Embrace The Poetry Of Self Kaakahu nā Ji Yibo

Ko te hoahoa Embrace The Poetry Of Self Kaakahu nā Ji Yibo he kaitoa whakahirahira o te 2025 A' Design Award Rino i te Wāhanga Whakataetae Hoahoa Kākahu, Āhua me te Kākahu.

RinoKākahu· 2025

Embrace The Poetry Of Self Kaakahu

nā Ji Yibo

Kiritaki: Nanjing University of the Arts

Kaitoa o te A' Design Award Rino i te Wāhanga Kākahu

49,195

Kaitoa Tohu Manatokohia

Manatokohia te Tūnga Tohu mō #169049

Tirohia i te A' Design Award Pānui Pāpāho Tohu Tohu

Ngā Tae

Te Hoahoa

Mō Embrace The Poetry Of Self Kaakahu

Ko te "Awhitia te Pehepehe o te Tangata Whaiaro" he kohinga kaakahu waahine e ahu mai ana i te kaakahu roa. Ko te hanganga o te haate taane tuku iho kua whakauruhia ki roto i te kaakahu waahine, aa, ka whakamahia te tapahi toru-ahua hei whakakotahi i eenei momo e rua. Ka wetewetehia, ka whakaahuahia anootia ngaa hanganga kaakahu hei whakapoauau i ngaa rohe i waenga i ngaa kaakahu whai-ira. Ko te hua, kotahi te kaakahu ka taea te mau i roto i eeraa momo aahua maha. Ka honoa te mahi me te aahua ki roto i te kaakahu kotahi. E whakaata ana teenei kohinga i te tuakiri waahine me te hononga waahi i waenganui i te kaakahu me te tinana.

Te Whakamihi

Mō te A' Design Award Rino

Ko Embrace The Poetry Of Self Kaakahu te toa o te A' Design Award Rino, he whakaaetanga whai mana e hoatu ana ki ngā hoahoa pai e whakatutuki ana i ngā hiahia ngaio me te ahumahi e tūmanakohia ana mai i ngā mahi kua hoahoatia pai. Ko ngā toa Rino e whakaatu ana i te pukenga nui, te tohungatanga teitei, te māramatanga mātanga me te kaha auaha o ō rātou kaihanga. E tūmanakohia ana ko Embrace The Poetry Of Self Kaakahu he mahi whakanuia, whakamīharotia, aroha nui, he whaihua, he auaha hoki. Ko tēnei hoahoa i toa i te Rino e whakakotahi ana i ngā tikanga pai rawa o te ahumahi, ā, he āhuatanga hangarau pūkenga tōna e hono ana ki te mōhio me te pūmanawa. E whakahonoretia ana a Embrace The Poetry Of Self Kaakahu mō tōna tōtika, ā, i hoahoatia hei whakapai ake i te kounga o te oranga me te āwhina i te ao kia pai ake.

I Muri i te Hoahoa

Kete Pāpāho

Ngā whakamihi, ngā mema o te rōpū me ngā taipitopito hangarau i whakaratohia e te kaihoahoa.

Āhuatanga Motuhake: The delicate fabric subtly conveys the graceful curves of a woman while also carrying strong gender symbols. This collection deconstructs and reconstructs clothing structures, using three-dimensional cutting and deconstruction techniques to spatially reshape traditionally gendered garments such as men's shirts and suits, blurring the boundaries of gender and creating a limitless interactive space between clothing and the body.
Inenga & Pēketanga: 25cm*2cm*80cm
Tūtohu: Apparel, Clothes, Fashion, Dress, Woman
Hangarau Whakanao: In terms of structure design, the transformation and fusion of the garment's three-dimensional structure change its functionality. By embedding the structure of a traditional men's shirt into a feminine dress, the designer employed three-dimensional cutting to enhance its integration, making it versatile and practical, offering "one garment with multiple styles." At the same time, the functional and aesthetic qualities of the clothing merge seamlessly, providing women with a broader range of styling possibilities.
Wero Hoahoa: Balancing fit and comfort can be challenging, as different body types have varying needs. Choosing fabrics that meet aesthetic, comfort, and functionality requirements is essential. Cost control is another difficulty, as high-quality materials and intricate craftsmanship can increase expenses. Additionally, the complexity of designs may affect production efficiency. Rapid changes in market trends require quick responses to keep up with fashion. Sustainability poses challenges as eco-friendly materials and processes often come with higher costs and limited technology. These difficulties demand that designers find the best balance between creativity, aesthetics, technology, and market demands.
Rangahau: Ergonomic analysis to optimize fit and comfort; material technology research to select breathable, waterproof, and antibacterial functional fabrics; fashion trend analysis to integrate market demands with stylish elements; craftsmanship and structural optimization to enhance tailoring techniques and durability; eco-friendly and sustainable design using recycled materials and environmentally friendly processes; and smart wearable technology with features such as temperature control and health monitoring. These research approaches ensure that clothing achieves the best balance of comfort, functionality, aesthetics, and sustainability.
Whakaaweawe: The Embrace the Poetry of Self collection is inspired by a profound reflection on female identity and the spatial structure of the body. As a staple in women's daily wardrobes, the dress symbolizes both fashion and femininity.
Roanga o te Kaupapa: The project started in September 2016 in Nanjing and finished in September 2017 in Nanjing, exhibiting in Nanjing University of the Arts.
Rerenga Mahi: In terms of structure design, the transformation and fusion of the garment's three-dimensional structure change its functionality. By embedding the structure of a traditional men's shirt into a feminine dress, the designer employed three-dimensional cutting to enhance its integration, making it versatile and practical, offering "one garment with multiple styles." At the same time, the functional and aesthetic qualities of the clothing merge seamlessly, providing women with a broader range of styling possibilities.
Ngā Mema o te Rōpū: Ji Yibo