Life Forms of Colors Toi Matihiko nā Yuko Suzuki

Ko te hoahoa Life Forms of Colors Toi Matihiko nā Yuko Suzuki he kaitoa whakahirahira o te 2025 A' Design Award Hiriwa i te Wāhanga Whakataetae Hoahoa Hanga, Hātepe, Tawhā me te AI-Āwhina.

HiriwaHoahoa Hanga· 2025

Life Forms of Colors Toi Matihiko

nā Yuko Suzuki

Kiritaki: Civic Creative Base Tokyo (CCBT)

Kaitoa o te A' Design Award Hiriwa i te Wāhanga Hoahoa Hanga

176,057

Kaitoa Tohu Manatokohia

Manatokohia te Tūnga Tohu mō #170854

Tirohia i te A' Design Award Pānui Pāpāho Tohu Tohu

Ngā Tae

Te Hoahoa

Mō Life Forms of Colors Toi Matihiko

Ko tēnei mahi he whakaatahanga e whakaatu ana i te tukanga o te whakawehewehetanga me te whakahangatanga anō o ngā pūkira. I tīmata te whakaaro mō tēnei mahi i te wā i hiahia ai te ringatoi, he kaiwhakatā ia, ki te hanga i tētahi tā whenua, ā, ka pātai mehemea ka taea e ia te wehe tae mā te waehere. Ka puta mai ngā pūkira e rite ana ki ngā pūtau, e neke ana ki te hanga i ngā āhua hou me ngā tae hou, e whakatinana ana i ngā ariā Hapanihi o te Kasane (te whakapāpā) me te Zurashi (te nekenga). E tohu ana hoki i ngā whakarerekenga maha ka taea e te tangata, e whakaputa ana i te kanorau me te rerenga puta noa i te mahi, ā, e whakaata ana i te tūtakitanga o te tuku iho me te hangarau.

Te Whakamihi

Mō te A' Design Award Hiriwa

Ko Life Forms of Colors Toi Matihiko te toa o te A' Design Award Hiriwa, he whakaaetanga tino whai mana e hoatu ana ki ngā hoahoa taumata teitei rawa, ātaahua me te whakamīharo. Ko ngā toa Hiriwa he mahi tino kanapa, tino auaha e whakaatu ana i te mātanga, te pūmanawa me te mōhio hōhonu o ā rātou kaihoahoa. E tūmanakohia ana ko Life Forms of Colors Toi Matihiko he mahi whakamīharo, he tauira, he tino ngaio, he auaha hōhonu. Ko tēnei hoahoa i toa i te Hiriwa he hanganga rongonui, whakamīharotia e whai wāhi ana ki te whakawhānui i ngā rohe o te toi, te pūtaiao, te hoahoa me te hangarau. Ko Life Forms of Colors Toi Matihiko he mahi e hae ana te tini, e whakaara ana i ngā hiahia, e kawe mai ana i ngā kare-ā-roto pai, ā, e whakaoho ana i te mīharo.

I Muri i te Hoahoa

Kete Pāpāho

Ngā whakamihi, ngā mema o te rōpū me ngā taipitopito hangarau i whakaratohia e te kaihoahoa.

Āhuatanga Motuhake: This animation breaks down an image into pixels, reconstructing and transforming them repeatedly. The pixels emerge like cells, moving and forming new shapes and colors, embodying the Japanese concepts of "Kasane (layering)" and "Zurashi (shifting)." This reflects how living beings shape the world, either by choice or by following the flow. The ever-changing forms symbolize human transformation and the cycle of life and death.
Inenga & Pēketanga: LED screen 4m × 4m, 10 minutes 30 seconds
Tūtohu: Generative Art, Coding
Hangarau Whakanao: This work was created entirely in a programming language called Processing.
It is made up of multiple animations that change from one shape to the next, linked together.
Wero Hoahoa: The most difficult and exciting part was figuring out how to connect all of the different shapes through coding.
It was impossible to create all of the animations in one document, so I divided the whole thing into four scenes, created the animation, and connected them using video editing software.
Rangahau: This design research explores an animation technique that uses coding to break down and reconstruct pixels.
Through this process, the artist began to feel as if the pixels symbolized the workings of humans and the world. The pixels are like cells, but at the same time, they also seem like the individual people that make up the world. This created a sense of moving between the micro and macro worlds.
Through the use of digital technology, this research offers new methods of visual expression in art, business and society, and suggests the possibility of redefining cultural value.
Whakaaweawe: The impetus for creating this work began when the artist, a printmaker, wanted to create a landscape print, and wondered whether it would be possible to achieve color separation through coding. This was the beginning of an attempt to incorporate the physical acts of producing a multi-color woodblock print - "color separation of the print," "overprinting, " and "rolling the paper" - into code, and it developed into the more abstract idea of "creating a three-dimensional print."
Roanga o te Kaupapa: This work was exhibited as part of the CCBT x Yebisu International Festival for Art and Alternative Visions 2024 "Poems in Code: Generative Art Today and Programming Generated Moving Image" project held in Tokyo in February 2024.
Rerenga Mahi: This work is an animation that depicts the process of pixels being broken down and reconstructed. As you watch, the pixels move and transform, creating new shapes. The changes in the pixels symbolize the potential for people to transform in various ways, and this diversity and fluidity is expressed throughout the work.
Whakamana Whakaahua: Image #1: Photographer Ryuichi Maruo, Life-forms of colors, 2024, Photo courtesy Civic Creative Base Tokyo [CCBT].
Image #2: Photographer Ryuichi Maruo, Life-forms of colors, 2024, Photo courtesy Civic Creative Base Tokyo [CCBT].
Video Credits: Photographer Ryuichi Maruo, Life-forms of colors, 2024, Video courtesy Civic Creative Base Tokyo [CCBT].