Shibuya Tsutaya Whare Arumoni Matarau nā Tonerico:Inc.

Ko te hoahoa Shibuya Tsutaya Whare Arumoni Matarau nā Tonerico:Inc. he kaitoa whakahirahira o te 2026 A' Design Award Hiriwa i te Wāhanga Whakataetae Hoahoa Roto Whare me te Whakaaturanga.

HiriwaRoto Whare· 2026

Shibuya Tsutaya Whare Arumoni Matarau

nā Tonerico:Inc.

Kaitoa o te A' Design Award Hiriwa i te Wāhanga Roto Whare

19,601

Kaitoa Tohu Manatokohia

Manatokohia te Tūnga Tohu mō #174328

Torohia te Pae Tirohia i te A' Design Award Pānui Pāpāho Tohu Tohu

Ngā Tae

Te Hoahoa

Mō Shibuya Tsutaya Whare Arumoni Matarau

He whare arumoni matarau a Shibuya Tsutaya kei te Whakawhitinga o Shibuya i Tōkyō. I tangohia te whare kia noho ko tōna anga hanganga anake, ā, i whakakotahitia ngā wāhi tuwhera ki ngā rawa hina hei kānawehi kore-taha. He āhua motuhake tō ia o ngā papa e rua i raro i te whenua me ngā papa e whitu o runga, engari i āta waiho kia kore e oti rawa ia wāhi kia āhei ai te panoni ā muri ake. I tangohia ngā mea kore-mātua kia mārama ai ngā tirohanga, kia māmā ai te haere. E tata ana ki te 500 ngā nohoanga me ngā ripanga matihiko hei tautoko i ngā manuhiri, ā, ka whakaatuhia e tētahi mata nui i te kanohi o te whare ngā rongo kōrero me ngā pārongo takahanga.

Te Whakamihi

Mō te A' Design Award Hiriwa

Ko Shibuya Tsutaya Whare Arumoni Matarau te toa o te A' Design Award Hiriwa, he whakaaetanga tino whai mana e hoatu ana ki ngā hoahoa taumata teitei rawa, ātaahua me te whakamīharo. Ko ngā toa Hiriwa he mahi tino kanapa, tino auaha e whakaatu ana i te mātanga, te pūmanawa me te mōhio hōhonu o ā rātou kaihoahoa. E tūmanakohia ana ko Shibuya Tsutaya Whare Arumoni Matarau he mahi whakamīharo, he tauira, he tino ngaio, he auaha hōhonu. Ko tēnei hoahoa i toa i te Hiriwa he hanganga rongonui, whakamīharotia e whai wāhi ana ki te whakawhānui i ngā rohe o te toi, te pūtaiao, te hoahoa me te hangarau. Ko Shibuya Tsutaya Whare Arumoni Matarau he mahi e hae ana te tini, e whakaara ana i ngā hiahia, e kawe mai ana i ngā kare-ā-roto pai, ā, e whakaoho ana i te mīharo.

I Muri i te Hoahoa

Kete Pāpāho

Ngā whakamihi, ngā mema o te rōpū me ngā taipitopito hangarau i whakaratohia e te kaihoahoa.

Āhuatanga Motuhake: Shibuya TSUTAYA was stripped down to its structural skeleton, with the raw space unified in gray materials to create contrast with later-added elements and to preserve an “unfinished” canvas throughout the building.
While each floor maintains its unique character, no area is ever fully designed—each is intentionally left open-ended. This deliberate unfinished incompleteness suggests the potential for future transformation.
Inenga & Pēketanga: On the first floor, the entrance was widened by adjusting the angle of the sash doors, and a secondary entrance was added on the Center-Gai shopping street side along the diagonal axis.
To accommodate the building's complex layout, comprising two basement levels and seven floors above ground, and its reliance on escalators for vertical circulation, all non-essential elements beyond regulatory requirements were removed to create a clear, connected spatial flow with uninterrupted sightlines.
Tūtohu: Shibuya, TSUTAYA, Renewal, Unfinished Space, Skeletonization, Flexible Space, Commercial Facility, Visual Connectivity, Dynamic Design, Evolving City
Hangarau Whakanao: To maximize the floor area on every level, the core zones—including back-of-house spaces—were organized so that, even in their bare state, they serve as a neutral spatial backdrop.
Alongside this structural skeletonization, the bare spaces were unified with gray materials to distinguish them from the elements inserted later, intentionally leaving a gray “canvas” throughout the space.
Wero Hoahoa: Since visitors come from diverse countries and regions, the circulation plan needed to be intuitive and encourage proactive movement.
Additionally, to facilitate information access within the facility, strategically placed digital directories provide updates using minimal text and strong visuals—benefiting users while also easing operational demands.
Rangahau: Shibuya is a town where people from many different countries, regions, and generations come and go. Therefore, we conducted thorough research on the surrounding area. We surveyed people in the town to learn what they currently need and what is lacking, and we reflected these findings in the floor layout. For example, many respondents noted a lack of places to rest, so we decided to include approximately 500 seats in the facility.
Whakaaweawe: Shibuya is a hub of creative energy—constantly evolving, and defined by its openness to change and its allure as an unfinished city. This nature inspired the project’s core concept: “leaving space unfinished.”
The concept took years to develop, beginning with a full structural reset to explore the site's potential. Located directly at Shibuya Crossing, the design reimagines how the space can respond to the present moment and act as a new cultural platform.
Roanga o te Kaupapa: The project was launched in Tokyo on March 5, 2021, and opened in Shibuya, Tokyo on April 25, 2024.
Rerenga Mahi: Situated at the iconic Shibuya Crossing—where approximately 500,000 people pass daily—the building’s façade features a large LED screen designed for visibility from multiple angles.
This screen continually broadcasts not only in-house event updates but also news and timely advertisements, transforming the architecture into a dynamic hub that connects the city, its people, and businesses.
Ngā Mema o te Rōpū: Hiroshi Yoneya
Ken Kimizuka
Kai Kitahara
Momo Suzuki
Whakamana Whakaahua: Main Image: Photographer Nacása & Partners Inc., SHIBUYA TSUTAYA, 2024.
Image #1: Photographer Nacása & Partners Inc., SHIBUYA TSUTAYA, 2024.
Image #2: Photographer Nacása & Partners Inc., SHIBUYA TSUTAYA, 2024.
Image #3: Photographer Nacása & Partners Inc., SHIBUYA TSUTAYA, 2024.
Image #4: Photographer Nacása & Partners Inc., SHIBUYA TSUTAYA, 2024.