Peke ki te ihirangi
Connecting Sculpture Te Hoahoa o Roto mo te Toa Kakahu Wahine nā Kun Yen Lu

Ko te hoahoa Connecting Sculpture Te Hoahoa o Roto mo te Toa Kakahu Wahine nā Kun Yen Lu he kaitoa whakahirahira o te 2025 A' Design Award Parahi i te Wāhanga Whakataetae Hoahoa Roto Whare me te Whakaaturanga.


ParahiRoto Whare· 2025

Connecting Sculpture Te Hoahoa o Roto mo te Toa Kakahu Wahine

nā Kun Yen Lu

Kiritaki: Rumo Interior Design

Kaitoa o te A' Design Award Parahi i te Wāhanga Roto Whare

9,039

Ngā Tae

Te Hoahoa

Mō Connecting Sculpture Te Hoahoa o Roto mo te Toa Kakahu Wahine

Ko Connecting Sculpture te hoahoa o roto mo tetahi toa kakahu wahine i Taiwana, e hipa ana i te 148.7 mita tapawha. Ko te waahi kua whakahoutia e whakaatu ana i nga waitohu e rua o te kamupene kotahi. I tangohia nga wehewehenga, na reira ko te waahi waitohu hou e panuitia ana hei toronga o te waahi taketake. Ko nga tae hina, te rino koeko kokonga, nga rama neon me nga pereki Paniora e whakamahara ana ki ona putake ahumahi me te hokohoko nui. Ko te karaihe, nga whakaata, te akiriki me nga ahua piko e whakatau ana i te waahi hou. Ka honoa e tetahi kaunga waenganui nga waahi whakaaturanga e rua. Ka hono te hoahoa i te hitori o te kamupene ki tetahi ahua kua whakahoutia.

Te Whakamihi

Mō te A' Design Award Parahi

Ko Connecting Sculpture Te Hoahoa o Roto mo te Toa Kakahu Wahine te toa o te A' Design Award Parahi, he whakaaetanga tino whai mana e hoatu ana ki ngā hoahoa kōeke e tohua ana mā te auaha, te mahi mōhio me te whakaaro hōhonu. Ko ngā toa Parahi he mahi pukenga e rite ana, he auaha mīharo, e whakatūturu ana i te wheako nui, te whakaaro me te mōhio-ā-ringa o ā rātou kaihoahoa. E tūmanakohia ana ko Connecting Sculpture Te Hoahoa o Roto mo te Toa Kakahu Wahine he taonga whakanuia, whakamīharotia, aroha nui, he ngaio, he auaha hoki. Ko tēnei hoahoa i toa i te Parahi e whakauru ana i ngā tikanga pai rawa i te toi, te pūtaiao, te hoahoa me te hangarau, ā, he tino mīharo ki ngā taipitopito. Ka whakatutuki a Connecting Sculpture Te Hoahoa o Roto mo te Toa Kakahu Wahine i ngā hiahia, ka pā ki ngā hiahia, ka whakaoho i ngā kare-ā-roto, ā, ka kume i te pākiki.

I Muri i te Hoahoa

Kete Pāpāho

Ngā whakamihi, ngā mema o te rōpū me ngā taipitopito hangarau i whakaratohia e te kaihoahoa.

Āhuatanga Motuhake
The left and right brand display areas use gray tones to create a calm ambiance, reflecting the brand's industrial wholesale origins. The central counter connects both brands, with brick walls paying homage to the old factory style. Glass and mirrors symbolize modernization, while glass-covered bricks near the new area highlight heritage and innovation. The original display uses galvanized steel and neon lights for a nostalgic feel, while the new area features sculptural curves symbolizing the modern feminine form. Metal elements echo the original steel, seamlessly blending tradition with contemporary design.
Inenga & Pēketanga
This project renovates a 25-32-year-old store, covering approximately 148.7 square meters. The space serves as a display area for both new and original brands. Previously, partitions divided them into separate areas. To strengthen their connection, the designers removed the partitions, making the new brand feel like a natural extension of the original. This approach enhances customer trust while distinguishing the store with a unique layout. The central counter unites both brands under one company, improving recognition and facilitating corporate management.
Tūtohu
Commercial space, lingerie, wholesale, fusion of old and new, modernization, neon lights
Hangarau Whakanao
Materials: iron parts, transparent glass, galvanized angle steel, corrugated board, metal plate, stone paint, neon lights, acrylic, Spanish bricks, etc. The acrylic used extensively in the original brand area reduces the strong visual impact caused by saturated colors with a sense of transparency, but maintains the divisions brought by large-area color blocks, becoming the visual dividing line between display areas. The Spanish brick hollow design of the counter and the mirror correspond to nostalgia and the new generation, symbolizing the progress and integration of the dual brands.
Wero Hoahoa
Each shelf was custom-made without a ready-made template, requiring the design team to tackle the challenge of integrating neon lights with angle steel. They had to open molds and collaborate with an acrylic factory to produce parts. To maintain aesthetics, laser cutting technology was used to avoid visible hardware like suspenders and screws. In the new brand area, curved glass and middle display shelves were also customized, adding complexity. Balancing functionality, durability, and execution posed challenges. The team dedicated significant time and effort while also considering store business hours, making the project even more demanding.
Rangahau
In JIALI's display area, angle steel frames serve as display cabinets, while neon lights highlight the brand's localization. Movable display cabinets are inspired by stacked cardboard boxes from the store's earlier days, echoing the company's industrial origins. In the Classy brand area, the designers embraced contrast and innovation. Metal plates symbolize the company's early growth years, while curved elements reflect modern women's body ideals. From visual aesthetics to deeper meaning, the design seamlessly connects to the brand's heritage and philosophy.
Whakaaweawe
JIALI, established in 1992, has thrived for 32 years. With the launch of its new brand 'Classy,' it also seeks a refreshed image. The design team removed partitions, extending the space into the new display area. Retro elements like bricks and neon lights were reinterpreted with modern techniques, blending nostalgia with innovation. This transformation connects two generations, seamlessly integrating tradition with contemporary fashion. The revitalized space not only honors JIALI's legacy but also marks an exciting new chapter for the brand.
Roanga o te Kaupapa
The project finished in July 2023 in Taiwan.
Rerenga Mahi
Initially, the owner had few opinions on space planning, but after completion, he was amazed by the aesthetic presentation and deeper meaning. He felt the designers had successfully given the brand a fresh look. By cleverly integrating the brand's history into the space, the design became an excellent focal point for customer engagement and online marketing. The setup allows new customers to understand the brand's story while enabling existing customers to connect with its renewed image. The renovation blends old and new, reshaping people's perception of the brand.
Ngā Mema o te Rōpū
Kun-Yen Lu
Whakamana Whakaahua
Rumo Interior Design

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