrasting techniques in the space. The original wall panels that had been sealed up were broken down to reveal brick walls with traces of age. The ceiling panels were removed to reveal the former wooden roof structure in the new interior design. Took the concept of contrast to reveal the highlights.
Layout: The layout of the site is a common one in Taiwan. The narrow layout requires consideration of movement, sight, and experience. Used a staircase to create a vertical vision and an hourglass-loke look to create a horizontal axis.
Inenga & Pēketanga: The site has a total area of 52.8 square meters on the first floor and is over 60 years old.
The site is an old house built during the Japanese period. It has a narrow and long floor plan and a pitched roof ceiling. In the early days, people would use the triangular space of the pitched roof as a loft for storage. Following this idea, the design team arranged the clothing store's warehouse on the mezzanine floor and installed ropes to help the client efficiently when moving goods in and out.
Tūtohu: Tainan, history, Japanese occupation era, clothing store, open plan, small space, solid wood, brick, stucco
Hangarau Whakanao: Building materials: stucco, ironwork, brick, oak veneer stain, paint, topcoat, etc.
The project aims to prioritize preservation and avoids using complicated new materials. Instead, it emphasizes the restoration and preservation of existing materials.
To avoid moisture damage to the wood, the design team painted the brick walls, ceilings, window frames, and doors with a waterproof topcoat to ensure the antiques are preserved.
Wero Hoahoa: The project places a strong emphasis on the 'contrast' between the old and the new, which involves carefully deciding what to preserve and what to discard. Keeping everything intact would not only defeat the purpose of revitalization but also fail to capture the essence of the old house. Conducted extensive deliberations and considerations, and eventually retained the most valuable elements. In the subsequent phase, the integration of modern elements became the focal point. Achieving a balance between the two elements was also a crucial aspect of the design that required meticulous planning.
Rangahau: The space holds a strong historical significance and a sense of time as it is located in Tainan, where the fashion industry thrived half a century ago.
The project's core is centered around the 'integration of the old and the new'. The old and the new are intertwined, bringing a new era of vitality through the story of history, while highlighting the strong textures of the past through the minimalist style. Through contrasting techniques in color, style, and visual effects, such as new and old, dark and light, and rough and smooth, the project makes the space more vivid.
Whakaaweawe: The site is in Tainan, which is known as Castletown. Tainan has a rich and interesting story, and the site is near the Lin Department Store, which was the essence of the early development of the local fashion industry. The design team historical objects in the space, including brick walls, roof tiles, wood veneer, and layout, and restored them with new designs to find the perfect balance between new and old. Moreover, the vintage colors give visitors a new meaning that is different from the common clothing stores.
Roanga o te Kaupapa: The project finished in December 2022 in Taiwan.
Rerenga Mahi: The convenience of the space is more interesting than the client thought because the site has several conditions that cannot be changed. First, it has a slope; second, it has a long and narrow layout; and third, the space has non-modifiable storage space on both sides and above.
Used a staircase and hourglass style plan to create a spacious visual experience. In the storage, they installed preserved wood pieces where the view level is visible to enhance the nostalgic atmosphere. For the loft above, the vertical route was too steep, and ropes are installed to facilitate the goods in and out.
Ngā Mema o te Rōpū: Yu-Hsuan Chu, Yu-Chen Chang
Whakamana Whakaahua: Minusplus Design