Ko te hoahoa Gordafarid Kākahu nā Mina Aliyari he kaitoa whakahirahira o te 2025 A' Design Award Rino i te Wāhanga Whakataetae Hoahoa Kākahu, Āhua me te Kākahu.

RinoKākahu· 2025

Gordafarid Kākahu

nā Mina Aliyari

Kiritaki: Kahkeshan Shahab Danesh

Kaitoa o te A' Design Award Rino i te Wāhanga Kākahu

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Kaitoa Tohu Manatokohia

Manatokohia te Tūnga Tohu mō #167683

Torohia te Pae Tirohia i te A' Design Award Pānui Pāpāho Tohu Tohu

Ngā Tae

Te Hoahoa

Mō Gordafarid Kākahu

He kākahu a Gordafarid i hangaia mai i ngā whāriki Pahia kua whakamahia anōtia. Ko ngā whāriki-ā-ringa kua pakaru, kua kore e taea te whakamahi, e hanga ana i te tinana matua me te pupuri tonu i tō rātou hanganga taketake. Ko ngā tarau i hangaia mai i te rinena mā te mahi taupoki kākahu, nāna i whakaawe mai i ngā kākahu o ngā iwi o Irana. Ko tētahi whitiki māhunga e hono ana i te āhuahanga o Irana ki te mahi origami. Ka taea te whakaahua i tētahi kaipuke i hangaia mai i ngā waea puna whakarewa me te kaakahu ki ngā momo āhua rerekē i runga i te tinana. Mā ngā whitiki rerekē e whakaaetia ai ngā panonitanga o te rahi me te mahi. Ka taea hoki te whakairi i te wāhanga whāriki ki runga pakitara, ki te whakatakoto rānei ki te papa.

Te Whakamihi

Mō te A' Design Award Rino

Ko Gordafarid Kākahu te toa o te A' Design Award Rino, he whakaaetanga whai mana e hoatu ana ki ngā hoahoa pai e whakatutuki ana i ngā hiahia ngaio me te ahumahi e tūmanakohia ana mai i ngā mahi kua hoahoatia pai. Ko ngā toa Rino e whakaatu ana i te pukenga nui, te tohungatanga teitei, te māramatanga mātanga me te kaha auaha o ō rātou kaihanga. E tūmanakohia ana ko Gordafarid Kākahu he mahi whakanuia, whakamīharotia, aroha nui, he whaihua, he auaha hoki. Ko tēnei hoahoa i toa i te Rino e whakakotahi ana i ngā tikanga pai rawa o te ahumahi, ā, he āhuatanga hangarau pūkenga tōna e hono ana ki te mōhio me te pūmanawa. E whakahonoretia ana a Gordafarid Kākahu mō tōna tōtika, ā, i hoahoatia hei whakapai ake i te kounga o te oranga me te āwhina i te ao kia pai ake.

I Muri i te Hoahoa

Kete Pāpāho

Ngā whakamihi, ngā mema o te rōpū me ngā taipitopito hangarau i whakaratohia e te kaihoahoa.

Āhuatanga Motuhake: This dress is a bridge between history and modernity
Reusing damaged and unusable handicrafts (Iranian carpets) and introducing them into the fashion industry without changing the original structure of the work, as well as the headband, which is a combination of Iranian geometry and modern origami technique

The items have multiple uses,
A springy and soft shawl that we can give different forms to on the body
. A carpet that can be worn or hung on the wall or placed on the floor as a work of art
Inenga & Pēketanga: Blouse : width 250mm x 500mm
Pants: width 700mm x 1100mm
One look size 38
Tūtohu: Sustainable fashion, fashion design, clothing, cultural design, origami technique, persian carpet, redesign, draping
Hangarau Whakanao: This garment uses environmentally friendly materials such as linen in the pants and carpet in the torso

The pants are made using the draping technique, modeled after the clothing of Iranian tribes.

The garment and accessories use variable straps to allow for changing size and function.

A combination of metal spring wires and fabric is used to create a flexible and formable scarf.
Wero Hoahoa: Our main challenge in this project is how to combine the main concept, i.e. free woman, with the identity of Iranian culture and art, and also the correct interaction of these two concepts with fashion with a modern approach, considering sustainable fashion.
Paying attention to the fact that not everything damaged is worthless and can be given meaning and life again by redesigning.
And another problem solved by the project is how to transform handicrafts into clothing while maintaining the original structure of the material and its harmony with the body's form and anatomy, which has turned it into a comfortable and stylish garment.
Rangahau: Research and Investigations:
Historical facts about the clothing, arts and crafts of Iranian peoples throughout history have been made according to the different empires, and the commonalities and consequences of each part of their clothing have been considered. For this project, historical books such as the Shahnameh have been referred to in order to better understand the authenticity of Iran and the influential Iranian women, their role and power.
Whakaaweawe: The inspiration for this design is the expression of courage, freedom and beauty of women against anti-women thinking, who stand amidst the limitations of which the Maripach spring shawl is a symbol of these thoughts, and despite their wounds, which are shown on the torso of the dress with the damaged carpet, they inspire beauty and freedom.

Because of the social, cultural and artistic meaning of this work, we named it Gard Afridi, a symbol of a brave and free woman in Ferdowsi's Shahnameh.
Roanga o te Kaupapa: The project started in May 2024 in Semnan and Finished in December in 2024 in semnan .
Rerenga Mahi: Transmitting a sense of authenticity and beauty using an old Persian carpet, hand-woven trousers inspired by the Persian tribal customs, a red headband worn by Achaemenid warriors after winning a war, and a spring shawl that expresses limiting thinking like a cocoon wrapped around a woman, but a woman with her courage inspires freedom and beauty.
Ngā Mema o te Rōpū: Mina Aliyari
Shahin Nayyer
Whakamana Whakaahua: Images #1 to #5 : Photographer Mahdie Jalali ,Gordafarid ,2024