From Past To Future Hoahoanga o Roto mō te Whare Noho nā Sema Yazici

Ko te hoahoa From Past To Future Hoahoanga o Roto mō te Whare Noho nā Sema Yazici he kaitoa whakahirahira o te 2025 A' Design Award Parahi i te Wāhanga Whakataetae Hoahoa Roto Whare me te Whakaaturanga.

ParahiRoto Whare· 2025

From Past To Future Hoahoanga o Roto mō te Whare Noho

nā Sema Yazici

Kiritaki: Sakura Architecture

Kaitoa o te A' Design Award Parahi i te Wāhanga Roto Whare

13,464

Kaitoa Tohu Manatokohia

Manatokohia te Tūnga Tohu mō #168424

Torohia te Pae Tirohia i te A' Design Award Pānui Pāpāho Tohu Tohu

Ngā Tae

Te Hoahoa

Mō From Past To Future Hoahoanga o Roto mō te Whare Noho

Ko From Past To Future he hoahoanga o roto mō te whare noho i Suadiye, Istanbul, e 155 mita pātaka te horahanga whaimahi. Ko ngā taonga rākau, ngā mahi toi me ngā taputapu i kohia e ngā kainoho i roto i ngā tau maha kua whakakotahitia ki ngā taonga hou o tēnei rā. I whakamahia te mapere ki te kūwaha, ngā ara haere me ngā whare horoi, ā, i whakatakotoria te papa rākau (parquet) ki ngā rūma me te kīhini. Ko ngā papa tūru porohēna, ngā pepa pakitara me ngā rama karāhe tioata e whakaoti ana i ngā rūma. I wehea te rūma tuawhā kia rua ngā wāhanga, ko tētahi hei wāhi kākahu, ko tētahi hei wāhi horoi kākahu, kia pai ake ai te whaimahi.

Te Whakamihi

Mō te A' Design Award Parahi

Ko From Past To Future Hoahoanga o Roto mō te Whare Noho te toa o te A' Design Award Parahi, he whakaaetanga tino whai mana e hoatu ana ki ngā hoahoa kōeke e tohua ana mā te auaha, te mahi mōhio me te whakaaro hōhonu. Ko ngā toa Parahi he mahi pukenga e rite ana, he auaha mīharo, e whakatūturu ana i te wheako nui, te whakaaro me te mōhio-ā-ringa o ā rātou kaihoahoa. E tūmanakohia ana ko From Past To Future Hoahoanga o Roto mō te Whare Noho he taonga whakanuia, whakamīharotia, aroha nui, he ngaio, he auaha hoki. Ko tēnei hoahoa i toa i te Parahi e whakauru ana i ngā tikanga pai rawa i te toi, te pūtaiao, te hoahoa me te hangarau, ā, he tino mīharo ki ngā taipitopito. Ka whakatutuki a From Past To Future Hoahoanga o Roto mō te Whare Noho i ngā hiahia, ka pā ki ngā hiahia, ka whakaoho i ngā kare-ā-roto, ā, ka kume i te pākiki.

I Muri i te Hoahoa

Kete Pāpāho

Ngā whakamihi, ngā mema o te rōpū me ngā taipitopito hangarau i whakaratohia e te kaihoahoa.

Āhuatanga Motuhake: The homeowners previously resided in a larger apartment in Emirgan. Over the years, furniture, accessories, and works of art (deemed valuable by the householders) was utilized, and it was desired that these items be incorporated into their new home. With the objective of designing elegant and functional spaces with modern touches, a completely new set of structural materials was employed, and the colors and fabrics of certain furniture pieces
Inenga & Pēketanga: This apartment is characterized by a net usable area of 155 square meters. Originally designed by the construction firm as a four plus one unit configuration, it was transformed into a 3.5 room and 1 living room at the request of the homeowners by partitioning the fourth room into a vestiary and a space for laundry. Additionally, an enclosed balcony area overlooking the landscaped zone is incorporated into the design.
Tūtohu: Residence, family house, artistic details, antique and modern, memory space, eclectic design, places with a story
Hangarau Whakanao: In the corridors and wet areas, marble was selected for its timeless and understated appearance. In the rooms and kitchen, wooden parquet was utilized for its warm and natural texture. In the furniture, a combination of natural wood veneer and lacquered polished finishes was employed to achieve smooth and natural transitions. Wallpaper was applied in various spaces to infuse the place with dynamism, thereby mitigating any sense of stagnation. Crystal chandeliers were integrated with paneled wall details and antique furniture. Porcelain was used on the bathroom and kitchen countertops for its hygienic properties and modern appearance. The soft fabrics utilized on the sofas were enhanced with colorful and patterned cushions. Finally, the decoration was completed with the incorporation of artworks, accessories, and plants.
Wero Hoahoa: Due to the fact that the residence's area was not particularly large relative to the needs and demands, it was required that every square meter be meticulously configured to yield both functional and elegant spaces. It was established as our primary principle to harmonize the desired furniture and accessories with the new designs in order to achieve unity in color and texture. Consequently, a warm home environment, bearing the imprints of both the past and the present, was created.
Rangahau: This residence exhibits an eclectic design in which the cherished mementos accumulated by the homeowners over the years are combined with contemporary modern designs. The piano in the residence was produced in Germany in 1923, the decorative samovar (teapot) in the living room was produced in Russia in 1914, and the chest in the living room (an heirloom passed down from the homeowner’s mother) was produced in Diyarbakır in 1948. Accessories gathered from travels to countries such as China, Indonesia, and America were incorporated, while paintings and prints by both contemporary and traditional Turkish as well as international artists were included.
In this process, the structural spaces and new furniture were designed and implemented with the aim of achieving functionality, aesthetics, and harmony.
Whakaaweawe: It is the motto of Sakura Architecture that spaces imbued with a story are designed. The apartment located in Suadiye is regarded as a warm home, brought to life by its books, accessories, artworks, and furniture. Every detail (from the safe preserved from the householders' academic years in America, to the buffet imported from Singapore, and to the pomegranate painting serving as a symbol of abundance and prosperity) is imbued with a narrative. All the memories accumulated by the inhabitants are revived in this home in conjunction with our designs.
Roanga o te Kaupapa: This project was completed in Suadiye, Istanbul, in July 2024.
Rerenga Mahi: In the entrance, corridors, and bathrooms of the residence, black and white marble was employed for the flooring. The black marble on the entrance floor was utilized as both decoration and a border to introduce dynamism. In order to break the tranquility and stillness present in the corridors, black oval tags were chosen for the door transitions. In this manner, unity between the floor and walls was achieved, and by extending the black hue into the living room, overall harmony within the home was ensured. In the living room, a classical and elegant space was created through the use of marquetry parquet flooring, a marble fireplace, wainscoting on the walls, and crystal chandeliers, while the red chosen for the fabrics, accessories, and buffet imparted a dynamic and energetic effect.
In the bathrooms, marble was applied to the floors and wallpaper to the walls, thereby balancing warm and cool materials. While color harmonies were established through the furniture, the patterns of the wallpaper introduced movement to the smaller spaces.
The kitchen was addressed with functional and minimalist furniture. Elegant touches were added to the space through brass details, beveled glass elements, and golden marble veining on the countertop.
In the living room, a modern, striking and dynamic environment was conceived through a circular TV unit and a peach-toned wall color, while a nostalgic reference to bygone times was evoked with the inclusion of an antique piano.
Ngā Mema o te Rōpū: Sema Yazici
Yadigar Tanriverdi
Nurten Yildiz
Whakamana Whakaahua: Erhan Tarlıg